Minutes Watched | Title | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched |
| | | | | | | | | | |
185,643.00 | Total Minutes Viewed (1324 Titles) | 10,852.30 | 5,594.70 | 11,215.30 | 70,499.50 | 3,092.70 | 46,198.50 | 2,781.00 | 16,483.30 | 18,922.80 |
4,145.20 | Hitler - A Career | 405.8 | 284 | 276.5 | 1,018.20 | 170.2 | 1,007.80 | 0 | 687.3 | 295.3 |
4,057.30 | The Story of Film: An Odyssey, Part 1 | 205.2 | 147.7 | 262.7 | 655.8 | 78.2 | 1,633.00 | 306.2 | 627.3 | 141.3 |
3,117.30 | The Battle of Chile (Part 1) | 233.2 | 58.8 | 0 | 1,730.80 | 0 | 622.7 | 0.2 | 263.5 | 208.2 |
2,388.20 | The Story of Film: An Odyssey, Part 2 | 196.2 | 65 | 196.5 | 381.2 | 33.7 | 939.7 | 199.2 | 199.8 | 177 |
2,357.50 | The Battle of Chile (Part 2) | 133.8 | 0 | 0 | 1,505.50 | 0 | 276.3 | 89.2 | 164.7 | 188 |
2,234.00 | This Stolen Country of Mine (w/ Fernando Villavicencio) | 173.8 | 99.5 | 22.5 | 983.5 | 2.5 | 468.8 | 0 | 205.5 | 277.8 |
1,942.20 | Users | 184.7 | 90.5 | 283.2 | 562.8 | 0.2 | 538.3 | 0 | 225.8 | 56.7 |
1,932.50 | The Story of Film: An Odyssey, Part 4 | 19.3 | 17.2 | 80.2 | 453 | 63.3 | 844.8 | 196.3 | 129.2 | 129.2 |
1,883.50 | The Story of Film: An Odyssey, Part 3 | 0 | 28.8 | 66.7 | 452.5 | 18 | 862.8 | 195 | 127.5 | 132.2 |
1,858.50 | Casting Blossoms to the Sky | 189.8 | 159 | 163.7 | 467.7 | 105.5 | 592.8 | 0 | 16.8 | 163.2 |
1,704.70 | The Story of Film: An Odyssey, Part 5 | 13.8 | 64 | 73.5 | 467 | 0 | 730.2 | 128.5 | 108.7 | 119 |
1,700.30 | Chile, Obstinate Memory | 69 | 20.2 | 69.5 | 569.5 | 56.5 | 788.2 | 55.7 | 61 | 10.8 |
1,687.30 | Seraphine (Martin Provost) | 21.3 | 248.2 | 130.7 | 168.7 | 0 | 542.5 | 0 | 320.7 | 255.3 |
1,639.80 | I Am Become Death: They Made the Bomb | 110 | 52.7 | 0.5 | 608.7 | 101.5 | 415.7 | 0 | 157.2 | 193.7 |
1,440.80 | The Battle of Chile (Part 3) | 21.3 | 0 | 0 | 958.7 | 0 | 215.7 | 80.7 | 79.2 | 85.3 |
1,414.70 | Salvador Allende | 0.7 | 0 | 101.5 | 629.7 | 0 | 326.3 | 2.7 | 353.7 | 0.2 |
1,335.50 | The Pencil | 76.5 | 94.2 | 2.5 | 263.8 | 0 | 556.5 | 46.2 | 0 | 295.8 |
1,297.30 | Fire Will Come (Oliver Laxe) | 0.7 | 0 | 115.8 | 219.7 | 0 | 365.2 | 0 | 258.3 | 337.7 |
1,290.20 | Scrap | 88.5 | 84.2 | 93.8 | 88.2 | 0 | 635.3 | 0 | 137.2 | 163 |
1,238.80 | Bad Hair | 153 | 93.5 | 19.5 | 240.7 | 1.7 | 198 | 0 | 251.7 | 280.8 |
1,048.20 | Everything Else (Todo lo Dem√°s) | 56.5 | 1.8 | 32.8 | 194 | 29.7 | 194.7 | 0 | 202.2 | 336.5 |
1,020.20 | The Story of Film: An Odyssey, Part 6 | 0 | 0 | 0 | 309.5 | 0 | 457.7 | 131.7 | 65.3 | 56 |
1,012.50 | The Libertine | 24 | 10.3 | 257.2 | 220.8 | 40.7 | 141.3 | 0 | 1.5 | 316.7 |
1,006.00 | Shortbus (John Cameron Mitchell) | 21.2 | 0.3 | 6.7 | 283.5 | 0.2 | 164 | 99 | 37.3 | 393.8 |
1,001.50 | Arsène Lupin | 40.8 | 100.5 | 5.2 | 133.8 | 10.7 | 278 | 0 | 5.3 | 427.2 |
976.2 | A Film About Couples | 111 | 103.8 | 0.2 | 317.5 | 0.2 | 66.3 | 5.7 | 151.8 | 219.7 |
967.5 | The Story of Film: An Odyssey, Part 8 | 0 | 64.5 | 0 | 236 | 0 | 454 | 130 | 83 | 0 |
965.3 | The Story of Film: An Odyssey, Part 7 | 0 | 0 | 0 | 274.3 | 0 | 497.2 | 129.3 | 64.5 | 0 |
940 | Contactado | 17.8 | 0 | 2 | 233.5 | 25.7 | 207.5 | 0 | 79.5 | 374 |
841.7 | Harry Dean Stanton - Partly Fiction | 172.3 | 0.3 | 0.2 | 209 | 0 | 184.3 | 0 | 121 | 154.5 |
840 | Why Has Bodhi-Dharma Left for the East? | 0.7 | 1.3 | 3.2 | 315.5 | 0 | 0 | 0 | 0.8 | 518.5 |
827.8 | The Story of Film: An Odyssey, Part 9 | 0 | 0 | 5 | 231.8 | 0 | 394.7 | 127.2 | 69.2 | 0 |
823.8 | Chicago Boys | 83 | 86.8 | 0.2 | 353.5 | 0 | 86.5 | 0 | 48.3 | 165.5 |
758.8 | The Story of Film: An Odyssey, Part 10 | 0 | 0 | 1.7 | 279 | 0 | 346.3 | 64.7 | 67.2 | 0 |
753.5 | November | 0.3 | 0.2 | 58.2 | 253.7 | 0.2 | 296.3 | 0 | 7.3 | 137.3 |
751.8 | Seven Weeks | 176.5 | 0 | 199 | 48.2 | 0.8 | 84 | 0 | 10.5 | 232.8 |
693.8 | Hanagatami | 187.3 | 8.8 | 15 | 190.3 | 13.7 | 40.5 | 0 | 53.3 | 184.8 |
691.7 | Sherman's March | 0 | 0 | 0 | 574.2 | 0 | 15.7 | 0 | 101.8 | 0 |
686.2 | The Celluloid Bordello | 0.3 | 84.7 | 42.2 | 182 | 60.2 | 226.8 | 28.7 | 60.3 | 1 |
680.5 | A Grin Without a Cat | 0 | 0 | 0 | 346.5 | 0 | 131 | 0 | 15.3 | 187.7 |
673.8 | Ethnic Notions | 0 | 0 | 0 | 622.7 | 0 | 0 | 0 | 51.2 | 0 |
660.2 | A Teacher | 0.7 | 3.2 | 103.5 | 203.2 | 0 | 250.2 | 0 | 20.3 | 79.2 |
652.7 | Summer of Dolphins | 0.2 | 0 | 0.3 | 195.8 | 44 | 248.7 | 80.5 | 0 | 83.2 |
651.7 | Matter Out of Place | 0 | 0 | 104 | 117 | 0 | 214 | 0 | 216.7 | 0 |
643.8 | All the World's Memory | 32.3 | 71.5 | 43.3 | 136.5 | 1.3 | 220.5 | 4.7 | 69.8 | 63.8 |
641.2 | No Ordinary Man | 3.3 | 0.2 | 90.3 | 231.8 | 1 | 60.2 | 0 | 168.8 | 85.5 |
612.8 | La Moustache | 23.2 | 0 | 88.7 | 122 | 1.7 | 85.2 | 0 | 178.5 | 113.7 |
611.7 | The Story of Film: A New Generation | 0.3 | 0.3 | 6.2 | 83.3 | 0.5 | 287 | 0 | 234 | 0 |
608.8 | Adam Smith, The Birth of the Free Market | 5.7 | 0 | 21.5 | 295.3 | 38.5 | 141 | 0 | 106.8 | 0 |
602.8 | Sex & Lucía | 0 | 287.8 | 86 | 25.2 | 0 | 203.8 | 0 | 0 | 0 |
601 | Maborosi | 0 | 76.7 | 46.5 | 166.5 | 0 | 177.3 | 0 | 21.7 | 112.3 |
597.3 | Father | 0 | 123.8 | 0 | 118.8 | 0.2 | 121.8 | 0.5 | 9.7 | 222.5 |
593.2 | Fool's Mate (Le Coup du Berger) | 0.2 | 29.3 | 93.7 | 158.2 | 0.5 | 190 | 0 | 75.7 | 45.7 |
592 | Into The Night (Part 1) | 0 | 0 | 28.2 | 165 | 0 | 250.2 | 0 | 0 | 148.7 |
576.8 | Eastern Front | 99 | 41.3 | 0.8 | 5.8 | 0.2 | 228 | 0 | 100.5 | 101.2 |
564.8 | The Lover | 6.8 | 114.3 | 49.7 | 6.2 | 0 | 383.5 | 0 | 0 | 4.3 |
555.2 | The Wonders (Alice Rohrwacher) | 6.7 | 0.2 | 88.2 | 19.2 | 0 | 100.8 | 0 | 113.8 | 226.3 |
548 | Black is... Black Ain't | 14.2 | 0 | 0 | 529 | 0 | 4.8 | 0 | 0 | 0 |
541 | All the Boys Are Called Patrick | 0 | 40.3 | 47.2 | 158.5 | 0.5 | 126.3 | 12.8 | 99.8 | 55.5 |
539.2 | The Wealth of Nations: A New Gospel? | 24.2 | 0 | 0 | 306.7 | 0 | 87.7 | 0 | 61.7 | 59 |
535 | Vicenta | 0 | 0 | 83.8 | 240.8 | 0 | 137.7 | 0 | 0.2 | 72.5 |
528.3 | Algren | 2.5 | 0 | 84.2 | 173.3 | 8.8 | 171.8 | 0 | 0 | 87.7 |
521.7 | Dachra | 62.8 | 0 | 0 | 40.2 | 0.2 | 184 | 0 | 5.2 | 229.3 |
519.5 | Suzanna Andler | 152.8 | 0 | 167.8 | 57.7 | 0 | 141.2 | 0 | 0 | 0 |
512.2 | On the French Riviera with Man Ray and Picasso | 0 | 0 | 17.5 | 275 | 0 | 219.7 | 0 | 0 | 0 |
498.8 | 4 Days in France | 0.3 | 0 | 145.3 | 0.2 | 0 | 301.7 | 0 | 51.3 | 0 |
488.3 | Bright Future | 22.2 | 0 | 0.2 | 228.8 | 0 | 237.2 | 0 | 0 | 0 |
484.2 | The Last Bolshevik | 0 | 0 | 118.5 | 114 | 0 | 251.7 | 0 | 0 | 0 |
483.7 | Secret Museums | 0.5 | 0 | 129.7 | 79 | 0 | 192.5 | 0 | 5 | 77 |
480.5 | The Story of Film: An Odyssey, Part 13 | 0 | 0 | 0 | 130 | 0 | 285.2 | 0 | 65.3 | 0 |
465.8 | Travels in the Congo (Voyage au Congo) | 24.3 | 0 | 0.8 | 340.3 | 0 | 100.3 | 0 | 0 | 0 |
464.5 | South | 0 | 0 | 73 | 165.5 | 0 | 148.8 | 0.3 | 76.8 | 0 |
462.8 | The Providers | 0 | 0 | 0 | 462.3 | 0 | 0.5 | 0 | 0 | 0 |
457 | What If Marx Was Right? | 0 | 0.3 | 0 | 204.8 | 15.3 | 121 | 0 | 60.8 | 54.7 |
452.5 | Seventeen | 120.5 | 0 | 0 | 332 | 0 | 0 | 0 | 0 | 0 |
449 | Love Exists | 19.7 | 23 | 126.2 | 74.5 | 0.5 | 181.2 | 0 | 4.7 | 19.3 |
446.5 | The Story of Film: An Odyssey, Part 12 | 0 | 0 | 0 | 127 | 0 | 254.5 | 0 | 65 | 0 |
443.3 | The Ister | 8 | 0 | 0 | 64 | 0 | 370.2 | 0 | 0 | 1.2 |
443.2 | August at Akiko's | 59.3 | 0 | 0 | 85 | 3.7 | 169.8 | 0 | 113.3 | 12 |
443 | A New Old Play | 0 | 0 | 53.8 | 196 | 0 | 0 | 0 | 0 | 193.2 |
442.2 | The Trials of Henry Kissinger | 0 | 0 | 0 | 94.5 | 0 | 243.3 | 0 | 0 | 104.3 |
437.5 | Paris, a Winter's Day | 9.8 | 20 | 31.8 | 113.5 | 0.2 | 195.7 | 0 | 46.3 | 20.2 |
431.5 | Tribal Justice | 0 | 0 | 0 | 431.5 | 0 | 0 | 0 | 0 | 0 |
429.8 | My Imaginary Country | 0 | 0 | 0 | 171.2 | 0 | 258.7 | 0 | 0 | 0 |
428 | Echoes of the Invisible | 0 | 0 | 54 | 172.2 | 0 | 115.5 | 0 | 0 | 86.3 |
426.7 | Summer 1993 | 0.2 | 0.2 | 0 | 101.3 | 209 | 116 | 0 | 0 | 0 |
426.5 | The Children of 209 Saint-Maur Street | 0.8 | 0 | 0.7 | 102.7 | 0 | 105.8 | 0 | 216.5 | 0 |
422.3 | The Story of Film: An Odyssey, Part 14 | 0 | 0 | 7 | 128 | 0 | 223 | 0 | 64.3 | 0 |
418.8 | Beyond My Grandfather Allende | 99.5 | 0 | 99.3 | 102.7 | 0 | 117.3 | 0 | 0 | 0 |
413.3 | And Then We Danced (Levan Akin) | 0 | 0 | 0.7 | 221.5 | 0 | 0 | 0 | 75.5 | 115.7 |
413.3 | Paths of the Soul | 0 | 0 | 0 | 120.8 | 0 | 139.8 | 0.3 | 5.7 | 146.7 |
411.2 | The Story of Film: An Odyssey, Part 11 | 0 | 0 | 0 | 147 | 0 | 133.7 | 65.5 | 65 | 0 |
410.2 | Obscene | 3.7 | 0 | 32 | 79.2 | 0 | 188 | 0 | 0 | 107.3 |
405.8 | So Late So Soon | 0 | 0 | 0.3 | 109.7 | 0 | 149.5 | 0 | 73 | 73.3 |
401.2 | Red Like the Sky | 0 | 0 | 0.7 | 95.8 | 0 | 108.8 | 0 | 0 | 195.8 |
397.7 | Monument | 0.7 | 0 | 0 | 116.8 | 0.2 | 1 | 0 | 107.7 | 171.3 |
397 | Do Communists Have Better Sex? | 21 | 115.5 | 0 | 38.3 | 0 | 85.2 | 0 | 52.7 | 84.3 |
397 | Agustin's Newspaper | 0.2 | 80.7 | 3.7 | 183.8 | 0 | 32.7 | 0 | 96 | 0 |
396.2 | White Balls on Walls | 0.2 | 3.7 | 0 | 89.2 | 0 | 13.7 | 0 | 148.3 | 141.2 |
396 | The Search | 0 | 0 | 0.5 | 284.5 | 0 | 0 | 0 | 0 | 111 |
395.3 | How to be a Good Wife | 0 | 13.3 | 0 | 116.7 | 0 | 154 | 0 | 0 | 111.3 |
395.2 | The Pearl Button | 0 | 0 | 81.3 | 149 | 0 | 82.8 | 0 | 82 | 0 |
394.8 | One Big Home | 0 | 11.7 | 89.2 | 181.3 | 0 | 89.7 | 0 | 23 | 0 |
394.5 | Sex and Broadcasting | 1 | 3 | 0.2 | 87.5 | 0 | 223.3 | 0 | 0 | 79.5 |
394 | Jai Bhim Comrade | 0 | 0 | 0 | 170.5 | 0 | 53.5 | 0 | 0 | 170 |
391 | The Marines | 27.2 | 0.5 | 23.3 | 107.7 | 0 | 164 | 0 | 62.7 | 5.7 |
390 | Love & Diane | 0 | 0 | 154.3 | 235.7 | 0 | 0 | 0 | 0 | 0 |
385.7 | Blind | 0.2 | 0 | 54.7 | 3.2 | 0 | 325.7 | 0 | 0 | 2 |
383.2 | One Bright Shining Moment | 0 | 0 | 129.2 | 125.2 | 0 | 128.8 | 0 | 0 | 0 |
373.5 | Camille Claudel | 0.3 | 22.7 | 2.2 | 347.7 | 0 | 0.7 | 0 | 0 | 0 |
363 | Dancing Dreams | 0 | 1.2 | 0 | 271.3 | 0 | 90.5 | 0 | 0 | 0 |
361 | Gabi on the Roof in July | 0 | 0 | 0 | 327.3 | 0 | 28.8 | 0 | 4.8 | 0 |
355.8 | Devil in the Flesh (Marco Bellocchio) | 4 | 10 | 22.5 | 120.5 | 0 | 189 | 0 | 0 | 9.8 |
354.5 | The Eye of Vichy | 0 | 0 | 121.2 | 112 | 0 | 119.3 | 0 | 2 | 0 |
353.5 | Chez Jolie Coiffure | 0 | 0 | 0.3 | 141.7 | 71.7 | 69.3 | 0 | 70.5 | 0 |
353 | Time Regained | 0 | 0 | 0 | 169.8 | 18 | 0 | 0 | 2.2 | 163 |
350.5 | The Fifteen Year Old Widows | 0 | 26.8 | 25.7 | 209.2 | 0 | 88.8 | 0 | 0 | 0 |
347.7 | The Corporate Coup d'État | 0 | 0 | 0 | 165.7 | 0 | 90.8 | 0 | 91.2 | 0 |
347 | River of Grass (Kelly Reichardt) | 0.8 | 0.8 | 0.8 | 35.3 | 0 | 156.2 | 0 | 0 | 153 |
343.2 | Ricardo and Malthus: Did You Say Freedom? | 0 | 0 | 0 | 175.8 | 0 | 55.3 | 0 | 57.7 | 54.3 |
342.7 | Good Manners | 1 | 0 | 70.3 | 130.8 | 0.2 | 140.3 | 0 | 0 | 0 |
341 | Til Madness Do Us Part | 0 | 0 | 272.7 | 68.3 | 0 | 0 | 0 | 0 | 0 |
340.8 | American Socialist: Eugene Debs | 98.3 | 1.5 | 0 | 169.3 | 0 | 31.2 | 0 | 0 | 40.5 |
339.7 | Augustine (Alice Winocour) | 0 | 23.3 | 0.2 | 200.2 | 0 | 12.2 | 0 | 0.8 | 103 |
339.5 | The Midnight Swim | 5.5 | 3.2 | 0 | 259.5 | 19.5 | 51.7 | 0 | 0.2 | 0 |
338.7 | Secrets from Putumayo | 0 | 0 | 72.5 | 62.2 | 0.8 | 198.3 | 0 | 4.8 | 0 |
338.3 | The Hitler Chronicles - Blueprint for Dictators - Part 1 | 60.5 | 0 | 0.3 | 118.8 | 0 | 84.7 | 0 | 53.7 | 20.3 |
336.7 | Nomad: In the Footsteps of Bruce Chatwin (Werner Herzog) | 0.2 | 0 | 0.2 | 135.8 | 0.2 | 91.8 | 0 | 0 | 108.5 |
336.7 | Sediments | 78 | 0 | 1.2 | 0 | 0 | 130.2 | 0 | 0 | 127.3 |
331.3 | The Story of Film: An Odyssey, Part 15 | 0 | 0 | 0.3 | 68.3 | 0 | 197.7 | 0 | 65 | 0 |
330.7 | The Written Face | 0 | 0 | 0 | 273.8 | 0 | 56.8 | 0 | 0 | 0 |
327.3 | Born in Flames | 0.8 | 0 | 0 | 325.5 | 0 | 0 | 0 | 0 | 1 |
327.2 | Howard Zinn: A People's History of the United States | 0 | 41 | 0 | 95.2 | 11.5 | 89.7 | 0 | 89.8 | 0 |
323.3 | The New Americans - Episode 3 | 0 | 0 | 0 | 323.3 | 0 | 0 | 0 | 0 | 0 |
321.8 | Creepy | 0 | 0 | 100.7 | 221.2 | 0 | 0 | 0 | 0 | 0 |
321.2 | Jean-Michel Basquiat: The Radiant Child | 0 | 0 | 0 | 106.8 | 0 | 36.5 | 0 | 84 | 93.8 |
321 | No Gods, No Masters - Pt. I | 84.8 | 0 | 39.8 | 133.8 | 0 | 62.5 | 0 | 0 | 0 |
320.7 | Maison Close - Episode 1 | 0 | 14 | 3.5 | 147.3 | 0 | 100.8 | 55 | 0 | 0 |
317.2 | The Migrumpies | 0 | 0 | 0 | 0 | 0 | 32.5 | 0 | 0 | 284.7 |
316.7 | Red Hollywood | 122.2 | 0.2 | 0 | 95.8 | 0 | 98.5 | 0 | 0 | 0 |
316 | Le Joli Mai | 0 | 0 | 0 | 243.3 | 0 | 72.7 | 0 | 0 | 0 |
314.8 | The Time of Forests | 0 | 103.8 | 0 | 208.5 | 0 | 2.5 | 0 | 0 | 0 |
313.8 | Terribly Happy | 105.3 | 0 | 0 | 0 | 0 | 208.5 | 0 | 0 | 0 |
311.5 | Latin Kings: A Street Gang Story | 0 | 0 | 0 | 227.3 | 0 | 0 | 0 | 0 | 84.2 |
311.3 | Sex in the Comix | 0.3 | 0.3 | 27.7 | 78.3 | 0 | 143.8 | 0 | 37 | 23.8 |
310.7 | Alena | 0.5 | 3.7 | 0.3 | 97.7 | 82 | 126.5 | 0 | 0 | 0 |
308.8 | The Botanical Avatar of Mademoiselle Flora | 31.7 | 28.2 | 18.2 | 112.5 | 0 | 83.2 | 0 | 20.2 | 15 |
