Minutes Watched | Title | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | | | | | | | | | | | | | | |
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97,466 | < Total Minutes Watched (888 Titles) | 1,868 | 2,169 | 6,644 | 5,408 | 4,226 | 23,133 | 1,591 | 12,427 | 40,001 | | | | | | | | | | | | | | |
2,151 | Maison Close - Episode 1 | 5.7 | 115.7 | 51.2 | 218.2 | 43.0 | 475.5 | 3.3 | 403.5 | 835.4 | | | | | | | | | | | | | | |
2,045 | Suzanna Andler | 116.2 | | 79.7 | 22.2 | 96.5 | 362.9 | 43.3 | 380.7 | 943.5 | | | | | | | | | | | | | | |
1,735 | The Returned - Episode 1 | | 116.2 | 27.0 | 120.7 | 82.7 | 333.7 | 116.3 | 356.0 | 582.2 | | | | | | | | | | | | | | |
1,616 | Crimson Gold | 36.0 | 86.7 | 108.8 | 0.5 | 1.7 | 452.7 | 0.2 | 189.5 | 739.8 | | | | | | | | | | | | | | |
1,614 | Berkeley in the Sixties | | 7.8 | 108.0 | 119.0 | | 537.2 | | 217.8 | 623.8 | | | | | | | | | | | | | | |
1,382 | L'attesa | 58.7 | 98.3 | 6.8 | 53.8 | | 189.8 | 2.0 | 27.7 | 945.2 | | | | | | | | | | | | | | |
1,267 | Maison Close - Episode 2 | 55.5 | 96.3 | 59.3 | 49.7 | 55.0 | 165.3 | 1.5 | 160.8 | 623.3 | | | | | | | | | | | | | | |
1,254 | All About My Sisters | 305.2 | 9.7 | 150.2 | 0.8 | 18.3 | 195.3 | 0.2 | 121.7 | 452.2 | | | | | | | | | | | | | | |
1,188 | This is Cristina | 108.5 | 47.7 | 67.7 | 75.3 | 54.0 | 1.3 | 91.3 | 101.5 | 641.0 | | | | | | | | | | | | | | |
1,155 | Bright Future | 10.0 | | 116.0 | 67.8 | 7.8 | 418.0 | 0.2 | 6.2 | 529.5 | | | | | | | | | | | | | | |
1,124 | Gustav Stickley: American Craftsman | | | 67.7 | 9.8 | 1.2 | 331.2 | 8.8 | 80.0 | 625.3 | | | | | | | | | | | | | | |
1,116 | The Returned - Episode 2 | | 53.0 | | 106.5 | 53.7 | 167.2 | 164.8 | 147.2 | 423.7 | | | | | | | | | | | | | | |
1,094 | Maison Close - Episode 3 | 54.2 | 0.3 | 54.0 | 18.2 | 109.3 | 71.7 | 0.8 | 108.7 | 676.7 | | | | | | | | | | | | | | |
1,019 | Maison Close - Episode 4 | 55.8 | | 54.7 | 14.2 | 109.2 | | | 163.5 | 621.8 | | | | | | | | | | | | | | |
951 | Just a Sigh | 0.3 | | | 105.0 | | 310.8 | | 26.5 | 508.0 | | | | | | | | | | | | | | |
787 | The Returned - Episode 4 | | | | 55.2 | 54.2 | 178.2 | 128.7 | 54.0 | 317.3 | | | | | | | | | | | | | | |
773 | The Returned - Episode 3 | 2.7 | 51.8 | | 53.8 | 51.0 | 103.7 | 65.7 | 50.8 | 393.0 | | | | | | | | | | | | | | |
717 | A Fierce Green Fire | 0.2 | | | 2.8 | 0.3 | 188.7 | | 12.0 | 513.0 | | | | | | | | | | | | | | |
701 | Maison Close - Episode 7 | 59.0 | | 0.3 | 57.5 | 60.5 | 112.7 | | 58.8 | 351.7 | | | | | | | | | | | | | | |
698 | Maison Close - Episode 6 | 56.2 | | 55.0 | 54.5 | 110.0 | 54.2 | | 54.5 | 313.5 | | | | | | | | | | | | | | |