298.2 | Hal (a film about Hal Ashby) | 0 | 1.7 | 0 | 0 | 0 | 175 | 0 | 30.3 | 91.2 |
296.5 | Tony Manero | 0 | 0 | 0 | 94.8 | 0 | 99.5 | 0 | 0 | 102.2 |
294.7 | Forgiving Dr. Mengele | 0 | 0 | 0 | 294.7 | 0 | 0 | 0 | 0 | 0 |
292 | Reason (Part 1) | 0 | 96.7 | 0 | 192.5 | 0 | 0.8 | 0 | 2 | 0 |
288.7 | Short Experimental Films 2022 | 0 | 0 | 0 | 251.2 | 0 | 37.5 | 0 | 0 | 0 |
288.3 | 100 Children Waiting for a Train | 0.2 | 0 | 0 | 230.2 | 0 | 58 | 0 | 0 | 0 |
286.2 | The Decline of the American Empire | 0 | 96.7 | 0 | 125 | 0 | 59.8 | 0 | 4.7 | 0 |
286.2 | This is Cristina | 0 | 0 | 0 | 122 | 0 | 164.2 | 0 | 0 | 0 |
284.2 | Nowhere in Africa | 0 | 0 | 0 | 6.5 | 0 | 277.7 | 0 | 0 | 0 |
283.7 | The Pinochet Case | 0 | 0 | 0 | 283.5 | 0 | 0 | 0 | 0 | 0.2 |
283 | The Adventurers of Modern Art - Ep 1 | 0 | 0 | 0 | 50.8 | 0 | 133.7 | 0 | 22.5 | 76 |
282.5 | Sunrise/Sunset | 0 | 0 | 0 | 185.2 | 0 | 2.5 | 0 | 20.5 | 74.3 |
280.8 | Air Doll (Hirokazu Kore-eda) | 13.3 | 0 | 0.8 | 3.3 | 0 | 24.5 | 0 | 1.5 | 237.3 |
279.7 | They Are We | 0 | 0 | 0 | 42.5 | 0 | 158.5 | 0 | 78.7 | 0 |
279.5 | Almost Friends | 0 | 0 | 0 | 0 | 60.8 | 81.7 | 0 | 76.5 | 60.5 |
278.5 | The Tree | 0 | 0.2 | 0 | 206.2 | 72.2 | 0 | 0 | 0 | 0 |
277.7 | Summer White | 85 | 0.2 | 0.3 | 105.8 | 0 | 0.2 | 0 | 86.2 | 0 |
275 | Sexy Baby | 1.8 | 84 | 10.2 | 85 | 0 | 64.2 | 2.7 | 1.2 | 26 |
272.5 | Mysteries of Lisbon | 0 | 0.2 | 0 | 0 | 0 | 272.3 | 0 | 0 | 0 |
271.8 | Adieu Paris | 0 | 0 | 0 | 168.7 | 0 | 0 | 0 | 0 | 103.2 |
268.2 | I Never Climbed the Provincia | 0 | 0 | 7 | 108.5 | 0 | 16.5 | 0 | 18.5 | 117.7 |
264.5 | Symbiotic Earth | 0 | 0 | 0 | 60.8 | 0 | 0 | 0 | 37.5 | 166.2 |
264.5 | Searching Eva | 36.5 | 0 | 2 | 94.7 | 0 | 87 | 0 | 27.8 | 16.5 |
264.5 | Putin's Witnesses | 64.3 | 0 | 0 | 103.2 | 0.3 | 96.7 | 0 | 0 | 0 |
263.2 | Faust | 0.3 | 0 | 0 | 95.5 | 0 | 153.8 | 0 | 13.5 | 0 |
262.5 | Route One/USA (part 2) | 0 | 0 | 0 | 262.5 | 0 | 0 | 0 | 0 | 0 |
261 | Ô saisons ô châteaux | 42.8 | 0.2 | 8.8 | 98.5 | 0.7 | 80.8 | 0 | 4.3 | 24.8 |
260 | No Gods, No Masters - Pt. III | 61.8 | 0 | 0 | 103.7 | 0 | 94.5 | 0 | 0 | 0 |
257 | Propaganda: The Manufacture of Consent | 0 | 0 | 0 | 146.5 | 0 | 110.5 | 0 | 0 | 0 |
255 | Tomcat | 0 | 0 | 0 | 0 | 0 | 134.8 | 0 | 119.8 | 0.3 |
251.7 | Generation War Episode 1 | 0 | 0 | 0 | 147.3 | 0 | 7 | 96.2 | 1.2 | 0 |
249.7 | Trouble Sleep | 0 | 0 | 0 | 79.7 | 17 | 109.8 | 0 | 43.2 | 0 |
249.5 | Dark Circle | 0 | 0 | 82.2 | 0 | 0 | 81.8 | 0 | 0 | 85.5 |
248.8 | Decasia | 0 | 0.2 | 37.7 | 72.3 | 0 | 138.7 | 0 | 0 | 0 |
248.3 | Reason (Part 2) | 0 | 0 | 0 | 248.3 | 0 | 0 | 0 | 0 | 0 |
247.5 | Los Sures | 115.7 | 0 | 0 | 131.8 | 0 | 0 | 0 | 0 | 0 |
247.3 | A German Youth | 0 | 0 | 156.7 | 0 | 0 | 0 | 0 | 90.7 | 0 |
243 | Far from Vietnam | 0 | 0 | 116.8 | 117.2 | 0 | 9 | 0 | 0 | 0 |
242 | Futures Market | 111.5 | 0 | 0 | 10.3 | 5.3 | 0 | 0 | 114.8 | 0 |
241.7 | Rebels of the Neon God | 0 | 24.5 | 0 | 0 | 107.5 | 109.7 | 0 | 0 | 0 |
240.5 | I, Anna | 0 | 133.7 | 0.3 | 84.7 | 0 | 21.8 | 0 | 0 | 0 |
240.5 | Keep the Lights On | 37.3 | 0 | 0 | 0 | 0 | 88.5 | 0 | 112 | 2.7 |
239.7 | Sophie Scholl: The Final Days | 0 | 0 | 0 | 239.7 | 0 | 0 | 0 | 0 | 0 |
238.5 | The Two Sights | 0 | 0 | 0 | 238.5 | 0 | 0 | 0 | 0 | 0 |
237.5 | Family Business | 88 | 0 | 0 | 76.7 | 0 | 72.8 | 0 | 0 | 0 |
237.3 | Stefan Zweig | 0 | 0 | 0 | 236.7 | 0 | 0 | 0 | 0.7 | 0 |
236.8 | Finally Got the News | 0 | 0 | 57.3 | 53.2 | 7.5 | 60.5 | 0 | 58.3 | 0 |
236.5 | Blue Island | 0.2 | 0 | 0 | 130.7 | 0 | 12.7 | 0 | 93 | 0 |
236.5 | Shall We Kiss? | 0 | 4.3 | 0 | 0.2 | 0 | 129 | 0 | 0 | 103 |
236 | No Gods, No Masters - Pt. II | 54.5 | 0 | 0 | 128.8 | 0 | 52.7 | 0 | 0 | 0 |
234.5 | Beanpole | 0 | 0 | 0 | 137.7 | 0 | 0 | 0 | 0 | 96.8 |
234.3 | Three Summers | 10.7 | 0 | 62 | 96.2 | 0 | 5.2 | 0 | 0 | 60.3 |
234.2 | Fengming, a Chinese Memoir | 0 | 0 | 0 | 234.2 | 0 | 0 | 0 | 0 | 0 |
231.8 | Ray & Liz | 0 | 0 | 106.8 | 107 | 0 | 10 | 0 | 8 | 0 |
228.3 | The City Dark (83 minute version) | 0 | 0 | 0 | 228.3 | 0 | 0 | 0 | 0 | 0 |
225.7 | Tell Them Anything You Want (with Maurice Sendak) | 0.3 | 0 | 0.2 | 89 | 6.2 | 82.5 | 0 | 6.2 | 41.3 |
225.3 | Charlotte and Her Boyfriend | 0 | 14.2 | 5.8 | 103.2 | 0.7 | 74.2 | 0 | 0 | 27.3 |
224.5 | One Day in the Life of Andrei Arsenevich | 0 | 0 | 54.8 | 114 | 0 | 55.7 | 0 | 0 | 0 |
224.3 | The Hitler Chronicles - Blueprint for Dictators - Part 2 | 34.5 | 0 | 0 | 109.5 | 0 | 53.3 | 0 | 27 | 0 |
222.7 | Phil Ochs: There But For Fortune | 0 | 0 | 0 | 98.2 | 0 | 122.8 | 0 | 1.7 | 0 |
222.3 | The New Americans - Episode 1 | 0 | 0 | 0 | 64.8 | 0 | 111.5 | 0 | 0 | 46 |
221.3 | The Last Angel of History | 2.7 | 0 | 0 | 137.2 | 0 | 0 | 0 | 0 | 81.5 |
219.3 | The Dhamma Brothers | 0 | 0 | 0 | 143.7 | 0 | 0 | 0 | 0 | 75.7 |
219 | Olivia | 0 | 4.3 | 96.8 | 0 | 0 | 99.2 | 0 | 0 | 18.7 |
218.2 | Alice | 0 | 0 | 0 | 178 | 0 | 40.2 | 0 | 0 | 0 |
217 | Fonko - Episode 1: South Africa + Nigeria | 53.7 | 0 | 0 | 114.7 | 0 | 1.5 | 0 | 47.2 | 0 |
217 | Karl Polanyi, The Human Factor | 0 | 0 | 0 | 55 | 0 | 0 | 0 | 107.8 | 54.2 |
216 | Bright Leaves | 0 | 0 | 0 | 216 | 0 | 0 | 0 | 0 | 0 |
214.2 | If The Dancer Dances | 77.2 | 0 | 3.3 | 133.7 | 0 | 0 | 0 | 0 | 0 |
212.8 | Marie Curie: The Courage of Knowledge | 0 | 0.2 | 101.7 | 0 | 0 | 6.5 | 0 | 104.5 | 0 |
211.7 | Flamenco, Flamenco | 102.3 | 0 | 0 | 109.3 | 0 | 0 | 0 | 0 | 0 |
211.5 | Mimosas | 0 | 0 | 0 | 211.5 | 0 | 0 | 0 | 0 | 0 |
211.3 | Number One Fan (Elle l'Adore) | 0 | 0 | 0 | 211.3 | 0 | 0 | 0 | 0 | 0 |
211 | High on Crack Street: Lost Lives in Lowell | 0 | 82.8 | 0 | 0 | 0 | 128.2 | 0 | 0 | 0 |
210.7 | In the Shadow of Women | 58.2 | 0 | 0 | 1 | 0 | 145.7 | 0 | 0 | 5.8 |
210.5 | Pulp: A Film About Life, Death & Supermarkets | 12.8 | 0 | 0 | 101.2 | 0 | 0.2 | 0 | 5.5 | 90.8 |
210.3 | Three Sisters | 0 | 0 | 0 | 15.7 | 0 | 2.5 | 0 | 181.2 | 11 |
210.2 | Take Me Somewhere Nice | 0.2 | 0.2 | 1.5 | 117 | 0 | 91.3 | 0 | 0 | 0 |
210.2 | Catching Sight of Thelma and Louise | 140.3 | 0 | 50.7 | 0 | 0 | 0 | 0 | 19.2 | 0 |
208.8 | American Feud | 0 | 0 | 0 | 0 | 0 | 208.8 | 0 | 0 | 0 |
208 | I Don't Belong Anywhere: The Cinema of Chantal Akerman | 0 | 0 | 0 | 137.2 | 0 | 70.8 | 0 | 0 | 0 |
207.8 | A Coffee in Berlin | 0 | 41.5 | 0 | 80 | 0 | 86.3 | 0 | 0 | 0 |
206.2 | How He Fell in Love | 81.8 | 0 | 0 | 124.3 | 0 | 0 | 0 | 0 | 0 |
203.7 | The Nine Muses | 0 | 0 | 0 | 203.7 | 0 | 0 | 0 | 0 | 0 |
202.3 | DannyBoy | 0 | 0 | 0 | 90.7 | 0 | 0 | 0 | 0 | 111.7 |
201.5 | The Maids | 0.2 | 5.2 | 0 | 0.5 | 0 | 195.7 | 0 | 0 | 0 |
200.8 | Profit and Loss | 143 | 0 | 0 | 0 | 0 | 0 | 0 | 57.8 | 0 |
200.7 | Generation War Episode 3 | 0 | 0 | 0 | 100 | 0 | 0 | 0 | 0 | 100.7 |
199.7 | Education and Nationalism | 0 | 0 | 0 | 114.8 | 15.3 | 69.5 | 0 | 0 | 0 |
197.3 | Amira | 0 | 0 | 0.2 | 100.2 | 97 | 0 | 0 | 0 | 0 |
196.3 | Rock Hudson's Home Movies | 0 | 0 | 0 | 80.2 | 0 | 1.2 | 63.5 | 0 | 51.5 |
196.2 | And There Was Israel | 0 | 0 | 0 | 20.3 | 55.3 | 0 | 0 | 120.3 | 0.2 |
195.3 | Being Frank: The Chris Sievey Story | 94 | 0 | 101.3 | 0 | 0 | 0 | 0 | 0 | 0 |
194.5 | A Story of Water | 4.7 | 0 | 0 | 62.2 | 0.5 | 75.5 | 0 | 13.5 | 38.2 |
194 | All About My Sisters | 0 | 0 | 0 | 194 | 0 | 0 | 0 | 0 | 0 |
193.3 | A Bread Factory - Part 2 | 50.8 | 0 | 72.8 | 0 | 0 | 0 | 69.7 | 0 | 0 |
192.7 | Maidentrip | 3 | 0.2 | 78.8 | 109.5 | 0 | 1.2 | 0 | 0 | 0 |
192.3 | Tower. A Bright Day. | 0 | 0 | 0 | 57.2 | 0.2 | 27.3 | 0 | 107.7 | 0 |
191.8 | Confounding Father - Episode 1 | 0 | 0 | 0 | 113.5 | 0 | 19.3 | 0 | 59 | 0 |
190.7 | Free Voice of Labor: The Jewish Anarchists | 0 | 0 | 0.3 | 0 | 20.2 | 57.8 | 0 | 0 | 112.3 |
190.5 | The 317th Platoon | 0 | 0 | 95.2 | 95.3 | 0 | 0 | 0 | 0 | 0 |
190.3 | Aboriginal Architecture | 0 | 0 | 0 | 82.3 | 0 | 0 | 0 | 25.5 | 82.5 |
190.2 | Crystal Swan | 0.2 | 0.2 | 0 | 189.7 | 0 | 0 | 0 | 0.2 | 0 |
189.7 | Arguing the World | 0 | 0 | 0 | 189.7 | 0 | 0 | 0 | 0 | 0 |
188.8 | Dark Star: H. R. Giger's World | 95.2 | 0 | 0 | 0.3 | 0 | 93.3 | 0 | 0 | 0 |
188.5 | Generation War Episode 2 | 0 | 0 | 0 | 93 | 0 | 0 | 0.2 | 0 | 95.3 |
188.2 | Double Life, a Short History of Sex in the USSR | 3.2 | 3.3 | 9.5 | 10 | 0 | 125.3 | 0 | 36.8 | 0 |
188 | A Bread Factory - Part 1 | 71.5 | 0 | 62.2 | 0 | 0 | 0 | 54.3 | 0 | 0 |
187.7 | Vito | 0 | 0 | 0 | 89.7 | 0 | 0 | 0 | 0 | 98 |
186.7 | 500 Francs | 0 | 0 | 34 | 71.3 | 12.7 | 40.5 | 0 | 3.8 | 24.3 |
186.7 | From The East | 0 | 0 | 0.3 | 1.2 | 0 | 119.3 | 0 | 0 | 65.8 |
186.2 | Ham on Rye | 0 | 0 | 0 | 0 | 0 | 101.3 | 0 | 0 | 84.8 |
186 | Saving Mes Aynak | 0 | 0 | 0 | 59.2 | 0 | 46.5 | 0 | 20.3 | 60 |
185.8 | We the Workers | 0 | 0 | 0 | 182.8 | 0 | 0 | 0 | 3 | 0 |
184.8 | The Overworked | 3.2 | 0 | 5 | 123.5 | 0.5 | 52.7 | 0 | 0 | 0 |
184.8 | Delphine's Prayers | 0 | 0 | 0 | 184.8 | 0 | 0 | 0 | 0 | 0 |
184.5 | What Our Fathers Did: A Nazi Legacy | 0 | 0 | 0 | 184.5 | 0 | 0 | 0 | 0 | 0 |
183.7 | Red Persimmons | 0 | 0 | 183.7 | 0 | 0 | 0 | 0 | 0 | 0 |
183 | The Book of the Dead | 71 | 0 | 0.2 | 88 | 0 | 7.5 | 0 | 5.5 | 10.8 |
182.8 | The Professor | 0 | 0 | 0 | 109.3 | 0 | 0 | 0 | 0 | 73.5 |
182.2 | The Hitler Chronicles - Blueprint for Dictators - Part 3 | 76.2 | 0 | 0 | 52.7 | 0 | 53.3 | 0 | 0 | 0 |
181.5 | From the Journals of Jean Seberg | 0 | 0 | 181.5 | 0 | 0 | 0 | 0 | 0 | 0 |
181.3 | To Tell the Truth: Working for Change | 40.7 | 57.3 | 2.7 | 57.8 | 0 | 0.7 | 0 | 0 | 22.2 |
180.8 | Rebels on Pointe | 0 | 0 | 0 | 180.8 | 0 | 0 | 0 | 0 | 0 |
179.3 | Egg and Stone | 85.5 | 0 | 18.3 | 26.3 | 0 | 49.2 | 0 | 0 | 0 |
178.3 | The Wobblies | 0 | 0 | 87.5 | 0 | 0 | 90.7 | 0 | 0.2 | 0 |
175.2 | Gustav Stickley: American Craftsman | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 103 | 72.2 |
175 | Power to Heal | 32 | 0 | 0 | 143 | 0 | 0 | 0 | 0 | 0 |
174.3 | Come Back, Africa | 0 | 0 | 88.2 | 86.2 | 0 | 0 | 0 | 0 | 0 |
172.8 | Too Late to Die Young | 0 | 0 | 0 | 49.2 | 0 | 112.8 | 0 | 10.8 | 0 |
172.3 | Neon Heart | 0.8 | 8.7 | 22.2 | 0 | 0 | 87.8 | 0 | 50.8 | 2 |
171.5 | Pilgrims and Tourists | 114.5 | 0 | 0 | 0 | 0 | 0 | 0 | 57 | 0 |
171.5 | Streit's: Matzo and the American Dream | 0 | 0 | 0 | 84.3 | 0 | 0 | 0 | 0 | 87.2 |
171.3 | Beloved Sisters | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 171.3 | 0 |
171.2 | Afternoon of a Faun | 0 | 0 | 0 | 8 | 0 | 163.2 | 0 | 0 | 0 |
169.8 | The Two Faces of a Bamileke Woman | 77.8 | 0 | 0 | 92 | 0 | 0 | 0 | 0 | 0 |
169.7 | White Sun | 0 | 85.5 | 0 | 84.2 | 0 | 0 | 0 | 0 | 0 |
169.5 | My Brother's Wedding | 0 | 87.7 | 0 | 81.8 | 0 | 0 | 0 | 0 | 0 |
169 | A Five Star Life | 0 | 0 | 0.5 | 84 | 0 | 84.5 | 0 | 0 | 0 |
167.8 | A Film Unfinished | 74.8 | 0 | 0 | 0 | 0 | 0 | 0 | 93 | 0 |
167.5 | The Autobiography of Nicolae Ceausescu | 0 | 0 | 0 | 144.8 | 0 | 0 | 0 | 22.7 | 0 |
166.3 | La Yuma | 0 | 0 | 0 | 76.3 | 0 | 90 | 0 | 0 | 0 |
165.8 | The Wandering Soap Opera | 0 | 0.2 | 0 | 38.2 | 78.7 | 0 | 0 | 48.8 | 0 |
165.5 | The Hitler Chronicles - Blueprint for Dictators - Part 4 | 53.3 | 0 | 0 | 57.8 | 0 | 54.3 | 0 | 0 | 0 |
164.8 | Derrida's Elsewhere | 0 | 0 | 0 | 77.7 | 0 | 84.2 | 0 | 3 | 0 |
163 | The Vow from Hiroshima | 81.2 | 0 | 0 | 81.8 | 0 | 0 | 0 | 0 | 0 |
162.5 | The New Americans - Episode 7 | 0 | 0 | 0 | 162.5 | 0 | 0 | 0 | 0 | 0 |
162.2 | The Song of Styrene (Le chant du styrène) | 13.5 | 0 | 13.5 | 57.2 | 0.3 | 76.7 | 0 | 1 | 0 |
161.3 | When I Was Dead | 0 | 0 | 4.2 | 51.3 | 0 | 53.5 | 0 | 0 | 52.3 |
160.8 | Taming The Garden | 0 | 0 | 0 | 153.7 | 0 | 7.2 | 0 | 0 | 0 |
160.8 | The Messenger | 0 | 0 | 47 | 113.8 | 0 | 0 | 0 | 0 | 0 |
160.3 | Mama Colonel | 0 | 0 | 0 | 70 | 18.7 | 0 | 0 | 71.7 | 0 |
160 | Penance: Episode 1 | 0 | 0 | 1.7 | 150 | 0 | 8.3 | 0 | 0 | 0 |
159.5 | The Test | 0 | 0 | 78.7 | 1.2 | 0 | 79.7 | 0 | 0 | 0 |
159.5 | Russian Ballet: Giselle | 0 | 0 | 0 | 140.7 | 0 | 18.8 | 0 | 0 | 0 |
158.7 | The Campaign | 78 | 0 | 0 | 0 | 0 | 80.7 | 0 | 0 | 0 |
158.2 | Hotel Terminus - Part I | 0 | 0 | 42.8 | 115.3 | 0 | 0 | 0 | 0 | 0 |
157.7 | In the Light of Reverence | 76.3 | 0 | 0 | 81.3 | 0 | 0 | 0 | 0 | 0 |
157.5 | King of the Hill | 0 | 0 | 0 | 1 | 0 | 139.5 | 0 | 6.8 | 10.2 |
157.5 | Directing Actors by Jean Renoir | 0.3 | 0 | 0 | 99.5 | 0 | 44.8 | 0 | 12.8 | 0 |
156.7 | The Cordillera of Dreams | 0 | 0 | 38.3 | 118.3 | 0 | 0 | 0 | 0 | 0 |
156.2 | In the Aisles | 0 | 0.5 | 0 | 84.8 | 14 | 18.5 | 0 | 0.7 | 37.7 |
155.7 | Crimson Gold (Jafar Panahi & Abbas Kiarostami) | 0 | 0 | 0 | 56.5 | 0 | 0 | 0 | 0 | 99.2 |
155.7 | About Executing Eichmann | 0 | 0 | 0 | 81 | 73.8 | 0.8 | 0 | 0 | 0 |
155 | The New Americans - Episode 2 | 0 | 0 | 0 | 61.8 | 0 | 93.2 | 0 | 0 | 0 |
154 | The Patriot Game | 0 | 0 | 1.2 | 99.3 | 0 | 53.5 | 0 | 0 | 0 |
153 | Claude Monet in Giverny, Alice's House | 0 | 0 | 50 | 0 | 0 | 50.7 | 0 | 1.3 | 51 |
152.5 | Geographies of Solitude | 0 | 0 | 0 | 152.5 | 0 | 0 | 0 | 0 | 0 |
152.5 | Fire and Ice | 93.7 | 0 | 0 | 0 | 0 | 0 | 0 | 58.8 | 0 |
152 | An Injury To One | 0 | 0 | 0 | 108.7 | 0 | 43.3 | 0 | 0 | 0 |
150.7 | With God On Our Side - Episode 1 | 0 | 0.3 | 0 | 73.5 | 0 | 0 | 0 | 76.8 | 0 |
149.2 | Searching For Gerda Taro | 57.7 | 0 | 0 | 86.2 | 0 | 0 | 0 | 5.3 | 0 |
149 | Ama | 0 | 0 | 0 | 149 | 0 | 0 | 0 | 0 | 0 |
148.5 | The Island | 0 | 0.2 | 0 | 86.3 | 0 | 62 | 0 | 0 | 0 |
148.3 | The Law | 0 | 0 | 23.8 | 0 | 0 | 124.5 | 0 | 0 | 0 |
148.3 | To Tell the Truth: The Strategy of Truth | 0 | 0 | 56.8 | 0 | 0 | 31 | 0 | 0 | 60.5 |
148.2 | Last Summer Won't Happen | 1 | 0 | 0.5 | 60.3 | 0.5 | 60.3 | 0 | 0 | 25.5 |
147.8 | One Step Behind the Seraphim | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 147.8 | 0 |
147 | Kate and Anna McGarrigle | 0 | 1 | 0 | 9.2 | 0 | 67.8 | 23 | 6.8 | 39.2 |
146.5 | On the Bowery | 0 | 0 | 64.5 | 74.2 | 0 | 7.8 | 0 | 0 | 0 |
146.2 | Renzo Piano: The Architect of Light | 0 | 0 | 0 | 1.3 | 0 | 131.2 | 0 | 5.8 | 7.8 |
145.8 | 56 UP | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 145.8 | 0 |
145.5 | From Swastika to Jim Crow | 0 | 88.5 | 57 | 0 | 0 | 0 | 0 | 0 | 0 |
145.3 | I Am Somebody | 0 | 0 | 30.5 | 34 | 0 | 19 | 0 | 31.2 | 30.7 |
145.3 | Louise By the Shore | 0 | 76.5 | 0 | 68.8 | 0 | 0 | 0 | 0 | 0 |
145 | Keynes vs Hayek: A Fake Debate? | 0 | 0 | 0 | 55.2 | 35 | 0.2 | 0 | 0 | 54.7 |
145 | Lolita (Adrian Lyne) | 0 | 0 | 4.7 | 128.8 | 0 | 7.8 | 0 | 0 | 3.7 |
144.3 | The Pirates of Bubuan | 0 | 0 | 0 | 46.8 | 0 | 49.3 | 0 | 0 | 48.2 |
143.7 | Coming to Light | 0 | 0 | 0 | 85.5 | 0 | 0 | 0 | 58.2 | 0 |
143 | Project Z | 0 | 0 | 0 | 143 | 0 | 0 | 0 | 0 | 0 |
141.8 | The Woodmans | 0 | 1.7 | 0 | 0 | 0 | 0 | 0 | 140.2 | 0 |
140.5 | Come Hell or High Water | 0 | 0 | 0 | 83.8 | 0 | 0 | 0 | 56.7 | 0 |
140.2 | A Life's Work | 0 | 0 | 29.2 | 0 | 0 | 19.5 | 0 | 0 | 91.5 |
139.8 | The Seduction of Mimi | 0.7 | 0.8 | 0.7 | 19.2 | 0 | 113.5 | 0 | 4.3 | 0.7 |
139.8 | Riders of the Purple Sage: The Making of a Western Opera | 0.2 | 0 | 0.2 | 0 | 0.2 | 52 | 5.5 | 0 | 81.8 |
139.3 | Miners Shot Down | 0 | 0 | 4.8 | 0 | 0 | 9.3 | 0 | 0 | 125.2 |
139 | Youth | 0 | 0 | 0 | 139 | 0 | 0 | 0 | 0 | 0 |
136.8 | War and Peace | 0 | 0 | 136.3 | 0.3 | 0 | 0.2 | 0 | 0 | 0 |
136 | Russian Ballet: Spartacus | 0 | 0 | 0 | 134 | 0 | 2 | 0 | 0 | 0 |
136 | Dawson City: Frozen Time | 0 | 0 | 0 | 6 | 0 | 124.8 | 0 | 5.2 | 0 |
135 | Julietta | 0 | 0 | 0 | 135 | 0 | 0 | 0 | 0 | 0 |
134.8 | The Goumbé of the Young Revelers | 0 | 0 | 15 | 60.2 | 0.3 | 59.3 | 0 | 0 | 0 |
134.7 | Afghanistan 1979: The War That Changed the World | 0 | 0 | 0 | 63.8 | 0 | 70.8 | 0 | 0 | 0 |
134.3 | A Man Called Ove | 0 | 0 | 120.5 | 13.8 | 0 | 0 | 0 | 0 | 0 |
133.8 | Picasso and Sima, Antibes 1946 | 0 | 0 | 0.7 | 66.2 | 0 | 7.8 | 0 | 59.2 | 0 |
133.5 | Russian Ballet: Swan Lake | 0 | 0 | 0 | 131 | 0 | 2.5 | 0 | 0 | 0 |
133.5 | The Grace Lee Project | 0 | 0 | 0 | 66.5 | 0 | 67 | 0 | 0 | 0 |
132.8 | Inside Her Sex | 17.8 | 0 | 0.7 | 0.2 | 0 | 102.2 | 0 | 11 | 1 |
132.8 | Elles | 0 | 0 | 3.3 | 0.5 | 0 | 129 | 0 | 0 | 0 |
132.8 | The Revisionaries | 0.5 | 0 | 0 | 37.3 | 84.3 | 0 | 8.5 | 0 | 2.2 |
132.5 | Ilya and Emilia Kabakov: Enter Here | 0 | 0 | 0 | 103.8 | 0.5 | 0 | 0 | 0 | 28.2 |
132.2 | The New Americans - Episode 4 | 0 | 0 | 0 | 132.2 | 0 | 0 | 0 | 0 | 0 |
132 | Our Time Will Come | 0 | 0 | 132 | 0 | 0 | 0 | 0 | 0 | 0 |
131.3 | Ice | 0 | 0 | 0.2 | 130.2 | 0 | 0.7 | 0 | 0.3 | 0 |
131.3 | Lumumba | 1.5 | 0 | 16.8 | 0 | 0 | 113 | 0 | 0 | 0 |
130.8 | Lore | 0 | 24.8 | 0 | 105.7 | 0 | 0.3 | 0 | 0 | 0 |
130.5 | La Dénonciation (The Immoral Moment) | 0 | 0.3 | 0.2 | 102 | 0 | 0 | 0 | 28 | 0 |
130.2 | The New Americans - Episode 6 | 0 | 0 | 0 | 130.2 | 0 | 0 | 0 | 0 | 0 |
129.8 | In the Soup | 44.3 | 0 | 62.7 | 0 | 3.3 | 19.5 | 0 | 0 | 0 |
129 | The Little Cafe | 1.3 | 24.2 | 20.7 | 47.3 | 0.3 | 27.3 | 0 | 7.8 | 0 |
127.2 | Route One/USA (part 1) | 0 | 0 | 0 | 127.2 | 0 | 0 | 0 | 0 | 0 |
125.7 | Draw Me Saint-Exupery | 0 | 0 | 1.5 | 69.5 | 0 | 0 | 0 | 0 | 54.7 |
125.5 | Thursday Till Sunday | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 125.5 | 0 |
124.8 | In the Steps of Trisha Brown | 0 | 0 | 1.7 | 81.3 | 0 | 41.8 | 0 | 0 | 0 |
124.7 | Spring Tide | 124.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
124.5 | Waiting for Fidel | 0 | 0 | 0 | 39.2 | 26.3 | 59 | 0 | 0 | 0 |
123.8 | Sagrada: The Mystery of Creation | 90.5 | 0 | 0 | 0 | 0 | 33.3 | 0 | 0 | 0 |
123.8 | Fidelio | 30.3 | 10.5 | 0 | 0 | 0 | 0 | 0 | 83 | 0 |
123.2 | Django | 0 | 0 | 4.8 | 0 | 0 | 118.3 | 0 | 0 | 0 |
122 | The Enemy Within | 0 | 0 | 0 | 70.2 | 0 | 51.8 | 0 | 0 | 0 |
122 | The Exquisite Short Films of Kihachiro Kawamoto | 0 | 0 | 0 | 100.2 | 0 | 0 | 0 | 21.8 | 0 |
121.7 | The Mad Masters (Jean Rouch) | 0 | 0 | 0 | 80 | 0 | 41.7 | 0 | 0 | 0 |
121.3 | Confounding Father - Episode 3 | 30.7 | 0 | 0 | 90.7 | 0 | 0 | 0 | 0 | 0 |
120.7 | Demons | 0.2 | 0 | 0 | 83.2 | 0.2 | 0.8 | 0 | 0 | 36.3 |
120.5 | Eye on the Guy | 0 | 0 | 0.2 | 0 | 0 | 120.3 | 0 | 0 | 0 |
120.3 | Swept Away | 0.3 | 0 | 0 | 0.5 | 0 | 119.5 | 0 | 0 | 0 |
120.3 | The Rape of Europa | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 120.3 |
119.7 | Sex, Lies and Tabloids! | 0.2 | 1.2 | 0 | 0.2 | 0 | 63.2 | 0 | 0 | 55 |
119.5 | SPK Complex | 0 | 0 | 0 | 1.5 | 0 | 118 | 0 | 0 | 0 |
118.8 | Cholesterol, the Great Bluff | 33.2 | 0 | 83.8 | 0.5 | 0 | 0 | 0 | 1.3 | 0 |
118.5 | The Wasted Times | 0 | 0 | 0 | 118.5 | 0 | 0 | 0 | 0 | 0 |
118 | The New Americans - Episode 5 | 0 | 0 | 0 | 118 | 0 | 0 | 0 | 0 | 0 |
117.8 | Golda Maria | 0 | 0 | 0 | 117.8 | 0 | 0 | 0 | 0 | 0 |
117.3 | The Good War and Those Who Refused to Fight It | 0 | 0 | 0 | 117.2 | 0 | 0 | 0 | 0.2 | 0 |
117.3 | Father to Son | 0 | 0 | 58.3 | 59 | 0 | 0 | 0 | 0 | 0 |
117.3 | Gett: The Trial of Viviane Amsalem | 0 | 0 | 0 | 0 | 117.3 | 0 | 0 | 0 | 0 |
117.3 | Into The Night (Part 2) | 0 | 0 | 117.3 | 0 | 0 | 0 | 0 | 0 | 0 |
117.2 | Time Indefinite | 0 | 0 | 0 | 115.5 | 0 | 0 | 0 | 1.7 | 0 |
117 | Barber Shop - Ep 1: Clacton-on-Sea / UK | 0 | 0 | 25.8 | 17.2 | 0 | 74 | 0 | 0 | 0 |
116.8 | Maeve | 116.7 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
116.5 | Casa de Lava | 0 | 0 | 0 | 109.3 | 0 | 0 | 0 | 7.2 | 0 |
116.2 | Russian Ballet: Don Quixote | 0 | 0 | 0 | 115.5 | 0 | 0.7 | 0 | 0 | 0 |
115.8 | I was a Teenage Feminist | 0 | 0 | 0 | 63.2 | 0 | 52.7 | 0 | 0 | 0 |
115.7 | Wild | 0.3 | 14.7 | 0 | 97.2 | 0 | 2.5 | 0 | 1 | 0 |
115.7 | Dead Souls - Part I | 0 | 0 | 14.3 | 101.3 | 0 | 0 | 0 | 0 | 0 |
115.5 | The Passionate Pursuits of Angela Bowen | 115.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
115.5 | A Violent Life | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 115.5 | 0 |
115 | The Midwife | 115 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
114.7 | 24 Hours Jerusalem | 6am Ep 1 | 0 | 0 | 26.8 | 0 | 0 | 26.8 | 0 | 61 | 0 |
114.2 | Confounding Father - Episode 2 | 0 | 0 | 0 | 114.2 | 0 | 0 | 0 | 0 | 0 |
114.2 | Frantz | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 114.2 |
114 | The Story of Looking | 0 | 0 | 0 | 0 | 0 | 89.8 | 0 | 24.2 | 0 |
114 | Black Sun | 0 | 0 | 0 | 91.2 | 18.5 | 0 | 0 | 4.3 | 0 |
113.8 | Islands of Sanctuary | 56.7 | 0 | 0 | 0 | 0 | 0 | 0 | 57.2 | 0 |
113.7 | In Search of Memory | 0 | 0 | 0 | 113.7 | 0 | 0 | 0 | 0 | 0 |
113.5 | Next Time I'll Aim for the Heart | 0 | 0 | 1.5 | 112 | 0 | 0 | 0 | 0 | 0 |
113.2 | Portrait of Jason | 0 | 0 | 0 | 108.7 | 0 | 0 | 0 | 0 | 4.5 |
111.8 | Through the Looking Glass | 0 | 1.3 | 11.7 | 42.7 | 0 | 0 | 0 | 15.5 | 40.7 |
111.8 | Abendland | 0 | 0 | 0 | 111.8 | 0 | 0 | 0 | 0 | 0 |
111.7 | The Absent House | 0 | 0 | 0 | 111.7 | 0 | 0 | 0 | 0 | 0 |
111.5 | Oblivion | 19.5 | 0 | 0 | 92 | 0 | 0 | 0 | 0 | 0 |
111.3 | Jupiter's Moon | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 111.3 | 0 |
111.3 | Aferim! | 0 | 0 | 0 | 111.3 | 0 | 0 | 0 | 0 | 0 |
110.5 | Trópico de Cancer / Tropic of Cancer | 0 | 0 | 0 | 54.7 | 0 | 55.8 | 0 | 0 | 0 |
110.5 | Mesrine: Killer Instinct | 0 | 0 | 0 | 110.5 | 0 | 0 | 0 | 0 | 0 |
109.5 | The Connection | 0 | 0 | 4.5 | 105 | 0 | 0 | 0 | 0 | 0 |
109.2 | Hotel Terminus - Part II | 0 | 0 | 0 | 109.2 | 0 | 0 | 0 | 0 | 0 |
109 | When Jews Were Funny | 0 | 0 | 1.3 | 11.3 | 0 | 96.3 | 0 | 0 | 0 |
108.8 | Be Seeing You | 0 | 0 | 0.2 | 1 | 0 | 63.2 | 0 | 44.5 | 0 |
108.8 | Not to Forget | 0 | 0 | 0 | 1.8 | 0 | 107 | 0 | 0 | 0 |
108.2 | Heat Wave | 10.2 | 0 | 5.7 | 45.7 | 22.7 | 14.3 | 0 | 9.7 | 0 |
108.2 | I am from Chile | 0 | 0 | 0 | 108.2 | 0 | 0 | 0 | 0 | 0 |
108 | Bettie Page Reveals All | 60.3 | 0 | 43.7 | 0.8 | 0 | 0 | 0 | 0 | 3.2 |
107.5 | Alleluia | 90.5 | 0.7 | 16.3 | 0 | 0 | 0 | 0 | 0 | 0 |
107.5 | We Still Live Here | 54.2 | 0 | 0 | 53.3 | 0 | 0 | 0 | 0 | 0 |
107.3 | Eden is West (Costa-Gavras) | 0 | 0 | 0 | 107.3 | 0 | 0 | 0 | 0 | 0 |
107.3 | Mia Madre | 0 | 0 | 0 | 107.3 | 0 | 0 | 0 | 0 | 0 |
107 | Ricordi? | 0 | 0 | 0 | 107 | 0 | 0 | 0 | 0 | 0 |
106.8 | Marx Reloaded | 0.3 | 0 | 0 | 53 | 0 | 53.5 | 0 | 0 | 0 |
106.7 | Uncle Howard | 0 | 0 | 6.2 | 100.5 | 0 | 0 | 0 | 0 | 0 |
106.7 | Marius Petipa: The French Master of Russian Ballet | 0 | 0.2 | 0 | 52.8 | 0 | 53.7 | 0 | 0 | 0 |
106.2 | A Perfect Candidate | 0 | 0 | 0 | 106.2 | 0 | 0 | 0 | 0 | 0 |
106 | Six O Clock News | 0 | 0 | 0 | 106 | 0 | 0 | 0 | 0 | 0 |
105.7 | The Bridesmaid | 0 | 0 | 0 | 105.7 | 0 | 0 | 0 | 0 | 0 |
105.7 | Lomax the Songhunter | 0 | 0 | 0 | 0 | 0 | 99.5 | 0 | 6.2 | 0 |
104.8 | Trust Me | 0.2 | 0 | 0 | 0 | 0 | 91.3 | 0 | 13.3 | 0 |
104.8 | My Fuhrer | 0 | 0.3 | 0 | 0.2 | 0 | 2 | 0 | 102.3 | 0 |
104.7 | The Other Side of Everything | 104.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
104.5 | The Passion of Augustine | 0 | 0 | 0 | 104.5 | 0 | 0 | 0 | 0 | 0 |
104.3 | Leaving Home, Coming Home: A Portrait of Robert Frank | 0 | 0 | 0 | 85.8 | 0 | 0 | 0 | 18.5 | 0 |
104.3 | Let the Fire Burn | 0 | 0 | 0 | 0 | 0 | 97.2 | 0 | 5.3 | 1.8 |
104 | No Maps on My Taps | 0 | 0 | 0 | 104 | 0 | 0 | 0 | 0 | 0 |
104 | Towards Mathilde | 0 | 0.5 | 0 | 103.5 | 0 | 0 | 0 | 0 | 0 |
103.7 | Empire M | 0 | 0 | 0.2 | 103.5 | 0 | 0 | 0 | 0 | 0 |
103.2 | Hippocrates: Diary of a French Doctor | 0 | 0 | 0 | 103.2 | 0 | 0 | 0 | 0 | 0 |
103 | Russian Ballet: The Nutcracker | 0 | 0 | 0 | 103 | 0 | 0 | 0 | 0 | 0 |
102.7 | Jane Campion: Peel | 0 | 0 | 6.5 | 45.8 | 0 | 41.7 | 8.7 | 0 | 0 |
102.7 | Perfumes | 0 | 0 | 0 | 0.5 | 1.3 | 0 | 0 | 100.8 | 0 |
102.5 | LOL (Laughing Out Loud) | 102.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
102.5 | Dateline - Saigon | 0 | 0 | 8.2 | 94.3 | 0 | 0 | 0 | 0 | 0 |
102.3 | Bless Their Little Hearts | 0 | 0 | 0 | 86.7 | 0 | 15.7 | 0 | 0 | 0 |
102 | Maison Close - Episode 2 | 12.8 | 27.2 | 0 | 5.5 | 0 | 56.5 | 0 | 0 | 0 |
102 | Janine | 0 | 0.2 | 13.8 | 49.5 | 0.3 | 19.7 | 0 | 18.5 | 0 |
102 | 10 Billion: What's On Your Plate? | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 102 | 0 |
101.8 | Tadmor | 0 | 101.5 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
101.3 | After Love | 0 | 0.2 | 0 | 101.2 | 0 | 0 | 0 | 0 | 0 |
101 | I Am Not a Monster | 0 | 0 | 0 | 101 | 0 | 0 | 0 | 0 | 0 |
100.3 | Marseille | 0 | 0.2 | 0 | 100.2 | 0 | 0 | 0 | 0 | 0 |
99.8 | Transit | 0.5 | 0 | 0.3 | 99 | 0 | 0 | 0 | 0 | 0 |
99.8 | The Zookeeper | 0 | 0 | 0 | 99.8 | 0 | 0 | 0 | 0 | 0 |
99.5 | Edward Said: The Last Interview | 0 | 0 | 75.2 | 0 | 23 | 0 | 0 | 1.3 | 0 |
99.3 | Homo Sapiens | 0 | 0 | 0 | 4.2 | 0 | 2.3 | 0 | 92.8 | 0 |
99 | Mercedes Sosa: The Voice of Latin America | 0 | 95.3 | 0 | 0 | 0 | 3.7 | 0 | 0 | 0 |
99 | Captain Abu Raed | 0 | 0 | 99 | 0 | 0 | 0 | 0 | 0 | 0 |
99 | Terres Barcelo: Miquel Barceló | 0 | 0 | 0 | 0 | 0.7 | 22.3 | 0 | 0 | 76 |
99 | Winter Brothers | 0.3 | 0 | 0 | 96.3 | 0 | 2.3 | 0 | 0 | 0 |
98.8 | Thinking Existenz - Ep 01 - Eduardo Galeano | 30.8 | 0 | 0 | 59 | 0 | 0 | 0 | 9 | 0 |
98.7 | Down by Love | 0 | 16 | 0 | 0.7 | 0.7 | 0 | 81.3 | 0 | 0 |
98.3 | Al Otro Lado (To the Other Side) | 65.8 | 0 | 0.3 | 0 | 0 | 32.2 | 0 | 0 | 0 |
98 | Searching for Ingmar Bergman | 0 | 0 | 0 | 0 | 0 | 98 | 0 | 0 | 0 |
97.7 | Six in Paris (Paris vu par) | 0 | 0 | 0.2 | 0 | 0 | 97.5 | 0 | 0 | 0 |
97.5 | Gorbachev. Heaven | 0 | 0 | 0 | 97.3 | 0 | 0 | 0 | 0.2 | 0 |
97 | It Is Not Over Yet | 0 | 0 | 97 | 0 | 0 | 0 | 0 | 0 | 0 |
97 | Raising the Floor | 0 | 0 | 0.2 | 33.7 | 0 | 0 | 0 | 31.3 | 31.8 |
96.5 | The Club | 0 | 0 | 0 | 96.5 | 0 | 0 | 0 | 0 | 0 |
96.3 | Vic + Flo Saw a Bear | 0 | 0 | 2 | 94.3 | 0 | 0 | 0 | 0 | 0 |
96 | As Goes Janesville | 0 | 0 | 0 | 86.2 | 0 | 0 | 0 | 0 | 9.8 |
95.7 | Seduced and Blackmailed | 0 | 0 | 0.2 | 55.3 | 0 | 40.2 | 0 | 0 | 0 |
95.5 | Lamb | 0 | 0 | 0 | 95.5 | 0 | 0 | 0 | 0 | 0 |
95.5 | For the Bible Tells Me So | 0 | 0 | 0 | 95.5 | 0 | 0 | 0 | 0 | 0 |