680 | Maison Close - Episode 8 | 53.0 | | | 51.0 | 54.2 | 105.0 | | 52.3 | 365.0 | | | | | | | | | | | | | | |
679 | The Returned - Episode 5 | | | | 49.3 | 74.3 | 173.2 | 56.8 | 57.5 | 267.8 | | | | | | | | | | | | | | |
665 | Maison Close - Episode 5 | 53.2 | | 52.0 | 38.8 | 105.0 | 53.5 | | 54.2 | 308.4 | | | | | | | | | | | | | | |
627 | The Eye of Vichy | 10.8 | | | | | | | 592.8 | 23.2 | | | | | | | | | | | | | | |
607 | The Last Season | 0.5 | | 80.5 | 0.2 | | 169.2 | | | 356.3 | | | | | | | | | | | | | | |
597 | Myth of a Colorblind France | 41.8 | | 85.5 | 56.8 | | 210.8 | | | 202.3 | | | | | | | | | | | | | | |
591 | Alice | | | 25.7 | 1.8 | 105.3 | 107.5 | 14.7 | 73.3 | 262.8 | | | | | | | | | | | | | | |
577 | No Gods, No Masters - Pt. I | | 68.7 | 9.0 | 57.0 | 73.7 | 132.8 | | 169.0 | 67.0 | | | | | | | | | | | | | | |
553 | Happy Hour | 5.2 | | 43.3 | 295.7 | | 208.0 | | | 0.5 | | | | | | | | | | | | | | |
549 | The Returned - Episode 8 | | | | | 55.2 | 165.7 | | 110.5 | 217.5 | | | | | | | | | | | | | | |
546 | The Returned - Episode 6 | | | | | 58.2 | 203.0 | | 57.5 | 226.8 | | | | | | | | | | | | | | |
538 | Adam Smith, The Birth of the Free Market | | | | | | 231.8 | | 89.5 | 216.5 | | | | | | | | | | | | | | |
527 | Pripyat | | | 92.3 | 100.2 | | | | 100.8 | 234.2 | | | | | | | | | | | | | | |
505 | Sunday School with Franz Hinkelammert | | | 50.3 | 18.8 | 42.7 | 212.2 | | 50.5 | 130.8 | | | | | | | | | | | | | | |
495 | Faust | 0.5 | | | 20.7 | 9.8 | 192.8 | | 92.5 | 179.0 | | | | | | | | | | | | | | |
491 | I, Anna | | | 3.0 | 0.2 | 0.2 | 233.8 | | | 253.7 | | | | | | | | | | | | | | |
486 | The Last Bolshevik | | | 9.2 | 209.3 | 3.7 | 119.3 | | | 144.3 | | | | | | | | | | | | | | |
481 | The Adventurers of Modern Art - Ep 1 | | | 11.2 | | 55.7 | 149.8 | | 92.2 | 171.7 | | | | | | | | | | | | | | |
461 | Roque Dalton | | | 63.3 | 0.5 | | 169.2 | | 84.5 | 143.2 | | | | | | | | | | | | | | |
451 | Delphine's Prayers | | | | 130.5 | | 230.3 | | 0.2 | 90.3 | | | | | | | | | | | | | | |
451 | Althusser, an Intellectual Adventure | | | | 1.3 | | 127.5 | | 163.5 | 158.8 | | | | | | | | | | | | | | |
449 | La Commune (Paris 1871) (Theatrical Version) | 1.2 | | 404.5 | | 0.7 | 8.8 | 0.2 | 33.0 | 0.2 | | | | | | | | | | | | | | |
442 | Under the Sun | | | | 0.3 | | 7.0 | | 126.5 | 308.2 | | | | | | | | | | | | | | |
441 | La Commune (Paris 1871) Part 1 | | | 164.7 | | | 243.8 | 6.7 | | 26.2 | | | | | | | | | | | | | | |
427 | No Gods, No Masters - Pt. II | | 103.7 | | 52.3 | 51.0 | 52.5 | | 55.0 | 112.7 | | | | | | | | | | | | | | |