95.2 | Riddles of the Sphinx | 0 | 1.7 | 0 | 2.2 | 0 | 91.3 | 0 | 0 | 0 |
95 | Third Avenue: Only the Strong Survive | 0 | 0 | 0 | 95 | 0 | 0 | 0 | 0 | 0 |
94.5 | Tokyo Fiancee | 0 | 0 | 89.7 | 0 | 0 | 0.7 | 0 | 4.2 | 0 |
94.5 | Resurrección / Resurrection | 0 | 0 | 0 | 94.5 | 0 | 0 | 0 | 0 | 0 |
94.2 | Le Week-End | 0 | 0 | 0 | 94.2 | 0 | 0 | 0 | 0 | 0 |
94 | The County | 0 | 92.7 | 1.3 | 0 | 0 | 0 | 0 | 0 | 0 |
94 | Free Lunch Society | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 94 |
94 | Through A Lens Darkly | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 93.7 | 0 |
93.8 | El Sicario, Room 164 | 0 | 0.2 | 0 | 93.7 | 0 | 0 | 0 | 0 | 0 |
93.5 | Jean Ziegler, the Optimism of Willpower | 0 | 0 | 0 | 93.5 | 0 | 0 | 0 | 0 | 0 |
93.5 | Viva la Liberta | 0 | 0 | 0 | 93.5 | 0 | 0 | 0 | 0 | 0 |
93.5 | Shirley Adams | 93.3 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
93.5 | The Ritchie Boys | 0 | 0 | 0 | 93.5 | 0 | 0 | 0 | 0 | 0 |
93.3 | Go For Zucker | 0 | 0 | 0 | 93.3 | 0 | 0 | 0 | 0 | 0 |
93.2 | Tongues Untied | 0 | 0 | 0 | 93.2 | 0 | 0 | 0 | 0 | 0 |
93.2 | A Bold Peace | 0 | 0 | 0 | 93.2 | 0 | 0 | 0 | 0 | 0 |
92.7 | London | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 92.7 | 0 |
92.7 | La Petite Lili | 0 | 0.2 | 0 | 0 | 0 | 2 | 0 | 90.5 | 0 |
92.7 | Ornette: Made in America | 0 | 0 | 0 | 78.5 | 0 | 0 | 0 | 0 | 14.2 |
92.7 | Excellent Cadavers | 0 | 0 | 0 | 92.7 | 0 | 0 | 0 | 0 | 0 |
92.5 | La Soledad | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 92.5 | 0 |
92.3 | Escapes: The Life of Actor and Screenwriter, Hampton Fancher | 0 | 0 | 0 | 92.3 | 0 | 0 | 0 | 0 | 0 |
92.2 | The Society of the Spectacle | 0 | 0.2 | 0 | 92 | 0 | 0 | 0 | 0 | 0 |
92.2 | Our Daily Bread | 0.2 | 0 | 0 | 0 | 0 | 0.7 | 0 | 91.3 | 0 |
92 | Space Dogs | 0 | 0 | 0 | 92 | 0 | 0 | 0 | 0 | 0 |
92 | There Are Jews Here | 0 | 0 | 0.2 | 0 | 0 | 91.8 | 0 | 0 | 0 |
91.7 | The Rabbi's Cat | 0.2 | 0 | 0 | 0 | 0 | 91.5 | 0 | 0 | 0 |
91.7 | The Inheritors | 0 | 0 | 0.7 | 91 | 0 | 0 | 0 | 0 | 0 |
91.5 | The Chinese Lives of Uli Sigg | 0 | 0 | 0 | 91.5 | 0 | 0 | 0 | 0 | 0 |
91.5 | Will You Marry Us? | 0 | 91.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
91.3 | Voices from the Front | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 91.3 |
90.7 | Diplomacy | 0 | 0 | 0.2 | 0 | 0 | 90.5 | 0 | 0 | 0 |
90.7 | This is the Way I Like It | 0 | 0 | 0 | 60.5 | 0 | 30.2 | 0 | 0 | 0 |
90.5 | Did You Wonder Who Fired the Gun? | 0 | 0 | 0 | 90.5 | 0 | 0 | 0 | 0 | 0 |
90.3 | Myanmar Diaries | 0 | 72.5 | 0 | 3.5 | 0 | 14.3 | 0 | 0 | 0 |
90.3 | Sun Kissed | 0 | 0 | 0 | 0 | 0 | 90.3 | 0 | 0 | 0 |
90.2 | Heart of Stone | 0 | 0 | 90.2 | 0 | 0 | 0 | 0 | 0 | 0 |
90.2 | As a Young Girl of Thirteen... | 0 | 0.3 | 0 | 89.8 | 0 | 0 | 0 | 0 | 0 |
90 | Madam Phung's Last Journey | 0 | 0 | 0 | 0 | 1.8 | 88.2 | 0 | 0 | 0 |
89.8 | Thinking Existenz - Ep 04 - Suad Amiry | 89.5 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
89.8 | I am Secretly an Important Man | 89.8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
89.7 | The Goddesses of Food | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 89.7 | 0 |
89.5 | Naples '44 | 0 | 0 | 0 | 0 | 0 | 89.5 | 0 | 0 | 0 |
89.2 | Away from Meaning (Lejos del sentido) | 0 | 0 | 0 | 89.2 | 0 | 0 | 0 | 0 | 0 |
89.2 | 108 (Cuchillo de Palo) | 0 | 0 | 0 | 89.2 | 0 | 0 | 0 | 0 | 0 |
89 | Photographic Memory | 0 | 0 | 0 | 89 | 0 | 0 | 0 | 0 | 0 |
88.8 | Unfinished Spaces | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 86.8 | 0 |
88.7 | Maison Close - Episode 6 | 32.8 | 0 | 0 | 0 | 0 | 55.8 | 0 | 0 | 0 |
88.3 | Before Stonewall: Restored Edition | 0 | 0 | 0 | 0 | 0 | 88.3 | 0 | 0 | 0 |
88 | Antisemitism | 0 | 0 | 0 | 4 | 54 | 2.3 | 0 | 27.7 | 0 |
87.7 | Brickmakers (Chircales) | 0 | 0 | 0 | 43.3 | 0 | 44.3 | 0 | 0 | 0 |
87.7 | Expedition Content | 0 | 0 | 0 | 83.8 | 0 | 3.8 | 0 | 0 | 0 |
87.7 | Dries | 0 | 0 | 0 | 87.3 | 0 | 0 | 0 | 0 | 0.3 |
87.3 | La Supplication (Voices from Chernobyl) | 0.3 | 0 | 0 | 87 | 0 | 0 | 0 | 0 | 0 |
87.3 | Disturbing the Peace | 0 | 0 | 0 | 0.5 | 86.8 | 0 | 0 | 0 | 0 |
87.2 | Ghosts of Attica | 0 | 0 | 0 | 87.2 | 0 | 0 | 0 | 0 | 0 |
87 | Suzy Lake: Playing with Time | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 87 | 0 |
86.8 | Eames: The Architect & The Painter | 0 | 0 | 0 | 0 | 0 | 86.8 | 0 | 0 | 0 |
86.7 | Changing Our Minds: The Story of Dr. Evelyn Hooker | 10.5 | 75.8 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
86.5 | Paul Taylor: Creative Domain | 0 | 0 | 0 | 0.8 | 0 | 85 | 0 | 0.7 | 0 |
86.5 | Dance Camera West 2023 | 0 | 0 | 0 | 0 | 0 | 86.5 | 0 | 0 | 0 |
86 | Gunnin' for that #1 Spot | 0 | 45.5 | 40.5 | 0 | 0 | 0 | 0 | 0 | 0 |
85.8 | The Taqwacores | 0 | 0 | 0 | 0 | 0 | 85.8 | 0 | 0 | 0 |
85.8 | Time of Pandemics | 0 | 0 | 0 | 85.8 | 0 | 0 | 0 | 0 | 0 |
85.7 | My Grandmother's Mother Told My Mother | 0 | 0 | 0 | 68.3 | 0 | 0 | 0 | 0 | 17.3 |
85.2 | My Friend from the Park | 0 | 0 | 0 | 85.2 | 0 | 0 | 0 | 0 | 0 |
85.2 | False Confessions | 0 | 0.2 | 85 | 0 | 0 | 0 | 0 | 0 | 0 |
84.8 | Sir! No Sir! | 0 | 0 | 0 | 84.8 | 0 | 0 | 0 | 0 | 0 |
84.8 | Roque Dalton | 0 | 0 | 0 | 84.8 | 0 | 0 | 0 | 0 | 0 |
84.7 | Confounding Father - Episode 4 | 28.7 | 0 | 0 | 55.3 | 0.7 | 0 | 0 | 0 | 0 |
84.5 | A Month In Thailand | 0 | 0 | 0 | 84.3 | 0 | 0.2 | 0 | 0 | 0 |
84.3 | Rain in a Dry Land | 0 | 0 | 0 | 84.3 | 0 | 0 | 0 | 0 | 0 |
84.3 | 12 Days | 0 | 0 | 0 | 84.3 | 0 | 0 | 0 | 0 | 0 |
84.2 | Two Lottery Tickets | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 84.2 | 0 |
83.7 | Itzhak | 0 | 0 | 0 | 0 | 83.7 | 0 | 0 | 0 | 0 |
83.5 | Concrete Love: The Bohm Family | 0 | 0 | 0 | 83.5 | 0 | 0 | 0 | 0 | 0 |
83.2 | The Days to Come | 0 | 0 | 0 | 83.2 | 0 | 0 | 0 | 0 | 0 |
82.8 | Elena | 0 | 0.2 | 0 | 82.7 | 0 | 0 | 0 | 0 | 0 |
82.8 | The Seasons in Quincy: Four Portraits of John Berger | 0 | 46.8 | 0 | 0 | 0 | 5.8 | 0 | 0 | 30.2 |
82.7 | Westwood: Punk. Icon. Activist. | 0.7 | 0 | 0 | 0.7 | 0 | 81.3 | 0 | 0 | 0 |
82.5 | Foucault Against Himself | 3.3 | 0 | 0.2 | 0.2 | 0 | 6.7 | 0 | 54.2 | 18 |
82.5 | Dark Eden | 0 | 0 | 0 | 0 | 0 | 0.3 | 0 | 82.2 | 0 |
82.3 | Kochuu | 0.2 | 0 | 0 | 82.2 | 0 | 0 | 0 | 0 | 0 |
82.3 | Codebreaker | 82.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
82.2 | Sacco and Vanzetti | 0 | 0 | 0 | 0 | 0 | 82.2 | 0 | 0 | 0 |
82.2 | Tiny: A Story About Living Small | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 82.2 |
82.2 | Mountain | 0 | 0 | 1.8 | 0 | 0 | 0 | 0 | 80.3 | 0 |
81.7 | The Owl's Legacy: Amnesty, or History on the March | 0 | 0 | 0 | 0.5 | 81.2 | 0 | 0 | 0 | 0 |
81.7 | Deprogrammed | 0 | 0 | 0 | 0 | 0 | 81.7 | 0 | 0 | 0 |
81.7 | The Owl's Legacy: Symposium, or Accepted Ideas | 49.5 | 0 | 1.2 | 0 | 31 | 0 | 0 | 0 | 0 |
81.5 | The Cordillera of Dreams Extra - Patricio Guzm√°n Interview | 0 | 0 | 0 | 51 | 0 | 30.5 | 0 | 0 | 0 |
81.2 | Another Paradise | 0 | 0 | 0 | 46.2 | 0 | 0 | 0 | 35 | 0 |
81.2 | The Oyler House: Richard Neutra's Desert Retreat | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 34 | 47 |
81 | The Last Season | 0 | 0 | 0 | 81 | 0 | 0 | 0 | 0 | 0 |
80.7 | Metal and Melancholy | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 80.7 |
80.7 | Vampire Clay | 0.2 | 0.2 | 0 | 0 | 0 | 80.3 | 0 | 0 | 0 |
80.3 | Rocky Road to Dublin | 0 | 0 | 11.7 | 0.7 | 0 | 0 | 0 | 0 | 68 |
80.2 | Close Relations (Rodnye) | 80.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
79.8 | Yo | 0 | 0 | 0.2 | 79.7 | 0 | 0 | 0 | 0 | 0 |
79.8 | Jealousy | 0 | 0 | 79.8 | 0 | 0 | 0 | 0 | 0 | 0 |
79.8 | The Mystery of Picasso | 0 | 0 | 0 | 79.5 | 0 | 0 | 0 | 0.3 | 0 |
79.7 | The Kill Team | 0 | 0 | 0 | 79.7 | 0 | 0 | 0 | 0 | 0 |
79.7 | Live Nude Girls Unite! | 0.3 | 0 | 0 | 0 | 0 | 79 | 0 | 0 | 0.3 |
79.5 | Dark Days | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 79.5 |
79.5 | Gringo Trails | 0 | 0 | 0 | 79.5 | 0 | 0 | 0 | 0 | 0 |
79.2 | The Prize of the Pole | 0 | 0 | 0 | 79.2 | 0 | 0 | 0 | 0 | 0 |
79 | Kate Bornstein is a Queer & Pleasant Danger | 0 | 0 | 0 | 0 | 0 | 79 | 0 | 0 | 0 |
78.8 | Living the Light: Robby Müller | 0 | 27.2 | 20 | 0 | 0 | 31.5 | 0 | 0.2 | 0 |
78.8 | Van Gogh | 0 | 0 | 0 | 59.8 | 0 | 19 | 0 | 0 | 0 |
78.8 | Mario Ruspoli, Prince of the Whales | 0 | 0 | 0 | 78.8 | 0 | 0 | 0 | 0 | 0 |
78.7 | Monobloc | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 78.7 |
78.5 | In the Game | 0 | 0 | 0 | 78.5 | 0 | 0 | 0 | 0 | 0 |
78.3 | Interkosmos | 0 | 2.5 | 0 | 4 | 0 | 71.8 | 0 | 0 | 0 |
77.5 | Goya: The Secret of the Shadows | 77.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
77.3 | Elena | 0 | 0 | 0 | 47.3 | 0 | 0 | 0 | 30 | 0 |
77.3 | 900 Days | 0.3 | 0 | 0 | 0 | 0 | 77 | 0 | 0 | 0 |
77.2 | Karayuki-San, The Making of a Prostitute | 0 | 0 | 0 | 0.2 | 0 | 77 | 0 | 0 | 0 |
76.8 | Jay Myself | 0 | 0 | 0 | 76.8 | 0 | 0 | 0 | 0 | 0 |
76.8 | Penance: Episode 5 | 0 | 0 | 0 | 76.8 | 0 | 0 | 0 | 0 | 0 |
76.8 | Typeface | 0 | 0 | 0 | 0 | 0 | 76.8 | 0 | 0 | 0 |
76.7 | 12 O'Clock Boys | 0 | 0 | 0 | 76.7 | 0 | 0 | 0 | 0 | 0 |
76.7 | The Art of Yodeling | 14.5 | 0 | 0 | 0.3 | 0 | 0 | 0 | 61.8 | 0 |
76.5 | Mother, I Am Suffocating. This Is My Last Film About You. | 0 | 0 | 0 | 76.5 | 0 | 0 | 0 | 0 | 0 |
76.5 | Tina In Mexico | 0 | 0.2 | 0 | 76 | 0 | 0 | 0.3 | 0 | 0 |
76 | Howard Zinn: You Can't Be Neutral on a Moving Train | 0 | 0 | 0 | 0 | 0 | 76 | 0 | 0 | 0 |
75.8 | Food for Thought - Cooking with Commitment - Ep. 2 | 0 | 0 | 0 | 35.3 | 0 | 0 | 0 | 0 | 40.5 |
75.8 | Creating a Character: The Moni Yakim Legacy | 0 | 75.8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
75.8 | Thinking Existenz - Ep 02 - Laurie Anderson | 62.7 | 0 | 0 | 9.3 | 0 | 0 | 0 | 3.8 | 0 |
75.7 | Night Mail | 0 | 0 | 0.2 | 0.5 | 0 | 24 | 0 | 3.3 | 47.7 |
75.5 | The Secret Life of Your Clothes | 0 | 0 | 0 | 59.3 | 16.2 | 0 | 0 | 0 | 0 |
75.5 | Kigali Shaolin Temple | 0 | 0 | 0 | 16.3 | 14.5 | 37.5 | 0 | 7.2 | 0 |
75.2 | Edward Hopper | 0 | 0 | 0 | 13.2 | 0 | 59.5 | 0 | 2.5 | 0 |
75 | Lock-Up: The Prisoners of Rikers Island | 0 | 0 | 0 | 75 | 0 | 0 | 0 | 0 | 0 |
75 | Althusser, an Intellectual Adventure | 0 | 0 | 0 | 65.5 | 0 | 0 | 0 | 9.5 | 0 |
74.8 | In Memory of Rock | 0 | 0 | 14.7 | 35 | 0 | 24.8 | 0.3 | 0 | 0 |
74.2 | Capturing the Flag | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 74.2 | 0 |
74.2 | Another Country | 0 | 0 | 0 | 74.2 | 0 | 0 | 0 | 0 | 0 |
74.2 | The Dazzling Light of Sunset | 0 | 0 | 0 | 74.2 | 0 | 0 | 0 | 0 | 0 |
73.8 | Sol LeWitt | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1.3 | 72.5 |
73.5 | The Silent Village | 0 | 0 | 37 | 36.5 | 0 | 0 | 0 | 0 | 0 |
73.2 | Gay USA | 0 | 0 | 0 | 73.2 | 0 | 0 | 0 | 0 | 0 |
73.2 | The Way Things Go | 0 | 0 | 0 | 64.5 | 0 | 0 | 0 | 0 | 8.7 |
73.2 | Starlet | 0 | 0 | 0 | 68 | 0 | 0 | 0 | 0 | 5.2 |
73 | Barber Shop - Ep 2: India | 0 | 0 | 26.3 | 17.7 | 0 | 27.5 | 0 | 1.5 | 0 |
72.8 | Antarctic Edge: 70° South | 0 | 0 | 0 | 72.8 | 0 | 0 | 0 | 0 | 0 |
72 | Gray Matters: Architect & Designer Eileen Gray | 0 | 0 | 0 | 72 | 0 | 0 | 0 | 0 | 0 |
72 | The Hermitage Dwellers | 0 | 0 | 0 | 72 | 0 | 0 | 0 | 0 | 0 |
71.3 | A Boatload of Wild Irishmen | 0 | 1.2 | 0.3 | 67.3 | 0 | 0 | 0 | 0 | 2.5 |
71.2 | Artists & Love: Jeanne Hébuterne and Amedeo Modigliani | 0 | 26.8 | 0 | 26.7 | 0 | 0 | 0 | 17.7 | 0 |
71 | Quiet Heroes | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 71 |
70.8 | Under the Sun | 1.2 | 0 | 0 | 69.2 | 0 | 0 | 0 | 0 | 0.5 |
70.8 | Around India with a Movie Camera | 0 | 0 | 0 | 66 | 4.8 | 0 | 0 | 0 | 0 |
70.7 | Food for Thought - Tasting Qualities - Ep. 5 | 0 | 0 | 0 | 35.3 | 0 | 0 | 0 | 0 | 35.3 |
70.5 | Human Terrain | 0 | 0 | 0 | 70.5 | 0 | 0 | 0 | 0 | 0 |
70.2 | Between Joyce and Remembrance | 70.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
70.2 | Dreams of Ice | 0 | 0 | 0 | 14.3 | 0 | 55.8 | 0 | 0 | 0 |
70.2 | Pony Boys | 0 | 0 | 22.8 | 47.3 | 0 | 0 | 0 | 0 | 0 |
69.8 | Queen of Condoms | 1 | 0 | 0 | 0.2 | 0 | 6.3 | 0 | 62.3 | 0 |
69.8 | The Road Movie | 0 | 0 | 0 | 69.8 | 0 | 0 | 0 | 0 | 0 |
69.7 | A Family Submerged | 0 | 0 | 0 | 0.5 | 0 | 64 | 0 | 5.2 | 0 |
69.5 | God | 0 | 0 | 0 | 0 | 0 | 7 | 0 | 62.5 | 0 |
69.5 | Power and Terror: Noam Chomsky in Our Times | 0 | 0 | 0 | 0 | 0 | 69.5 | 0 | 0 | 0 |
69.3 | Fundi: The Story of Ella Baker | 0 | 0 | 0 | 69.3 | 0 | 0 | 0 | 0 | 0 |
69.2 | Olancho | 0 | 0 | 0 | 69.2 | 0 | 0 | 0 | 0 | 0 |
68.5 | A Maid for Each | 0 | 0 | 0 | 0.3 | 0 | 2.7 | 0 | 65.5 | 0 |
67.2 | How Much Does Your Building Weigh, Mr. Foster? | 0 | 0 | 1 | 66 | 0 | 0.2 | 0 | 0 | 0 |
66.7 | Natural Life | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 66.7 | 0 |
66.5 | Ballerina | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 66.3 | 0 |
66 | Your Day is My Night | 0 | 0 | 0 | 66 | 0 | 0 | 0 | 0 | 0 |