424 | Lore | | 106.7 | | 1.8 | 0.2 | 105.8 | | 22.8 | 186.8 | | | | | | | | | | | | | | |
418 | Chicago Boys | | | | | | 58.0 | 3.0 | | 357.0 | | | | | | | | | | | | | | |
416 | Dark Days | | | | 79.3 | | 279.3 | | 57.5 | | | | | | | | | | | | | | | |
410 | The Cordillera of Dreams | | 65.8 | | 77.5 | 17.0 | 122.7 | 42.5 | | 84.5 | | | | | | | | | | | | | | |
407 | Transit | 0.7 | | | 129.7 | | | 1.3 | | 275.3 | | | | | | | | | | | | | | |
405 | Hotel Terminus - Part I | | | 75.7 | | 135.5 | | | 153.8 | 39.7 | | | | | | | | | | | | | | |
401 | Eat This New York | 52.2 | 49.7 | 10.2 | 16.0 | 14.7 | 71.3 | | 84.4 | 103.0 | | | | | | | | | | | | | | |
400 | A Man Called Ove | | | 116.0 | 0.2 | 71.2 | 89.7 | | 9.2 | 114.2 | | | | | | | | | | | | | | |
400 | The Returned - Episode 7 | | | | | 50.8 | 100.8 | | 50.2 | 197.8 | | | | | | | | | | | | | | |
391 | Good Manners | | | | | | 133.3 | | | 257.8 | | | | | | | | | | | | | | |
380 | Ricardo and Malthus: Did You Say Freedom? | | | | | | 200.5 | | 54.8 | 124.5 | | | | | | | | | | | | | | |
377 | Devil in the Flesh | | | 113.8 | 34.7 | 2.3 | 73.8 | | | 151.8 | | | | | | | | | | | | | | |
367 | No Gods, No Masters - Pt. III | | 102.8 | | 51.8 | 51.7 | 52.8 | | 51.3 | 56.0 | | | | | | | | | | | | | | |
366 | Karl Polanyi, The Human Factor | | | | 0.3 | 49.8 | 53.8 | | 99.5 | 162.0 | | | | | | | | | | | | | | |
365 | La Commune (Paris 1871) Part 2 | | | 182.3 | | | 0.2 | | 182.7 | | | | | | | | | | | | | | | |
354 | Ziyara | 3.0 | 27.5 | 5.2 | | | 102.3 | | | 215.5 | | | | | | | | | | | | | | |
349 | A Grin Without a Cat | 89.5 | | 53.2 | 2.2 | | 12.2 | | | 191.5 | | | | | | | | | | | | | | |
347 | 1945.0 | 18.7 | | 17.0 | 2.8 | 27.3 | 210.5 | | 12.0 | 58.8 | | | | | | | | | | | | | | |
344 | The Rape of Europa | | | 114.2 | | | | | 115.5 | 113.8 | | | | | | | | | | | | | | |
338 | Thank You for the Rain | | | | | | | | | 338.3 | | | | | | | | | | | | | | |
336 | Dreams Rewired | 31.2 | | | 1.0 | 3.5 | 295.2 | | 0.2 | 4.5 | | | | | | | | | | | | | | |
331 | Beauty in Trouble | 0.2 | | 1.8 | 5.2 | 115.3 | 78.8 | 4.0 | 121.0 | 4.3 | | | | | | | | | | | | | | |
329 | Hotel Terminus - Part II | | | | | 96.8 | | | 169.0 | 63.3 | | | | | | | | | | | | | | |
327 | Maguy Marin | | | | | | | | | 327.0 | | | | | | | | | | | | | | |
327 | Sherman's March | | | | | | 157.3 | | | 169.5 | | | | | | | | | | | | | | |
326 | The Battle of Chile (Part 2) | | | 88.3 | | | 88.5 | | 88.7 | 60.8 | | | | | | | | | | | | | | |
320 | Soul of a Banquet | | | 42.2 | | | 8.7 | | 78.5 | 190.7 | | | | | | | | | | | | | | |
320 | In the Aisles | | | | 128.2 | | 121.7 | | | 69.7 | | | | | | | | | | | | | | |