65.5 | Zona Franca | 0 | 46.5 | 0 | 19 | 0 | 0 | 0 | 0 | 0 |
65.2 | Sacred Cod | 0 | 0 | 0 | 65.2 | 0 | 0 | 0 | 0 | 0 |
64.8 | How to Lose Your Virginity | 9.2 | 0 | 0 | 55.7 | 0 | 0 | 0 | 0 | 0 |
64.3 | I Had An Abortion | 0 | 0 | 0 | 64.3 | 0 | 0 | 0 | 0 | 0 |
64.2 | Maison Close - Episode 7 | 0 | 0 | 0 | 0 | 0 | 64.2 | 0 | 0 | 0 |
64 | Sleeping Souls | 64 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
63.3 | War In The Mind | 0 | 0 | 0 | 63.3 | 0 | 0 | 0 | 0 | 0 |
63.2 | Kings Point | 0 | 0 | 0 | 0.5 | 0 | 0 | 31.5 | 0 | 31.2 |
62.8 | Blood Ties: The Life and Work of Sally Mann | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 59.8 | 0 |
62.7 | Community of Praise | 59.5 | 0 | 0 | 0 | 0 | 3.2 | 0 | 0 | 0 |
62.7 | Ape | 0 | 6.8 | 0 | 55.8 | 0 | 0 | 0 | 0 | 0 |
62.5 | Thinking Existenz - Ep 05 - Karen Armstrong | 62.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
62 | Cinema Novo | 0 | 0 | 2 | 0 | 0 | 60 | 0 | 0 | 0 |
61.5 | Nelson Algren: The End is Nothing, The Road is All | 7.8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 53.7 |
60.5 | Thinking Existenz - Ep 09 - Lula da Silva | 0 | 0 | 0 | 29.8 | 0 | 0 | 0 | 30.7 | 0 |
59.8 | Faith Love Desire - Ep 1 - First Love | 1.2 | 0 | 51.2 | 0 | 0 | 7.5 | 0 | 0 | 0 |
59.7 | Edith+Eddie | 1.2 | 0 | 0 | 58.5 | 0 | 0 | 0 | 0 | 0 |
59.7 | Naila and the Uprising | 0 | 0 | 0 | 59.7 | 0 | 0 | 0 | 0 | 0 |
59.3 | The Big Game | 59.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
59.2 | Mondovino: Crossing the Rubicon | 0 | 0 | 0 | 59.2 | 0 | 0 | 0 | 0 | 0 |
59.2 | Kehinde Wiley: An Economy of Grace | 0.5 | 0 | 0.2 | 10.2 | 0 | 0.3 | 0 | 7.8 | 40.2 |
58.7 | Second Time Around | 58.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
58.7 | Thinking Existenz - Ep 07 - Martin Jacques | 58.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
58.3 | Let Them Eat Dirt | 0 | 0 | 58.3 | 0 | 0 | 0 | 0 | 0 | 0 |
58 | A Look at Madness / Captive Feast | 0 | 0 | 0 | 49.5 | 0 | 3 | 0 | 0 | 5.5 |
58 | Absences | 0 | 0 | 0 | 29.5 | 0 | 28.5 | 0 | 0 | 0 |
57.8 | How Putin Came to Power | 5 | 0 | 0 | 52.8 | 0 | 0 | 0 | 0 | 0 |
57.7 | Thinking Existenz - Ep 06 - Esther Duflo | 57.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
57.5 | Today | 0 | 0 | 0 | 57.5 | 0 | 0 | 0 | 0 | 0 |
57.3 | With God On Our Side - Episode 3 | 0 | 0 | 0 | 57.3 | 0 | 0 | 0 | 0 | 0 |
57.2 | After the Spill | 0 | 0 | 0 | 57.2 | 0 | 0 | 0 | 0 | 0 |
57 | Guernica | 13.8 | 13.7 | 14.2 | 0 | 0 | 14.2 | 0 | 1.2 | 0 |
56.8 | Class of Struggle | 0 | 0 | 0 | 0.2 | 8.8 | 6 | 0 | 40.2 | 1.7 |
56.8 | Battaglia | 0 | 0 | 0 | 56.8 | 0 | 0 | 0 | 0 | 0 |
56.8 | Maison Close - Episode 3 | 0.3 | 1.8 | 0 | 0 | 0 | 54.7 | 0 | 0 | 0 |
56.7 | Refuge England (Robert Vas) | 0 | 0 | 0 | 56.7 | 0 | 0 | 0 | 0 | 0 |
56.3 | Come Undone | 1 | 0 | 0 | 0 | 0 | 49.7 | 0 | 5.7 | 0 |
56 | The Adventurers of Modern Art - Ep 2 | 0 | 0 | 0 | 0.3 | 0 | 55.2 | 0 | 0 | 0.5 |
55.8 | With God On Our Side - Episode 6 | 0 | 0 | 0 | 55.5 | 0 | 0.3 | 0 | 0 | 0 |
55.5 | 24 Hours Jerusalem | 5pm Ep 6 | 0 | 0 | 0 | 0 | 0 | 55.5 | 0 | 0 | 0 |
55.5 | Girls Always Happy | 0 | 0 | 0 | 55.5 | 0 | 0 | 0 | 0 | 0 |
55.3 | With God On Our Side - Episode 5 | 0 | 0 | 0 | 55.3 | 0 | 0 | 0 | 0 | 0 |
55.2 | With God On Our Side - Episode 4 | 0 | 0 | 0 | 55.2 | 0 | 0 | 0 | 0 | 0 |
55 | With God On Our Side - Episode 2 | 0 | 0 | 0 | 55 | 0 | 0 | 0 | 0 | 0 |
55 | The Owl's Legacy: Mathematics, or the Empire Counts Back | 0 | 0 | 0 | 28 | 27 | 0 | 0 | 0 | 0 |
54.3 | Non, Je Ne Regrette Rien | 0 | 0 | 36.2 | 18.2 | 0 | 0 | 0 | 0 | 0 |
54.3 | Memoir of War | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 54.3 | 0 |
54.2 | One Step From Glory | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 53.2 |
54.2 | First Passion | 0 | 0 | 0 | 54.2 | 0 | 0 | 0 | 0 | 0 |
54.2 | Yiddish | 0 | 0 | 0 | 0.5 | 0 | 3.8 | 0 | 49.8 | 0 |
54 | Jean Rouch, the Adventurous Filmmaker | 0 | 0 | 0 | 0 | 0 | 54 | 0 | 0 | 0 |
54 | A History of the European Working Class - Episode 4 | 0 | 0 | 0 | 54 | 0 | 0 | 0 | 0 | 0 |
54 | Ambulance | 0 | 0 | 1.5 | 52.5 | 0 | 0 | 0 | 0 | 0 |
53.8 | Two Friends | 0 | 0 | 0 | 0 | 0 | 53.8 | 0 | 0 | 0 |
53.8 | Fonko - Episode 2: Francophone West Africa | 53 | 0 | 0 | 0.8 | 0 | 0 | 0 | 0 | 0 |
53.5 | The Unreturned Soldiers In Malaysia | 0 | 0 | 0 | 0 | 0 | 53.5 | 0 | 0 | 0 |
53.5 | Fonko - Episode 3: Angola + Ghana | 53.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
53.3 | To Be Seen | 0 | 0 | 0 | 27.2 | 0 | 0 | 0 | 0 | 26.2 |
53.3 | Artists & Love: Frida Kahlo and Diego Rivera | 0 | 0 | 0 | 0 | 0 | 27 | 0 | 26.3 | 0 |
53.2 | Mitote / Mexican Ritual | 0 | 0 | 0 | 53.2 | 0 | 0 | 0 | 0 | 0 |
53 | Farmsteaders | 0 | 0 | 0 | 53 | 0 | 0 | 0 | 0 | 0 |
53 | Kuxa Kanema | 0 | 0 | 0 | 0 | 0 | 53 | 0 | 0 | 0 |
53 | Maison Close - Episode 5 | 0 | 0 | 0 | 0 | 0 | 53 | 0 | 0 | 0 |
53 | Artists & Love: Georgia O’Keeffe and Alfred Stieglitz | 0 | 0 | 0 | 26.3 | 0 | 0 | 0 | 26.7 | 0 |
52.8 | 24 Hours Jerusalem | 9:30am Ep 2 | 0 | 0 | 26.3 | 0 | 0 | 26.5 | 0 | 0 | 0 |
52.7 | Alice | 0 | 0 | 0 | 0 | 0 | 52.5 | 0 | 0 | 0.2 |
52.7 | Seeds of Hunger | 0 | 0 | 0 | 52.7 | 0 | 0 | 0 | 0 | 0 |
52.5 | Spark | 0 | 0 | 52.5 | 0 | 0 | 0 | 0 | 0 | 0 |
52.3 | Food Design | 52.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
52.3 | An American in Sophiatown: The Making of Come Back, Africa | 0 | 0 | 0 | 52.3 | 0 | 0 | 0 | 0 | 0 |
52.3 | The Adventurers of Modern Art - Ep 6 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 52.3 |
52.3 | Artists & Love: Gabriele Münter and Vassily Kandinsky | 0 | 0 | 0 | 0 | 0 | 26 | 0 | 0 | 26.3 |
52.2 | Thinking Existenz - Ep 03 - Lucrecia Martel | 52.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
52.2 | Microtopia | 0 | 0 | 0 | 52.2 | 0 | 0 | 0 | 0 | 0 |
52 | Faith Love Desire - Ep 2 - Fulfilled Love | 0 | 0 | 52 | 0 | 0 | 0 | 0 | 0 | 0 |
51.8 | Just Ancient Loops | 0 | 0 | 51.8 | 0 | 0 | 0 | 0 | 0 | 0 |
51.8 | Jane Campion: A Girl's Own Story | 0 | 0 | 0 | 6.8 | 0 | 22.7 | 0 | 0 | 22.3 |
51.5 | The Armor of Light | 0 | 0 | 0 | 0 | 0 | 51.5 | 0 | 0 | 0 |
51.3 | At Last the 1948 Show - Series 1 Episode 5 | 0 | 0 | 0 | 51.3 | 0 | 0 | 0 | 0 | 0 |
51.2 | Riot in the Matrix | 0 | 0 | 51.2 | 0 | 0 | 0 | 0 | 0 | 0 |
51 | John Berger or The Art of Looking | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 51 |
51 | Talk Mogadishu | 0 | 0 | 0 | 51 | 0 | 0 | 0 | 0 | 0 |
51 | Penance: Episode 2 | 0 | 0 | 0 | 51 | 0 | 0 | 0 | 0 | 0 |
51 | 24 Hours Jerusalem | 11:30am Ep 3 | 0 | 0 | 24.2 | 0 | 0 | 26.8 | 0 | 0 | 0 |
50.8 | Seed Battles | 0 | 0 | 0 | 50.8 | 0 | 0 | 0 | 0 | 0 |
50.8 | A Reckoning in Boston | 0.3 | 0 | 0 | 0 | 50.5 | 0 | 0 | 0 | 0 |
50.7 | Penance: Episode 3 | 0 | 0 | 0 | 50.7 | 0 | 0 | 0 | 0 | 0 |
50.5 | A Bit of Scarlet | 0 | 0 | 0 | 50.5 | 0 | 0 | 0 | 0 | 0 |
50.5 | Linefork | 50.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
50.5 | The Owl's Legacy: Music, or Inner Space | 0 | 0 | 0 | 20.5 | 27 | 0 | 0 | 0 | 3 |
50 | Penance: Episode 4 | 0 | 0 | 0 | 50 | 0 | 0 | 0 | 0 | 0 |
49.7 | Maison Close - S2 Ep 1 | 0 | 0 | 0 | 0 | 0 | 49.7 | 0 | 0 | 0 |
49 | Rule of Law | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 49 |
48.8 | Elder Voices | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 48.8 |
48.8 | Bedevil | 11.5 | 0.8 | 0.3 | 14.2 | 0 | 0 | 0 | 22 | 0 |
48.2 | At Last the 1948 Show - Series 1 Episode 4 | 0 | 22.7 | 0 | 25.5 | 0 | 0 | 0 | 0 | 0 |
47.5 | Dream Girls | 0 | 0 | 0 | 47.5 | 0 | 0 | 0 | 0 | 0 |
47.2 | Hotel Terminus - Part III | 0 | 0 | 0 | 47.2 | 0 | 0 | 0 | 0 | 0 |
46.7 | Outerborough | 0 | 0 | 0 | 12.2 | 0 | 17.3 | 0 | 17.2 | 0 |
46.7 | Color Adjustment | 0 | 0 | 0 | 46.7 | 0 | 0 | 0 | 0 | 0 |
46.7 | Anthropocene | 0 | 0 | 0 | 46.7 | 0 | 0 | 0 | 0 | 0 |
46.7 | The Destruction of Memory | 0 | 0 | 0 | 0 | 0 | 46.7 | 0 | 0 | 0 |
46.3 | Combat Obscura | 0 | 0 | 0 | 0 | 0 | 46.3 | 0 | 0 | 0 |
46.2 | The Unreturned Soldiers In Thailand | 0 | 0 | 0 | 0 | 0 | 46.2 | 0 | 0 | 0 |
45.3 | This Magnificent Cake! | 0 | 0 | 0 | 0 | 0 | 45.3 | 0 | 0 | 0 |
45.2 | Marcel Ophuls and Jean-Luc Godard | 0 | 0 | 0 | 2.2 | 0 | 43 | 0 | 0 | 0 |
45 | Investigation of a Flame | 45 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
44.7 | An Ecology of Mind | 44.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
44.3 | The Owl's Legacy: Logomachy, or the Dialect of the Tribe | 0 | 0 | 0 | 17 | 27.3 | 0 | 0 | 0 | 0 |
43.3 | Family Life | 41.2 | 0 | 0 | 2.2 | 0 | 0 | 0 | 0 | 0 |
43 | Love and Solidarity | 1.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 41.8 |
42.8 | Ryusuke Hamaguchi's Happy Hour | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 42.8 | 0 |
42.7 | I Cannot Tell You How I Feel | 42.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
42.3 | No Secret Anymore: The Times of Del Martin & Phyllis Lyon | 0 | 42.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
42.3 | Dreams Rewired | 0.8 | 0 | 8.3 | 33.2 | 0 | 0 | 0 | 0 | 0 |
42 | When a Tree Falls (Amama) | 0 | 0 | 0 | 42 | 0 | 0 | 0 | 0 | 0 |
41.7 | The Calm After The Storm | 0 | 0 | 0 | 0 | 0 | 41.7 | 0 | 0 | 0 |
41 | The Twentieth Century | 0 | 3.3 | 0 | 0.3 | 0 | 0 | 0 | 0 | 37.3 |
40 | Backyard | 0 | 0 | 0 | 40 | 0 | 0 | 0 | 0 | 0 |
40 | Nefertiti's Daughters | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 40 |
39.5 | What's the Economy for, Anyway? | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 39.3 | 0 |
39.3 | Paul Gauguin | 0 | 0 | 13.2 | 0 | 0 | 26.2 | 0 | 0 | 0 |
39.3 | Outstanding Award Winner Henrique Pina: Body-Buildings | 0 | 0 | 0 | 0 | 0 | 39.3 | 0 | 0 | 0 |
38.7 | Martin Roumagnac | 0.2 | 0 | 0 | 15.3 | 0 | 0 | 0 | 23.2 | 0 |
38.7 | Tokyo Shaking | 0 | 0 | 0 | 0 | 38.7 | 0 | 0 | 0 | 0 |
38.3 | WEconomics: Italy | 0 | 0 | 0 | 18.7 | 0 | 19.7 | 0 | 0 | 0 |
38.2 | La Commune (Paris 1871) (Theatrical Version) | 0 | 0 | 1.2 | 4.2 | 0 | 3.5 | 0 | 24 | 5.3 |
38.2 | Trespassing Bergman | 0 | 0 | 0 | 0 | 0 | 38.2 | 0 | 0 | 0 |
38 | Argentina: Turning Around | 38 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
37.8 | Carmo Hit the Road | 0 | 0 | 0 | 0 | 37.8 | 0 | 0 | 0 | 0 |
37.3 | Bob’s Birthday | 0 | 0 | 0 | 1.2 | 0 | 11.7 | 0 | 12.2 | 12.3 |
37.3 | Activized | 0 | 0 | 0 | 37.3 | 0 | 0 | 0 | 0 | 0 |
37.3 | A History of the European Working Class - Episode 1 | 0 | 0 | 0 | 37.3 | 0 | 0 | 0 | 0 | 0 |
37 | Polina | 0 | 0.2 | 0 | 36.8 | 0 | 0 | 0 | 0 | 0 |
36.7 | A History of the European Working Class - Episode 3 | 0 | 0 | 0 | 36.7 | 0 | 0 | 0 | 0 | 0 |
35.3 | 24 Hours in the Life of a Clown | 4.3 | 0 | 1.7 | 0 | 0 | 6.5 | 0 | 3.7 | 19.2 |
35.2 | The Red Soul | 0.5 | 0 | 0 | 0.2 | 0 | 34.5 | 0 | 0 | 0 |
35 | Bamako | 0 | 0 | 34.5 | 0.5 | 0 | 0 | 0 | 0 | 0 |
34.8 | Night Cries | 0 | 0 | 0 | 17.3 | 0 | 0 | 0 | 17.5 | 0 |
34.7 | The Resolute | 0 | 0 | 0 | 34.7 | 0 | 0 | 0 | 0 | 0 |
34.2 | 63 Boycott | 0 | 0 | 0 | 34.2 | 0 | 0 | 0 | 0 | 0 |
34 | Moi, Un Noir (Jean Rouch) | 0 | 0 | 33.7 | 0 | 0 | 0.3 | 0 | 0 | 0 |
34 | Milestones | 0.2 | 0 | 0 | 0.8 | 0 | 0 | 0 | 0 | 33 |
33.8 | We Need to Talk About Kevin | 0 | 0 | 0 | 2 | 0 | 1.2 | 0 | 0 | 30.7 |
33.7 | The Point of Least Resistance | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 33.7 |
33.5 | A Game for Six Lovers (L’eau à la bouche) | 0.5 | 0 | 0 | 33 | 0 | 0 | 0 | 0 | 0 |
33.5 | Plane Truths | 33.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
33.3 | Thinking Existenz - Ep 08 - Vandana Shiva | 32.8 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
33.3 | Best of Fest 2 - The Circadian Cycle | 0 | 0 | 0 | 16.3 | 0 | 17 | 0 | 0 | 0 |
33.3 | El Mar La Mar | 0 | 0 | 10 | 23.3 | 0 | 0 | 0 | 0 | 0 |
33.2 | Sacco & Vanzetti | 0 | 0 | 0 | 0 | 0 | 33.2 | 0 | 0 | 0 |
32.5 | Giacometti | 0 | 13.2 | 0 | 0 | 0 | 0 | 0 | 6.2 | 13.2 |
32.3 | Beyond Zero: 1914-1918 | 0 | 0 | 0 | 32.3 | 0 | 0 | 0 | 0 | 0 |
32.3 | 2 X 50 Years of French Cinema | 0 | 10.5 | 0 | 0 | 0 | 0 | 0 | 0 | 21.8 |
32.2 | Glenn Gould: Off the Record | 0 | 0 | 0 | 29.7 | 0 | 0 | 0 | 2.5 | 0 |
31.8 | Frida Kahlo & Tina Modotti | 0 | 0 | 1.3 | 0 | 0 | 30.5 | 0 | 0 | 0 |
31.7 | Thinking Existenz - Ep 10 - Braden Allenby | 0 | 0 | 0.2 | 1.8 | 0 | 29.7 | 0 | 0 | 0 |
31.5 | The Making of Everything Else | 0 | 0 | 0 | 0.2 | 0.2 | 0 | 0 | 0 | 31.2 |
31.5 | The Girl With The Rivet Gun | 0 | 0 | 0 | 0 | 0 | 15.7 | 0 | 0 | 15.8 |
31.5 | The Marquis of Wavrin | 0 | 0 | 0 | 31.5 | 0 | 0 | 0 | 0 | 0 |
31.2 | The Internationale | 31 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
30.8 | Blowback: The 9/11 Wars in Global Film | 0 | 0 | 30.8 | 0 | 0 | 0 | 0 | 0 | 0 |
30.5 | Three Cheers for the Whale | 0 | 0 | 30.5 | 0 | 0 | 0 | 0 | 0 | 0 |
30 | Viktoria | 0.3 | 3.3 | 15.5 | 0 | 0 | 10.8 | 0 | 0 | 0 |
29.5 | Glenn Gould: On the Record | 0 | 0 | 0 | 29.5 | 0 | 0 | 0 | 0 | 0 |
29.5 | Battle of Memories | 0 | 0 | 0 | 27.2 | 0 | 0 | 0 | 2.3 | 0 |
29.3 | Special Treatment | 6.7 | 3 | 0 | 10.7 | 0 | 9 | 0 | 0 | 0 |
29.2 | Through the Mirror of Chess: A Cultural Exploration Ep 3 | 29.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
29.2 | The Maid | 0 | 0 | 0 | 29.2 | 0 | 0 | 0 | 0 | 0 |
28.8 | Berliner Ballade | 0 | 0 | 0 | 28.8 | 0 | 0 | 0 | 0 | 0 |
28.8 | New Inspiration - Hofesh Shechter's Clowns | 0 | 0 | 0 | 0 | 0 | 28.8 | 0 | 0 | 0 |
28.7 | Fighting in Southwest Louisiana | 28.5 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
28.7 | Barber Shop - Ep 4: Rio De Janeiro / Brazil | 0 | 0 | 0 | 0 | 0 | 26.8 | 0 | 1.8 | 0 |
28.3 | Best of Fest 1 - Escape | 0 | 0 | 0 | 14 | 0 | 14.3 | 0 | 0 | 0 |
28 | When Abortion was Illegal | 0 | 0 | 0 | 28 | 0 | 0 | 0 | 0 | 0 |
27.8 | 24 Hours Jerusalem | 2pm Ep 5 | 0 | 0 | 0 | 0 | 0 | 27.8 | 0 | 0 | 0 |
27.7 | The Owl's Legacy: Tragedy, or the Illusion of Death | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 27.7 | 0 |
27.5 | Best of Fest 2 - Second Seed | 0 | 0 | 0 | 15.5 | 0 | 12 | 0 | 0 | 0 |
27.3 | The Whalers | 0 | 0 | 0 | 0 | 0 | 26.7 | 0 | 0 | 0.7 |
27.3 | The Life and Times of Allen Ginsberg | 0 | 0 | 0 | 27.3 | 0 | 0 | 0 | 0 | 0 |
27.3 | Artists & Love: Gerda Taro and Robert Capa | 0 | 0 | 0 | 27.3 | 0 | 0 | 0 | 0 | 0 |
27.2 | Artists & Love: Paula Becker and Otto Modersohn | 0 | 0 | 0 | 27.2 | 0 | 0 | 0 | 0 | 0 |
27.2 | The Owl's Legacy: Olympics, or Imaginary Greece | 0 | 0 | 0 | 0 | 27.2 | 0 | 0 | 0 | 0 |
27 | The Owl's Legacy: Nostalgia, or The Impossible Return | 0 | 0 | 0 | 0 | 27 | 0 | 0 | 0 | 0 |
27 | Barber Shop - Ep 5: Smara Refugee Camp / Algeria | 0 | 0 | 0 | 0 | 0 | 27 | 0 | 0 | 0 |
27 | Cane River | 0 | 0 | 0 | 26 | 0 | 0 | 0 | 1 | 0 |
26.8 | Eternity Has No Door of Escape | 0 | 0 | 0 | 24.2 | 0 | 0 | 0 | 2.7 | 0 |
26.7 | Beatrix Farrand's American Landscapes | 0 | 0 | 0 | 0 | 0 | 26.7 | 0 | 0 | 0 |
26.7 | The Owl's Legacy: Democracy, or City of Dreams | 0 | 0 | 0 | 0 | 26.7 | 0 | 0 | 0 | 0 |
26.5 | 24 Hours Jerusalem | 12:30pm Ep 4 | 0 | 0 | 0 | 0 | 0 | 26.5 | 0 | 0 | 0 |
26.5 | 24 Hours Jerusalem | 2am Ep 10 | 0 | 0 | 0 | 0 | 0 | 26.5 | 0 | 0 | 0 |
26.5 | Psychobitch | 0 | 0 | 2 | 0 | 0 | 12.3 | 0 | 12.2 | 0 |
26.3 | Garry Winogrand: All Things are Photographable | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 26.3 | 0 |
26.3 | Americas in Transition | 0 | 0 | 0 | 26.3 | 0 | 0 | 0 | 0 | 0 |
26.2 | In Motion: Amiri Baraka | 0 | 0 | 0 | 0 | 0 | 26.2 | 0 | 0 | 0 |
26.2 | We Are the Lambeth Boys (Karel Reisz) | 0 | 0 | 0 | 26.2 | 0 | 0 | 0 | 0 | 0 |
26.2 | Maison Close - Episode 8 | 0 | 0 | 0 | 0 | 0 | 26.2 | 0 | 0 | 0 |
26.2 | Artists & Love: Lee Miller and Man Ray | 0 | 0 | 0 | 26 | 0 | 0 | 0 | 0.2 | 0 |
26.2 | 24 Hours Jerusalem | 8:30pm Ep 8 | 0 | 0 | 0 | 0 | 0 | 26.2 | 0 | 0 | 0 |
26.2 | Marx for Beginners | 0 | 0 | 0 | 6.5 | 0 | 13.3 | 0 | 0 | 6.3 |
26 | 24 Hours Jerusalem | 11:30pm Ep 9 | 0 | 0 | 0 | 0 | 0 | 26 | 0 | 0 | 0 |
26 | The Workers Cup | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 26 |
26 | The Best of Both Worlds | 0 | 0 | 0 | 26 | 0 | 0 | 0 | 0 | 0 |
26 | 24 Hours Jerusalem | 7:30pm Ep 7 | 0 | 0 | 0 | 0 | 0 | 26 | 0 | 0 | 0 |
25.8 | The Making of 'Rocky Road to Dublin' | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 25.8 |
25.5 | The Case of the Grinning Cat | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 25.5 | 0 |
25.5 | The Owl's Legacy: Cosmogony, or the Ways of the World | 0 | 0 | 0 | 0 | 0 | 25.5 | 0 | 0 | 0 |
25.5 | Dying for Gold | 0 | 0 | 0 | 25.5 | 0 | 0 | 0 | 0 | 0 |
25.3 | Dear Dr. Spencer | 0 | 0 | 0 | 25.3 | 0 | 0 | 0 | 0 | 0 |
25 | Affirmations | 0 | 0 | 9.2 | 15.8 | 0 | 0 | 0 | 0 | 0 |
25 | Nice Colored Girls | 0 | 0 | 0.7 | 1.5 | 16 | 4 | 0 | 2.8 | 0 |
25 | At Last the 1948 Show - Series 1 Episode 6 | 0 | 0 | 0 | 25 | 0 | 0 | 0 | 0 | 0 |
24.8 | Blue Helmet | 0 | 0 | 0 | 24.8 | 0 | 0 | 0 | 0 | 0 |
24.8 | Barber Shop - Ep 3: Detroit / USA | 0 | 0 | 22 | 0 | 0 | 0 | 0 | 2.8 | 0 |
24.7 | Meru | 0 | 0 | 0 | 0.5 | 0 | 24.2 | 0 | 0 | 0 |
24.5 | Black Is the Color: A History of African American Art | 0 | 0 | 0 | 0 | 0 | 24.5 | 0 | 0 | 0 |
23.8 | At Last the 1948 Show - Series 1 Episode 1 | 0 | 0 | 0 | 23.8 | 0 | 0 | 0 | 0 | 0 |
23.8 | Don't Give Up Your Voice! | 0 | 0 | 0 | 23.8 | 0 | 0 | 0 | 0 | 0 |
23.7 | At Last the 1948 Show - Series 1 Episode 3 | 0 | 0 | 0 | 23.7 | 0 | 0 | 0 | 0 | 0 |
23.7 | Vicenta Trailer | 0 | 2 | 0.3 | 7.7 | 1.8 | 4 | 5.7 | 2.2 | 0 |
23.5 | The First Days | 0 | 0 | 23.5 | 0 | 0 | 0 | 0 | 0 | 0 |
22.8 | The Punishment | 0 | 0.2 | 0 | 22.7 | 0 | 0 | 0 | 0 | 0 |
22.3 | A Concerned Citizen | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 22.3 | 0 |
22.2 | Aguilucho: Dance of the Harpy Eagle | 22.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
22 | Facing Fear | 0 | 0 | 0 | 0 | 0 | 22 | 0 | 0 | 0 |
21.8 | The Embassy | 0 | 0 | 21.5 | 0.3 | 0 | 0 | 0 | 0 | 0 |
21.8 | Documentary - Chen | 0 | 0 | 0 | 0 | 0 | 21.8 | 0 | 0 | 0 |
21.7 | At Last the 1948 Show - Series 1 Episode 2 | 0 | 0 | 0 | 21.7 | 0 | 0 | 0 | 0 | 0 |
21.5 | Post Mortem | 0 | 0 | 0 | 21.5 | 0 | 0 | 0 | 0 | 0 |
21.2 | Discount | 0 | 0 | 0.2 | 0 | 0 | 3 | 0 | 18 | 0 |
21.2 | How to Build an Igloo | 10.8 | 0 | 10.3 | 0 | 0 | 0 | 0 | 0 | 0 |
20.7 | Integration Report 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 20.7 |
20.7 | Nixon’s Reversal | 0 | 0 | 2.8 | 17.8 | 0 | 0 | 0 | 0 | 0 |
20.5 | You Will Be My Ally | 20.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
20.3 | This is the Way I Like It 2 | 0.2 | 14 | 0 | 3.5 | 0 | 2.7 | 0 | 0 | 0 |
20 | 100 Years of Japanese Cinema | 0 | 0 | 0 | 0 | 0 | 20 | 0 | 0 | 0 |
20 | Mute Fire | 0 | 0 | 0 | 20 | 0 | 0 | 0 | 0 | 0 |
19.8 | Rem Koolhaas: A Kind of Architect | 0 | 0 | 16.3 | 0 | 0 | 1 | 0 | 2.5 | 0 |
19.8 | Through the Mirror of Chess: A Cultural Exploration Ep 2 | 19.8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
19.7 | Datsche | 0 | 0 | 0 | 0 | 16.3 | 3.3 | 0 | 0 | 0 |
19.5 | All Water Has a Perfect Memory | 0 | 0 | 0 | 19.5 | 0 | 0 | 0 | 0 | 0 |
19.5 | The Universal Clock | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 19.5 | 0 |
19.2 | Still Burn (Algo quema) | 0 | 0 | 0 | 4.7 | 0 | 0 | 14.5 | 0 | 0 |
18.8 | Chantal Akerman by Chantal Akerman | 0 | 18.8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
18.8 | In the Last Days of the City | 0 | 0 | 0 | 18.8 | 0 | 0 | 0 | 0 | 0 |
18.5 | The Vanishing Street (Robert Vas) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 18.5 |
18.5 | Murder in the Cathedral | 0 | 0 | 0 | 0 | 0 | 18.5 | 0 | 0 | 0 |
18.3 | Bestiaire | 18.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
18.2 | O Dreamland (Lindsay Anderson) | 0 | 0 | 0 | 18.2 | 0 | 0 | 0 | 0 | 0 |
18.2 | Anne Clark – I’ll Walk Out Into Tomorrow | 0 | 0 | 0 | 0 | 0 | 18.2 | 0 | 0 | 0 |
17.8 | Who By Water | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 17.8 |
17.7 | Mar | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 17.7 | 0 |
17.7 | The Chef's Wife | 0 | 0 | 17.7 | 0 | 0 | 0 | 0 | 0 | 0 |
17.7 | Cat Listening to Music | 3 | 0 | 8.8 | 0 | 0 | 0 | 2.8 | 0 | 3 |
17.5 | Faith Love Desire - Ep 3 - Forbidden Love | 0 | 0 | 17.5 | 0 | 0 | 0 | 0 | 0 | 0 |
16.8 | Us Kids | 0 | 0 | 4.3 | 0 | 0 | 12.5 | 0 | 0 | 0 |
16.8 | Embrace of the Serpent | 0.5 | 16.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
16.7 | McLibel | 0 | 0 | 0 | 0 | 0 | 16.7 | 0 | 0 | 0 |
16.7 | The Off Hours | 0 | 0 | 0 | 0 | 0 | 11.5 | 0 | 5.2 | 0 |
16.5 | Siberian Love | 16.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
16.5 | Six in Paris: Gare du Nord | 0 | 0 | 0 | 16.5 | 0 | 0 | 0 | 0 | 0 |
16.2 | Cultivating Kids | 16.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
16.2 | The Thorn in the Heart | 0 | 0 | 15 | 0 | 0 | 1.2 | 0 | 0 | 0 |
16.2 | Lake Los Angeles | 0 | 15.3 | 0 | 0 | 0 | 0 | 0 | 0.8 | 0 |
16 | Best of Fest 1 - 4 | 0 | 0 | 0 | 12.2 | 0 | 3.8 | 0 | 0 | 0 |
16 | Six in Paris: Montparnasse et Levallois | 0 | 0 | 0 | 16 | 0 | 0 | 0 | 0 | 0 |
15.8 | Egg Cream | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 15.8 |
15.8 | Jane Campion: Passionless Moments | 0 | 0 | 2.8 | 0 | 0 | 0 | 12.3 | 0 | 0.7 |
15.5 | Best of Fest 1 - Traces | 0 | 0 | 0 | 9.5 | 0 | 6 | 0 | 0 | 0 |
15.5 | Documentary - All It Gives | 0 | 0 | 0 | 14.7 | 0 | 0.8 | 0 | 0 | 0 |
15.2 | Lost Rivers | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 15.2 | 0 |
15 | Of Love & Law | 0 | 0 | 0 | 15 | 0 | 0 | 0 | 0 | 0 |
15 | The Danish Poet | 0 | 0 | 0 | 0 | 0 | 14.8 | 0 | 0.2 | 0 |
14.7 | When Claude Got Shot | 0 | 0 | 0 | 14.7 | 0 | 0 | 0 | 0 | 0 |
14.7 | Best of Fest 1 - Beast | 0 | 0 | 0 | 10.2 | 0 | 4.5 | 0 | 0 | 0 |
14.5 | Spark of Being | 0 | 0 | 0 | 0 | 0 | 14.5 | 0 | 0 | 0 |
14.5 | Scheme Birds | 0 | 0 | 0 | 14.3 | 0 | 0.2 | 0 | 0 | 0 |
14.3 | Kentridge and Dumas in Conversation | 0.2 | 0 | 0 | 0 | 0 | 14.2 | 0 | 0 | 0 |
14.3 | Miss Kiet's Children | 0 | 0 | 0 | 14.3 | 0 | 0 | 0 | 0 | 0 |
14 | Dream Deceivers | 0 | 0 | 14 | 0 | 0 | 0 | 0 | 0 | 0 |
13.8 | As Good As You | 0 | 0 | 1 | 10.7 | 0 | 0 | 0 | 0 | 2.2 |
13.5 | Damages | 0 | 0 | 0 | 0 | 0 | 0.8 | 0 | 0 | 12.7 |
13.3 | The Ninth Floor | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 13.3 |
13.2 | The Next Industrial Revolution | 0 | 0 | 0 | 13.2 | 0 | 0 | 0 | 0 | 0 |
13.2 | Sebastiane | 6.3 | 0 | 0 | 6.8 | 0 | 0 | 0 | 0 | 0 |
13 | Wrinkles | 0 | 0 | 0 | 13 | 0 | 0 | 0 | 0 | 0 |
12.8 | Early Short Films of the French New Wave Trailer | 0.5 | 0.7 | 0.7 | 8.3 | 0 | 2 | 0 | 0.7 | 0 |
12.8 | One Day Pina Asked... | 0 | 0 | 0 | 12.8 | 0 | 0 | 0 | 0 | 0 |
12.7 | Late Summer | 0 | 0 | 0 | 12.7 | 0 | 0 | 0 | 0 | 0 |
12.5 | Best of Fest 2 - Being | 0 | 0 | 0 | 7.2 | 0 | 5.3 | 0 | 0 | 0 |
12.3 | Best of Fest 1 - Liminality | 0 | 0 | 0 | 7.5 | 0 | 4.8 | 0 | 0 | 0 |
12.2 | The Last Angel of History Fan Trailer | 1.7 | 1.7 | 0 | 4.5 | 0 | 4 | 0.3 | 0 | 0 |
12.2 | O Amor Natural | 1 | 0 | 0.3 | 0 | 0 | 9.5 | 0 | 0 | 1.3 |
12 | Downstream to Kinshasa | 0 | 0 | 0 | 12 | 0 | 0 | 0 | 0 | 0 |
11.7 | A New Color: The Art of Being Edythe Boone | 0 | 0 | 0 | 11.7 | 0 | 0 | 0 | 0 | 0 |
11.5 | Complicit | 0 | 0 | 0 | 0 | 0 | 11.5 | 0 | 0 | 0 |
11.5 | Anarchism in America | 0 | 0 | 0 | 0 | 0 | 0 | 11.5 | 0 | 0 |
11.5 | System Error | 0 | 0 | 0 | 0 | 0 | 11.5 | 0 | 0 | 0 |
11.3 | No Light and No Land Anywhere | 0 | 10.7 | 0 | 0.5 | 0 | 0.2 | 0 | 0 | 0 |
11.3 | Best of Fest 2 - Dusk | 0 | 0 | 0 | 7.7 | 0 | 3.7 | 0 | 0 | 0 |
11.3 | Lady Chatterley's Lover | 0 | 0 | 0 | 5 | 0 | 6.3 | 0 | 0 | 0 |
11 | Metal and Melancholy Fan Trailer | 0 | 0 | 0 | 4.2 | 0 | 6.8 | 0 | 0 | 0 |
11 | Best of Fest 2 - ID | 0 | 0 | 0 | 6.2 | 0 | 4.8 | 0 | 0 | 0 |
11 | Zone of Silence | 0.2 | 0 | 0 | 10.8 | 0 | 0 | 0 | 0 | 0 |
10.8 | Hedgehog's Home | 0 | 0 | 0 | 0.5 | 0 | 10.3 | 0 | 0 | 0 |
10.7 | Papicha | 0 | 7.7 | 0 | 0.8 | 0 | 2.2 | 0 | 0 | 0 |
10.5 | The Juche Idea | 0 | 0 | 0 | 0 | 0 | 0 | 10.5 | 0 | 0 |
10.5 | Bridgend | 0.3 | 0 | 0.2 | 0 | 0.2 | 9.8 | 0 | 0 | 0 |
10.3 | Bugs | 0 | 0 | 0 | 10.3 | 0 | 0 | 0 | 0 | 0 |
10.3 | All the Cities of the North | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 10.3 | 0 |
10 | The Owl's Legacy: Misogyny, or the Snares of Desire | 1.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8.7 |
10 | Ta'ang | 0 | 0 | 0 | 10 | 0 | 0 | 0 | 0 | 0 |
9.8 | The Cordillera of Dreams Extra - Julien Joly on Guzm√°n | 0 | 0 | 0 | 9.8 | 0 | 0 | 0 | 0 | 0 |
9.7 | Shyness | 0 | 0 | 0 | 9.7 | 0 | 0 | 0 | 0 | 0 |
9.7 | Bombay Our City | 0 | 0 | 0 | 0 | 0 | 8.5 | 0 | 1.2 | 0 |
9.7 | Agent Orange | 0 | 0 | 0 | 9.7 | 0 | 0 | 0 | 0 | 0 |
9.7 | New Inspiration - Waters Into Wilderness | 0 | 0 | 0 | 4.8 | 0 | 4.8 | 0 | 0 | 0 |
9.5 | 40,000 Years of Dreaming | 0 | 0 | 0 | 9.5 | 0 | 0 | 0 | 0 | 0 |
9.5 | The Cordillera of Dreams Extra - Interview with Angela Leible | 0 | 0 | 0 | 9.5 | 0 | 0 | 0 | 0 | 0 |
9.3 | The Candidate | 0 | 0 | 8.2 | 1.2 | 0 | 0 | 0 | 0 | 0 |
9.3 | Best of Fest 2 - Forest Floor | 0 | 0 | 0 | 9.3 | 0 | 0 | 0 | 0 | 0 |
9.2 | Best of Fest 1 - Earth Odyssey: Asaf Avidan | 0 | 0 | 0 | 4.5 | 0 | 4.7 | 0 | 0 | 0 |
9.2 | La Arrancada | 0 | 9.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
9.2 | Exile, A Myth Unearthed - Part 1 | 0 | 0 | 0.2 | 0 | 9 | 0 | 0 | 0 | 0 |
9.2 | Best of Fest 1 - Sedimented Here | 0 | 0 | 0 | 6.5 | 0 | 2.7 | 0 | 0 | 0 |
9 | African Air | 0 | 0 | 0 | 9 | 0 | 0 | 0 | 0 | 0 |
8.8 | In the Intense Now | 0 | 0 | 0 | 0 | 0 | 0 | 8.8 | 0 | 0 |
8.7 | Killing Time | 0 | 0 | 0 | 8.7 | 0 | 0 | 0 | 0 | 0 |
8.7 | Cinema of Tears | 0 | 0 | 0 | 0.3 | 0 | 8.3 | 0 | 0 | 0 |
8.5 | An Encounter with Simone Weil | 0 | 0 | 0 | 0 | 0 | 8.5 | 0 | 0 | 0 |
8.5 | Harbour of Hope | 0 | 0 | 0 | 0 | 0 | 8.5 | 0 | 0 | 0 |
8.3 | Bitter Money | 0 | 0 | 5.7 | 0 | 0 | 2.7 | 0 | 0 | 0 |