319 | Nostalghia | | | 4.3 | 35.3 | 12.7 | | | | 267.0 | | | | | | | | | | | | | | |
314 | Time Regained | | | | 5.5 | | 85.2 | | 159.7 | 63.3 | | | | | | | | | | | | | | |
307 | Arguing the World | | | 110.8 | | | 108.8 | | | 87.7 | | | | | | | | | | | | | | |
304 | The Battle of Chile (Part 1) | | | 80.7 | | 25.2 | 96.0 | | 95.8 | 6.7 | | | | | | | | | | | | | | |
301 | Rebels of the Neon God | | | 41.2 | | 0.2 | 168.5 | | 5.0 | 85.7 | | | | | | | | | | | | | | |
294 | Bitter Money | 0.5 | 6.3 | 126.8 | 156.8 | | 3.7 | | | | | | | | | | | | | | | | | |
289 | Viva Riva | 98.7 | | 98.3 | 0.2 | | | | 91.5 | | | | | | | | | | | | | | | |
288 | Koshien: Japan's Field of Dreams | | | 93.7 | 0.7 | 1.7 | 0.3 | | 0.2 | 191.0 | | | | | | | | | | | | | | |
283 | The Hitler Chronicles - Blueprint for Dictators - Part 2 | | | | | | 52.5 | | 94.8 | 135.5 | | | | | | | | | | | | | | |
279 | If A Tree Falls | 0.5 | | | 0.5 | 11.7 | | | 93.7 | 172.2 | | | | | | | | | | | | | | |
276 | The Goddesses of Food | | | 90.5 | 0.2 | | 91.2 | | | 94.5 | | | | | | | | | | | | | | |
272 | What If Marx Was Right? | | | | | | 54.3 | | 58.3 | 159.3 | | | | | | | | | | | | | | |
272 | The Wealth of Nations: A New Gospel? | | | | | | 109.2 | | 57.2 | 105.2 | | | | | | | | | | | | | | |
270 | The Same Difference | | | | | | | 66.8 | | 203.0 | | | | | | | | | | | | | | |
268 | Winter Vacation | | | | | | 144.7 | | 18.3 | 104.8 | | | | | | | | | | | | | | |
262 | Bedevil | | | 5.7 | | | 16.8 | | 70.5 | 168.8 | | | | | | | | | | | | | | |
262 | Dark Star: H. R. Giger's World | | | 96.5 | 95.2 | | | 66.7 | 3.2 | | | | | | | | | | | | | | | |
259 | From What Is Before | 0.2 | | | | | | 233.8 | | 25.3 | | | | | | | | | | | | | | |
256 | Time Thieves | 0.3 | 83.7 | 84.5 | | | 3.0 | | 84.2 | 0.3 | | | | | | | | | | | | | | |
255 | Bamako | | | 22.0 | 0.5 | | | | 114.0 | 118.3 | | | | | | | | | | | | | | |
254 | Marguerite as She Was | | | | 0.5 | | 195.8 | | 6.7 | 50.7 | | | | | | | | | | | | | | |
250 | The Yellow Wallpaper | 12.3 | | 53.5 | 0.3 | 1.3 | 79.8 | | 14.5 | 88.0 | | | | | | | | | | | | | | |
250 | Lomax the Songhunter | | 62.5 | | | 0.2 | 92.2 | | | 95.0 | | | | | | | | | | | | | | |
247 | The Hitler Chronicles - Blueprint for Dictators - Part 1 | | | | | | 72.3 | | 71.3 | 103.5 | | | | | | | | | | | | | | |
247 | An Elephant Sitting Still | | | | 2.0 | | 2.7 | | | 241.8 | | | | | | | | | | | | | | |
245 | The Deep Blue Sea | | | | 12.0 | 96.2 | 137.0 | | | 0.2 | | | | | | | | | | | | | | |
245 | Generation War Episode 1 | | | | | | 189.5 | | 52.3 | 3.3 | | | | | | | | | | | | | | |