8.3 | A Grin Without a Cat Fan Trailer | 0 | 0 | 0 | 0.2 | 0 | 6.2 | 2 | 0 | 0 |
8.3 | Best of Fest 2 - Lost Horse: Asaf Avidan | 0 | 0 | 0 | 4.3 | 0 | 4 | 0 | 0 | 0 |
8.2 | Lemebel | 0 | 0 | 0 | 0 | 0 | 1.5 | 0 | 0 | 6.7 |
8.2 | We Are Not Ghosts | 8.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
8.2 | Sunday School with Franz Hinkelammert | 0 | 0 | 0 | 0 | 0 | 0 | 7.3 | 0 | 0.8 |
8 | Kati With an I | 0.7 | 0 | 0 | 7.2 | 0 | 0.2 | 0 | 0 | 0 |
8 | Oxhide II | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.7 | 7.3 |
8 | Do Not Adjust Your Set - Pilot | 0 | 0 | 0 | 0 | 0 | 3.5 | 0 | 4.5 | 0 |
7.8 | The Pirates of Babuan Fan Trailer | 0 | 1 | 0.2 | 1.3 | 0 | 4.5 | 0.7 | 0 | 0.2 |
7.8 | Rough Aunties | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 7.8 |
7.8 | Tharlo | 0 | 0 | 0 | 7.8 | 0 | 0 | 0 | 0 | 0 |
7.8 | The Naked Screen | 0.2 | 0 | 0 | 0 | 0 | 1.3 | 0 | 0 | 6.3 |
7.7 | On This Side of the World | 7.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
7.7 | Release | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 7.7 |
7.7 | La Commune (Paris 1871) Part 1 | 0 | 0 | 0 | 7.7 | 0 | 0 | 0 | 0 | 0 |
7.7 | STOP | 0 | 0 | 0.7 | 0 | 0 | 7 | 0 | 0 | 0 |
7.5 | Casa Grande | 0 | 0 | 0 | 0.2 | 0 | 7.3 | 0 | 0 | 0 |
7.5 | The Toxic Reigns of Resentment | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 7.5 |
7.5 | Biophilic Design | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 7.5 | 0 |
7.3 | Special Delivery | 0 | 0 | 0 | 0 | 0 | 7.3 | 0 | 0 | 0 |
7.3 | The Owl's Legacy Trailer | 1.5 | 1.5 | 0 | 2.8 | 1.5 | 0 | 0 | 0 | 0 |
7.3 | "I Do Not Care if We Go Down in History as Barbarians" | 0 | 0 | 0 | 7.3 | 0 | 0 | 0 | 0 | 0 |
7.2 | Another World is Possible | 0 | 0 | 0 | 0 | 7.2 | 0 | 0 | 0 | 0 |
7 | Laberinto de Luz / Lightbyrinth | 0 | 0 | 0 | 7 | 0 | 0 | 0 | 0 | 0 |
7 | Queer Genius | 7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
6.7 | The Cordillera of Dreams Extra - Interview with Rolando Abarca | 0 | 0 | 0 | 6.7 | 0 | 0 | 0 | 0 | 0 |
6.7 | Rocco and His Brothers | 0 | 0 | 0 | 6.3 | 0 | 0.3 | 0 | 0 | 0 |
6.5 | Shusenjo: Comfort Women and Japan's War on History | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6.5 |
6.5 | L'AMOUR! - Winter Grew Cold | 0 | 0 | 0 | 0 | 0 | 6.5 | 0 | 0 | 0 |
6.5 | The Cordillera of Dreams Extra - The Making of the Film | 0 | 0 | 0 | 6.5 | 0 | 0 | 0 | 0 | 0 |
6.5 | We are Not Your Monkeys | 1 | 0 | 0 | 5.5 | 0 | 0 | 0 | 0 | 0 |
6.5 | Only Cloud Knows | 6.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
6.5 | A Tale of Love and Desire | 0 | 0.2 | 0 | 1.8 | 0 | 4.5 | 0 | 0 | 0 |
6.5 | Tosca's Kiss | 0 | 0 | 0 | 6.5 | 0 | 0 | 0 | 0 | 0 |
6.5 | Oxhide II Fan Trailer | 1.3 | 0 | 0 | 1.5 | 0 | 3.2 | 0 | 0.5 | 0 |
6.3 | El General | 0 | 0 | 0.2 | 6.2 | 0 | 0 | 0 | 0 | 0 |
6.3 | Diabetes: A Heavy Cost | 0 | 0 | 0 | 3.2 | 0 | 0 | 3.2 | 0 | 0 |
6.3 | Momma Don't Allow (Karl Reisz & Tony Richardson) | 0 | 0 | 0 | 6.3 | 0 | 0 | 0 | 0 | 0 |
6.2 | Tokyo Waka | 0 | 0 | 4.2 | 0 | 0 | 2 | 0 | 0 | 0 |
6.2 | Jacqueline Audry Interview | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 | 5.5 |
6.2 | David Holzman's Diary | 0 | 0 | 0 | 1 | 0 | 5.2 | 0 | 0 | 0 |
6 | Your Name in Cellulite | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 |
6 | For the Love of Movies | 0.2 | 0 | 0 | 0 | 0 | 5.8 | 0 | 0 | 0 |
6 | The Grand Masters of the Chauvet Cave | 0 | 0 | 0 | 1.7 | 0 | 0 | 0 | 0 | 4.3 |
5.8 | Sociology is a Martial Art | 0 | 0 | 0 | 0 | 5.8 | 0 | 0 | 0 | 0 |
5.7 | Beauty in Trouble | 0 | 0.5 | 0 | 0.5 | 0 | 4.7 | 0 | 0 | 0 |
5.7 | Ballets Russes | 0 | 0 | 0.5 | 5.2 | 0 | 0 | 0 | 0 | 0 |
5.7 | Maison Close Trailer | 0 | 0 | 1.3 | 2.5 | 0 | 0.8 | 0 | 1 | 0 |
5.5 | Mothers' Instinct | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5.5 |
5.5 | El Velador | 0 | 0 | 0 | 5.5 | 0 | 0 | 0 | 0 | 0 |
5.5 | The Sweet Escape | 0 | 0 | 0 | 0 | 0 | 5.5 | 0 | 0 | 0 |
5.3 | The Society of the Spectacle (French w/ Eng. subtitles) | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 5.2 |
5.2 | Balakrishna | 0 | 0 | 0 | 5.2 | 0 | 0 | 0 | 0 | 0 |
5.2 | Best of Fest 1 - where the spiders live | 0 | 0 | 0 | 2.7 | 0 | 2.5 | 0 | 0 | 0 |
5.2 | Best of Fest 2 - The King | 0 | 0 | 0 | 4.7 | 0 | 0.5 | 0 | 0 | 0 |
5.2 | From the East Fan Trailer | 0.8 | 0.8 | 0 | 0.8 | 0 | 2 | 0.7 | 0 | 0 |
5 | Bidder 70 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
5 | Impromptu | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 0 |
5 | Maguy Marin | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 0 |
5 | The Basketball Game | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 0 |
4.8 | The Deep Blue Sea | 0 | 0 | 2.2 | 2.7 | 0 | 0 | 0 | 0 | 0 |
4.8 | Cheshire, Ohio | 0 | 0 | 0 | 4.8 | 0 | 0 | 0 | 0 | 0 |
4.8 | Zoo Piece | 0 | 0 | 0 | 0 | 0 | 0 | 4.8 | 0 | 0 |
4.7 | Pendular | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4.7 | 0 |
4.5 | Dedalus | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 4.2 |
4.5 | Metamorphoses | 0 | 0.2 | 0.5 | 0 | 0 | 0 | 0 | 3.8 | 0 |
4.5 | Author Selects: Adam Lowenstein | 0 | 0 | 0 | 4.5 | 0 | 0 | 0 | 0 | 0 |
4.5 | Abstract Cinema | 0 | 0 | 0 | 4.5 | 0 | 0 | 0 | 0 | 0 |
4.5 | New Inspiration - A Hard Day's Night | 0 | 0 | 0 | 0 | 0 | 4.5 | 0 | 0 | 0 |
4.5 | Alive! | 0 | 0 | 0 | 4.5 | 0 | 0 | 0 | 0 | 0 |
4.3 | In His Hands | 0 | 3.7 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 |
4.3 | Remembrance of Things to Come | 0.3 | 0 | 0.2 | 0 | 0 | 2 | 0 | 1.8 | 0 |
4.3 | The Greenaway Alphabet | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4.3 | 0 |
4.3 | The Tiniest Place | 0 | 0 | 4 | 0.3 | 0 | 0 | 0 | 0 | 0 |
4.3 | School for Love | 0.2 | 2.8 | 0.8 | 0 | 0 | 0.5 | 0 | 0 | 0 |
4.3 | In the Mirror of Maya Deren | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4.3 | 0 |
4.2 | Angels Wear White | 0 | 4.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
4.2 | The Divided Brain | 0 | 0 | 0 | 4.2 | 0 | 0 | 0 | 0 | 0 |
4.2 | An Apollo Legend | 0 | 0 | 2.8 | 1.3 | 0 | 0 | 0 | 0 | 0 |
4 | Swimming Out Till the Sea Turns Blue | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 |
4 | Far From Vietnam Trailer | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 |
4 | Nice Time (Claude Goretta & Alain Tanner) | 0 | 0 | 0.3 | 3.7 | 0 | 0 | 0 | 0 | 0 |
3.8 | Now He's Out in Public and Everyone Can See | 0 | 0 | 0 | 0 | 0 | 0 | 3.8 | 0 | 0 |
3.8 | The Sixth Side of the Pentagon | 0 | 0 | 0 | 3.8 | 0 | 0 | 0 | 0 | 0 |
3.7 | Francine | 0 | 0.2 | 2.8 | 0.7 | 0 | 0 | 0 | 0 | 0 |
3.7 | Chantal Akerman's Down There | 0 | 0 | 0 | 2.5 | 0 | 0 | 0 | 1.2 | 0 |
3.7 | Behind-the-Scenes of JINPA | 0 | 3.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
3.7 | Le Navire Night | 0 | 0.2 | 0 | 0 | 0 | 1.3 | 0 | 0 | 2.2 |
3.7 | Olafur Eliasson: Space is Process | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 3.2 | 0 |
3.5 | L'AMOUR! - Lazarus | 0 | 0 | 0 | 0 | 0 | 3.5 | 0 | 0 | 0 |
3.5 | The Forgotten Space | 0 | 0 | 0 | 3.5 | 0 | 0 | 0 | 0 | 0 |
3.5 | Wim Wenders' Story of His Early Years | 0 | 0 | 0 | 0 | 0 | 3.5 | 0 | 0 | 0 |
3.5 | Outlaw-Matsu Comes Home | 0 | 0 | 0 | 0 | 3.5 | 0 | 0 | 0 | 0 |
3.5 | The True Cost | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3.5 | 0 |
3.5 | Tokyo Idols | 0.2 | 1 | 2.3 | 0 | 0 | 0 | 0 | 0 | 0 |
3.5 | The Troubles We've Seen Part 1 | 0 | 0 | 0 | 0 | 0 | 3.5 | 0 | 0 | 0 |
3.3 | Suspension | 0 | 0 | 0 | 3.3 | 0 | 0 | 0 | 0 | 0 |
3.3 | Detention | 0 | 0 | 0 | 0 | 0 | 3.3 | 0 | 0 | 0 |
3.3 | Stations of the Elevated | 0.3 | 0 | 0 | 0.2 | 0 | 2.8 | 0 | 0 | 0 |
3.3 | An Owl is an Owl is an Owl | 0 | 0 | 0 | 0 | 0 | 0 | 3.3 | 0 | 0 |
3.3 | Outcry and Whisper | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1.3 | 2 |
3.3 | The Long Walk | 0.5 | 0 | 2.8 | 0 | 0 | 0 | 0 | 0 | 0 |
3.3 | Behind the Scenes with Space Dogs | 0 | 0 | 0 | 3.3 | 0 | 0 | 0 | 0 | 0 |
3.3 | The Adventurers of Modern Art Clip | 0 | 0 | 0 | 3.3 | 0 | 0 | 0 | 0 | 0 |
3.2 | The Miners' Hymns | 0 | 0 | 0 | 0 | 3.2 | 0 | 0 | 0 | 0 |
3.2 | Attila Marcel | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3.2 | 0 |
3.2 | Parting Glances | 0 | 0 | 2.5 | 0 | 0 | 0.7 | 0 | 0 | 0 |
3.2 | Knocking | 0 | 0.3 | 0 | 0.3 | 0 | 0 | 0 | 0 | 2.5 |
3 | Facing The Storm | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 |
3 | Eastern Boys | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 |
3 | Girl Model | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 |
3 | Prime Time in the Camps | 0 | 0 | 0 | 0 | 0 | 1.3 | 0 | 1.7 | 0 |
3 | Thank You for the Rain | 0 | 0 | 0.3 | 2.7 | 0 | 0 | 0 | 0 | 0 |
3 | L'AMOUR! - Dignity | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 |
2.8 | Gallant Indies | 2.7 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
2.8 | Success | 0 | 0 | 0 | 2.8 | 0 | 0 | 0 | 0 | 0 |
2.8 | L'AMOUR! - Duet Alanda | 0 | 0 | 0 | 0 | 0 | 2.8 | 0 | 0 | 0 |
2.8 | Ainsi Meurent Les Anges (And So Angels Die) | 0 | 0 | 0 | 1 | 0 | 1.8 | 0 | 0 | 0 |
2.7 | Presumed Guilty | 0 | 0 | 0 | 2.7 | 0 | 0 | 0 | 0 | 0 |
2.7 | Red Squad | 0 | 0 | 0 | 2.7 | 0 | 0 | 0 | 0 | 0 |
2.7 | The Hole | 0 | 0 | 0 | 0 | 0 | 0.7 | 0 | 0 | 2 |
2.7 | Aya of Yop City | 0 | 0 | 0 | 0 | 0 | 1.2 | 0 | 1.5 | 0 |
2.7 | Love the One You Love | 0 | 0 | 0 | 0.2 | 2.3 | 0.2 | 0 | 0 | 0 |
2.7 | The Academy of Muses | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 2.3 | 0 |
2.5 | New Inspiration - Pas De Quoi | 0 | 0 | 0 | 0 | 0 | 2.5 | 0 | 0 | 0 |
2.5 | New Inspiration - Floor Falls | 0 | 0 | 0 | 0 | 0 | 2.5 | 0 | 0 | 0 |
2.5 | The Salt Mines | 1.3 | 0 | 0 | 1.2 | 0 | 0 | 0 | 0 | 0 |
2.5 | Pollock & Pollock | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2.5 | 0 |
2.5 | A History of the European Working Class - Episode 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2.5 |
2.3 | L'AMOUR! - Hors | 0 | 0 | 0 | 0 | 0 | 2.3 | 0 | 0 | 0 |
2.2 | L'AMOUR! - Avoidance | 0 | 0 | 0 | 0 | 0 | 2.2 | 0 | 0 | 0 |
2.2 | The East Wind State Farm | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2.2 |
2.2 | Stealing Rodin | 0 | 0 | 0 | 0 | 0 | 0.7 | 0 | 1.5 | 0 |
2.2 | Northern Light | 0 | 0 | 0 | 0 | 0 | 2.2 | 0 | 0 | 0 |
2.2 | Tell No One | 0 | 0.2 | 0.3 | 1.7 | 0 | 0 | 0 | 0 | 0 |
2.2 | Boy I Am | 0 | 0 | 0 | 0 | 0 | 0 | 2.2 | 0 | 0 |
2.2 | Author Selects: Jessa Crispin | 0.5 | 0 | 0 | 0 | 0 | 1.7 | 0 | 0 | 0 |
2.2 | Aimée and Jaguar | 0 | 0 | 0 | 0 | 0 | 2.2 | 0 | 0 | 0 |
2.2 | Circuit Earth | 0 | 2.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
2 | Father, Son and Holy War: Hero Pharmacy | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 |
2 | Exit Elena | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
2 | Under Construction 1977 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 |
2 | We Go Way Back | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
2 | Pacific Street Films promo | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 |
2 | Old Dog | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 |
1.8 | December Days | 0 | 1.8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
1.8 | L'AMOUR! - Swivel | 0 | 0 | 0 | 0 | 0 | 1.8 | 0 | 0 | 0 |
1.8 | Shit Year | 0 | 0 | 0 | 0 | 0 | 1.8 | 0 | 0 | 0 |
1.8 | Level Five | 0 | 0 | 0 | 0 | 1.8 | 0 | 0 | 0 | 0 |
1.8 | Adriana's Pact | 0 | 0 | 0 | 1.8 | 0 | 0 | 0 | 0 | 0 |
1.8 | The Silence of Mark Rothko | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1.8 | 0 |
1.7 | The Invisible Frame | 0.7 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
1.7 | Last Cab to Darwin | 0 | 0 | 0 | 1.5 | 0.2 | 0 | 0 | 0 | 0 |
1.5 | No Home Movie | 0.2 | 0.2 | 0.2 | 0.5 | 0 | 0.5 | 0 | 0 | 0 |
1.5 | Middletown - Interview with Peter Davis | 1.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
1.5 | Lapü | 0 | 0 | 0 | 0 | 0 | 1.5 | 0 | 0 | 0 |
1.5 | Drux Flux | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1.5 | 0 |
1.5 | Everything Must Fall | 0 | 0 | 0 | 0.5 | 0 | 1 | 0 | 0 | 0 |
1.5 | The Last Tycoons - Episode 4 | 0 | 0 | 0 | 0 | 0 | 1.2 | 0 | 0 | 0.3 |
1.5 | Food for a Blush (Elizabeth Russell) | 0 | 0 | 0 | 1.5 | 0 | 0 | 0 | 0 | 0 |
1.5 | 24h Jerusalem Trailer | 0 | 0.7 | 0.5 | 0 | 0 | 0.3 | 0 | 0 | 0 |
1.3 | Nostalgia for the Light | 0.2 | 0 | 0 | 1 | 0 | 0.2 | 0 | 0 | 0 |
1.3 | Mountain | 0 | 0 | 0 | 1.3 | 0 | 0 | 0 | 0 | 0 |
1.3 | Party Girl | 0 | 0 | 1.3 | 0 | 0 | 0 | 0 | 0 | 0 |
1.3 | Unmarked | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1.3 | 0 |
1.3 | An Elephant Sitting Still | 0 | 0 | 0 | 1.3 | 0 | 0 | 0 | 0 | 0 |
1.3 | Seven Songs for Malcolm X | 0 | 0 | 0 | 1.3 | 0 | 0 | 0 | 0 | 0 |
1.3 | She's Lost Control | 0 | 0 | 0 | 1 | 0 | 0.3 | 0 | 0 | 0 |
1.3 | African Film Festival Intro | 0 | 0 | 0 | 1.3 | 0 | 0 | 0 | 0 | 0 |
1.3 | Natalia Almada on El Velador | 0 | 0 | 1.3 | 0 | 0 | 0 | 0 | 0 | 0 |
1.2 | Backfired | 0 | 0 | 0 | 1.2 | 0 | 0 | 0 | 0 | 0 |
1.2 | Housemaids | 0 | 0 | 0 | 0.7 | 0.2 | 0.3 | 0 | 0 | 0 |