240 | The Hitler Chronicles - Blueprint for Dictators - Part 3 | | | | | | 52.2 | | 80.7 | 107.5 | | | | | | | | | | | | | | |
240 | Generation War Episode 3 | | | | | | 99.2 | | 141.0 | | | | | | | | | | | | | | | |
240 | Generation War Episode 2 | | | | 1.8 | | 155.8 | | 82.2 | | | | | | | | | | | | | | | |
239 | Nostalgia for the Light | | | 49.3 | | | 95.8 | | | 94.2 | | | | | | | | | | | | | | |
235 | Dead Souls - Part II | | | | | 161.7 | 73.3 | | | | | | | | | | | | | | | | | |
235 | Girls Always Happy | | | | 0.3 | | | | | 234.5 | | | | | | | | | | | | | | |
234 | Over the Years | | | | | 26.3 | 207.2 | | | | | | | | | | | | | | | | | |
233 | The Adventurers of Modern Art - Ep 2 | | | | | | 153.0 | | | 80.3 | | | | | | | | | | | | | | |
232 | Tokyo Fiancee | | | | 97.8 | 0.2 | 1.8 | | 38.2 | 93.7 | | | | | | | | | | | | | | |
230 | Olivia | | | | 0.5 | | 99.8 | 14.0 | 4.2 | 111.2 | | | | | | | | | | | | | | |
229 | Le Navire Night | | | 36.0 | 0.5 | 0.3 | 3.2 | | 11.0 | 178.0 | | | | | | | | | | | | | | |
229 | Fidelio | | | 7.7 | 188.5 | | 11.5 | | | 21.2 | | | | | | | | | | | | | | |
229 | Jinpa | | | | | | 172.5 | | | 56.2 | | | | | | | | | | | | | | |
228 | White Sun | | | | | | | | | 228.5 | | | | | | | | | | | | | | |
228 | Keynes vs Hayek: A Fake Debate? | | | | 2.8 | | 53.5 | | 54.0 | 117.7 | | | | | | | | | | | | | | |
226 | Cafe | 0.3 | | | | 0.3 | | | 28.7 | 196.7 | | | | | | | | | | | | | | |
223 | Razzia | | | | 7.8 | | 174.5 | | 25.7 | 15.3 | | | | | | | | | | | | | | |
223 | The Adventurers of Modern Art - Ep 5 | | | | | | 222.5 | | | | | | | | | | | | | | | | | |
222 | Fengming, a Chinese Memoir | | | | | | 40.5 | | | 181.2 | | | | | | | | | | | | | | |
221 | The Ugliest Car | | | 46.3 | 29.5 | | 139.7 | | 5.0 | | | | | | | | | | | | | | | |
218 | Sebastiane | | | | 0.2 | 7.0 | 20.8 | | 76.3 | 114.0 | | | | | | | | | | | | | | |
216 | Ida | | | | 3.7 | | 1.3 | | 82.3 | 128.5 | | | | | | | | | | | | | | |
216 | El Sicario, Room 164 | | | | 21.5 | 0.2 | 80.3 | | | 113.5 | | | | | | | | | | | | | | |
215 | Tharlo | | | | | | | | | 215.0 | | | | | | | | | | | | | | |
212 | The Hitler Chronicles - Blueprint for Dictators - Part 4 | | | | | | 53.3 | | 52.5 | 106.2 | | | | | | | | | | | | | | |
209 | Angels Wear White | | | 104.0 | 0.2 | 0.3 | | | | 104.3 | | | | | | | | | | | | | | |
209 | A Home Called Nebraska | | | | | | 69.3 | | | 139.3 | | | | | | | | | | | | | | |
205 | Vampire Clay | 50.0 | | | 8.7 | 12.2 | 120.2 | 11.3 | | 3.0 | | | | | | | | | | | | | | |
205 | Sophie Scholl: The Final Days | | 14.3 | 1.7 | | 1.2 | 0.2 | 2.0 | 111.2 | 74.0 | | | | | | | | | | | | | | |