1.2 | Artists & Love Clip | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1.2 | 0 |
1.2 | Strange Victory | 0 | 0 | 0 | 1.2 | 0 | 0 | 0 | 0 | 0 |
1.2 | Trees in Trouble | 0 | 0 | 0 | 1.2 | 0 | 0 | 0 | 0 | 0 |
1.2 | Typically British: A Personal History of British Cinema by Stephen Frears | 0 | 0 | 0 | 0 | 1.2 | 0 | 0 | 0 | 0 |
1.2 | Liberation: The User's Guide | 0 | 0 | 0.5 | 0 | 0 | 0 | 0.7 | 0 | 0 |
1.2 | Generation War Trailer | 0 | 0 | 0 | 0 | 0 | 0 | 1.2 | 0 | 0 |
1.2 | Ida | 0.8 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
1 | The Son (inside the Russian army) | 0.7 | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 |
1 | An Elephant Sitting Still Trailer | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
1 | Cuban Food Stories | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
1 | As I Open My Eyes | 0 | 0 | 0.5 | 0.3 | 0 | 0.2 | 0 | 0 | 0 |
1 | You Will Be Swedish, My Daughter | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
1 | Run For Love | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
1 | The Questioning | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
1 | Ruth Stone's Vast Library of the Female Mind | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
1 | Sound of Torture | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
1 | Chavela | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
1 | Return to Cuba | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
1 | Ribbons for Peace | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
1 | Wendy and Lucy | 0 | 0 | 0.3 | 0.7 | 0 | 0 | 0 | 0 | 0 |
0.8 | Beyond Boobs | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0.3 |
0.8 | Torture Made in USA | 0 | 0 | 0.8 | 0 | 0 | 0 | 0 | 0 | 0 |
0.8 | The Invisible Witness | 0 | 0 | 0 | 0.8 | 0 | 0 | 0 | 0 | 0 |
0.8 | Tatsumi | 0 | 0 | 0 | 0 | 0 | 0.8 | 0 | 0 | 0 |
0.8 | Lourdes | 0 | 0 | 0 | 0.8 | 0 | 0 | 0 | 0 | 0 |
0.8 | The World Before Your Feet | 0 | 0 | 0 | 0.8 | 0 | 0 | 0 | 0 | 0 |
0.8 | Resistance is Life | 0 | 0 | 0 | 0.8 | 0 | 0 | 0 | 0 | 0 |
0.8 | Waves of Revolution | 0 | 0 | 0 | 0.8 | 0 | 0 | 0 | 0 | 0 |
0.8 | The Salt of Tears | 0 | 0 | 0 | 0 | 0 | 0.8 | 0 | 0 | 0 |
0.8 | Blue | 0 | 0 | 0 | 0 | 0 | 0.8 | 0 | 0 | 0 |
0.7 | National Diploma | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0.5 |
0.7 | Patrimonio | 0.2 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 |
0.7 | The Outsider | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.7 |
0.7 | Summer 2022 Promo | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 |
0.7 | Inside the Red Brick Wall | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 |
0.7 | Mondovino: Where's Astérix? | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.7 |
0.7 | Last Grave at Dimbaza | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0.2 | 0 |
0.7 | 1914: A War of Images | 0 | 0 | 0 | 0.2 | 0 | 0.5 | 0 | 0 | 0 |
0.7 | When A Farm Goes Aflame | 0 | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 |
0.7 | Art and Oligarchs | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.7 | Dziga And His Brothers | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.7 | Nobody From Nowhere | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 |
0.7 | Ballet Boys | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.7 | 0 |
0.7 | The Bomb | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 | 0 |
0.7 | Life to Come | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 |
0.7 | The Giant Is Falling | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 |
0.7 | T√∫ y Yo | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 |
0.7 | The Second Mother | 0 | 0 | 0 | 0.7 | 0 | 0 | 0 | 0 | 0 |
0.7 | The Human Pyramid | 0 | 0 | 0 | 0.3 | 0 | 0.3 | 0 | 0 | 0 |
0.7 | This is Nollywood | 0 | 0 | 0.3 | 0.3 | 0 | 0 | 0 | 0 | 0 |
0.7 | Violeta Went to Heaven | 0 | 0 | 0.3 | 0.3 | 0 | 0 | 0 | 0 | 0 |
0.7 | Pripyat | 0.3 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
0.7 | Ziyara | 0 | 0 | 0.3 | 0.3 | 0 | 0 | 0 | 0 | 0 |
0.5 | In Her Name | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 |
0.5 | Master of the Universe | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.5 | Still Waters | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.5 | Bluebeard (Kékszakállú) | 0 | 0 | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 |
0.5 | Slon Tango | 0 | 0 | 0 | 0 | 0 | 0 | 0.5 | 0 | 0 |
0.5 | Cafe | 0 | 0 | 0.2 | 0.3 | 0 | 0 | 0 | 0 | 0 |
0.5 | A Chef's Voyage | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.5 | We Are Little Zombies | 0 | 0 | 0.3 | 0 | 0 | 0.2 | 0 | 0 | 0 |
0.5 | The Booksellers | 0 | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 |
0.5 | Ursula von Rydingsvard: Into Her Own | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.5 |
0.5 | Ladies in Waiting | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 |
0.5 | Chinese Portrait | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 |
0.5 | Until the Birds Return | 0 | 0 | 0.3 | 0 | 0 | 0.2 | 0 | 0 | 0 |
0.5 | A Game of Three Halves - Episode 5 | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 |
0.5 | Between Two-Spirit | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.5 | Vampire Cleanup Department | 0 | 0 | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 |
0.5 | Every Day Except Christmas (Lindsay Anderson) | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 |
0.5 | Imaginary Feasts | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 |
0.5 | Disorder | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 |
0.5 | L'attesa | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 |
0.5 | El Poeta | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 | 0 |
0.5 | Dreams That Money Can Buy | 0 | 0 | 0 | 0.5 | 0 | 0 | 0 | 0 | 0 |
0.3 | The Yellow Wallpaper | 0 | 0.2 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.3 | This Is Our Land | 0 | 0.2 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
0.3 | Patch Town | 0.2 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
0.3 | You Go to My Head | 0 | 0.2 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.3 | El Incendio | 0 | 0 | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 |
0.3 | Say Amen, Somebody | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.3 | 0 |
0.3 | Jamilia | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.3 | The German Neighbor | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
0.3 | Stonewall | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
0.3 | Corporate | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
0.3 | Flamenco at 5:15 | 0 | 0 | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 |
0.3 | The Adventurers of Modern Art - Ep 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.3 | 0 |
0.3 | Gabo: The Creation of Gabriel Garcia Marquez | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
0.3 | State of Terrorism - Part 1 | 0 | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 |
0.3 | Sermons and Sacred Pictures | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
0.3 | Karmen Gei | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
0.3 | Stinking Heaven | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.3 | Davos | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.3 | A Fierce Green Fire | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
0.3 | The Annotated Field Guide of Ulysses S. Grant | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
0.3 | Like Any Other Kid | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
0.3 | The Golden Era | 0 | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 |
0.3 | Winning Girl | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.3 | A Quiet Passion | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
0.3 | Green | 0 | 0 | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 |
0.3 | Ascendency | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.3 |
0.3 | Tinghir Jerusalem | 0 | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 |
0.3 | M | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
0.3 | Tighten Your Belts, Bite the Bullet | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
0.3 | Time of the Locust | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 | 0 |
0.3 | France (Les Habitants) | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
0.3 | Do You Remember Vietnam? | 0 | 0 | 0 | 0.3 | 0 | 0 | 0 | 0 | 0 |
0.2 | School of Babel | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
0.2 | Do Not Adjust Your Set - Episode 2 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | Who Made You? | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
0.2 | Our Time | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | Off the Road | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | Rosita | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
0.2 | Glory to the Queen | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | Affluenza | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | Girls Rock! | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | The Modern Jungle | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | Wuthering Heights | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | The Land of Owls | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | Sleepless Night in Paris | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | The City of the Future | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
0.2 | Potiche | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | Dance Party USA | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
0.2 | Downtown Dream | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | Rabbit a la Berlin | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | Blue Black Permanent | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | Black Hair Magic | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | The Paradise We Are Looking For | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | Painted Landscapes of the Times - A film about Sue Coe | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0.2 |
0.2 | Boys Who Like Girls | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
0.2 | Journal de France | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | Trinkets and Beads | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | Picture Me | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | Hissein Habre, A Chadian Tragedy | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | Tales of the Night | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | The Transformation | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | To A More Perfect Union: U.S. v. Windsor | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
0.2 | Anais Goes to War | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | A Narmada Diary | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | Open Bethlehem | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | Funny Ha Ha | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
0.2 | A Man's Place | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | Mondovino: Veni, Vidi, Vendidi | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | Billy the Kid | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
0.2 | Winter Vacation | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
0.2 | Long Story Short | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | Beetle Queen Conquers Tokyo | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | Monsieur & Madame Adelman | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | Quiet City | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | We All Fall Down | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | Under Construction (The Place I Was Born No Longer Exists) | 0 | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 |
0.2 | Please Hold The Line | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 |
0.2 | The Dirty War on the National Health Service | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | Prisoners of Conscience | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | Profit and Nothing But! | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | The Mafia Kills Only in Summer | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | Winter Soldier | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | 5 Broken Cameras | 0 | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 |
0.2 | Truth or Consequences | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | Little By Little | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | I Don't Feel Anything Anymore | 0.2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
0.2 | The Paranoids | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
0.2 | Motherlands | 0 | 0 | 0 | 0.2 | 0 | 0 | 0 | 0 | 0 |
Leave a Reply