204 | The Juche Idea | 68.0 | | | 0.3 | | | | | 135.2 | | | | | | | | | | | | | | |
203 | The Battle of Chile (Part 3) | | | 36.5 | | | 79.5 | | 8.5 | 78.5 | | | | | | | | | | | | | | |
202 | The Earth’s Forgotten | | | | | 0.7 | 59.3 | | 31.3 | 110.2 | | | | | | | | | | | | | | |
200 | In Search of Memory | | | 10.8 | 0.5 | | | | | 188.2 | | | | | | | | | | | | | | |
199 | Ethnic Notions | | | | 15.0 | | | | | 184.3 | | | | | | | | | | | | | | |
199 | Le Crabe-Tambour | | | | 0.2 | | 26.0 | | 118.8 | 54.0 | | | | | | | | | | | | | | |
199 | The Adventurers of Modern Art - Ep 3 | | | | | | 151.7 | | | 47.2 | | | | | | | | | | | | | | |
196 | Marlina the Murderer in Four Acts | | | | | | 80.0 | | | 115.7 | | | | | | | | | | | | | | |
195 | One Day Pina Asked... | | | 34.5 | | | | | | 160.5 | | | | | | | | | | | | | | |
193 | Egg and Stone | | | 79.5 | 0.2 | | 5.2 | | | 108.3 | | | | | | | | | | | | | | |
191 | On This Side of the World | | | 96.5 | 1.2 | | 92.8 | | | | | | | | | | | | | | | | | |
190 | Dead Souls - Part I | | | | 0.2 | 166.0 | 23.7 | | | | | | | | | | | | | | | | | |
187 | Tokyo Idols | | | 2.8 | 89.0 | | 1.2 | | | 93.8 | | | | | | | | | | | | | | |
186 | Down by Love | | | 16.5 | 90.7 | | 11.7 | | | 67.3 | | | | | | | | | | | | | | |
186 | The Mystery of Chaco Canyon | 19.7 | | 55.2 | | | | | | 111.0 | | | | | | | | | | | | | | |
184 | The Chef's Wife | | | | | | | | | 184.3 | | | | | | | | | | | | | | |
184 | Camille Claudel | | | 6.2 | 0.8 | | 2.2 | | 173.8 | 0.5 | | | | | | | | | | | | | | |
183 | Dark Eden | | | | 36.8 | | 146.5 | | | | | | | | | | | | | | | | | |
183 | The Adventurers of Modern Art - Ep 4 | | | | | | 183.2 | | | | | | | | | | | | | | | | | |
183 | The Trials of Henry Kissinger | | | | | | 79.7 | | | 102.8 | | | | | | | | | | | | | | |
181 | The 317th Platoon | | | 15.7 | | | 70.2 | | 94.8 | | | | | | | | | | | | | | | |
178 | The Woodmans | 10.2 | | 42.8 | 0.8 | | 0.7 | | 33.7 | 90.2 | | | | | | | | | | | | | | |
177 | Citizens of the World | | | | | | | | | 177.2 | | | | | | | | | | | | | | |
177 | Tongues Untied | | | 3.2 | | 2.7 | 7.0 | | | 164.0 | | | | | | | | | | | | | | |
175 | Dead Souls - Part III | | | | | 174.8 | | | | | | | | | | | | | | | | | | |
174 | Special Treatment | | | | | 61.0 | 2.8 | | 19.2 | 91.3 | | | | | | | | | | | | | | |
174 | Advise & Dissent: Where the Supreme Court and Politics Collide | | | | | | 88.0 | | | 86.0 | | | | | | | | | | | | | | |
173 | In Her Name | | | 4.8 | | 0.2 | 84.2 | | 83.3 | 0.7 | | | | | | | | | | | | | | |
172 | Pendular | | | 49.2 | 1.8 | 0.8 | 20.0 | | 32.2 | 67.8 | | | | | | | | | | | | | | |
171 | Sacred Water | | | 2.0 | | 10.0 | 93.5 | | 17.8 | 48.0 | | | | | | | | | | | | | | |
171 | Interkosmos | 22.7 | | 0.2 | 1.7 | 2.2 | 70.7 | | | 73.8 | | | | | | | | | | | | | | |
169 | Sir! No Sir! | | | | | | 86.2 | | 82.5 | | | | | | | | | | | | | | | |
167 | The Outsider | | | | | 0.2 | | | | 167.2 | | | | | | | | | | | | | | |
166 | Disco and Atomic War | 34.8 | | | 0.8 | | 84.3 | | | 46.0 | | | | | | | | | | | | | | |
166 | Around India with a Movie Camera | | | | 19.7 | | 145.8 | | | | | | | | | | | | | | | | | |
163 | Donna Haraway: Story Telling for Earthly Survival | | | | | | | 0.8 | 67.3 | 95.0 | | | | | | | | | | | | | | |
162 | The Book of the Dead | | | | | 70.2 | | | | 91.5 | | | | | | | | | | | | | | |
161 | Level Five | | | 4.2 | 154.7 | | | | 0.8 | 1.5 | | | | | | | | | | | | | | |
161 | The Bomb | 53.5 | 2.8 | | 13.7 | 0.7 | | | 59.7 | 30.7 | | | | | | | | | | | | | | |
161 | Bridgend | | | | 0.3 | | 55.7 | | | 104.8 | | | | | | | | | | | | | | |
161 | The Corporate Coup d'État | | | 90.2 | | | 21.8 | | | 48.7 | | | | | | | | | | | | | | |
160 | The Adventurers of Modern Art - Ep 6 | | | | 0.3 | | 157.5 | | | 2.3 | | | | | | | | | | | | | | |
160 | Paths of the Soul | | | 0.5 | | | | | 38.5 | 121.0 | | | | | | | | | | | | | | |
160 | Kings Point | | | | | 1.0 | 31.0 | | 30.8 | 96.8 | | | | | | | | | | | | | | |
158 | Cheshire, Ohio | | | | | 3.5 | 75.3 | | | 79.5 | | | | | | | | | | | | | | |
158 | Far from Vietnam | | | | 51.3 | | 101.5 | | | 4.8 | | | | | | | | | | | | | | |
157 | Fresh Kill | | | 99.2 | 1.7 | | 39.7 | | | 16.5 | | | | | | | | | | | | | | |
156 | The Ister | | | 18.2 | | 110.8 | | | 15.8 | 11.3 | | | | | | | | | | | | | | |
154 | "I Do Not Care if We Go Down in History as Barbarians" | | | | | 0.5 | | | 32.5 | 121.3 | | | | | | | | | | | | | | |
154 | Feed: A Comedy About Running for President | | | | | | 78.8 | | | 75.5 | | | | | | | | | | | | | | |
151 | Chasing Portraits | | | | | | | | 77.3 | 74.0 | | | | | | | | | | | | | | |
150 | Moi, Un Noir | | | | 73.5 | | 3.7 | 71.8 | | 0.8 | | | | | | | | | | | | | | |
149 | Symbiotic Earth | | | | | | | | | 148.5 | | | | | | | | | | | | | | |
148 | Complaints of a Dutiful Daughter | | | | 50.8 | | 11.7 | | 44.2 | 41.3 | | | | | | | | | | | | | | |
145 | Private Dicks: Men Exposed | | | | 3.7 | | 98.7 | | 42.8 | 0.2 | | | | | | | | | | | | | | |
145 | The Naked Screen | | | | 0.2 | | 25.7 | 114.5 | 1.0 | 3.8 | | | | | | | | | | | | | | |
144 | Black Sun | 0.3 | | | | | | | 89.5 | 54.0 | | | | | | | | | | | | | | |
143 | The New Rijksmusuem | | | 141.0 | | | 2.2 | | | | | | | | | | | | | | | | | |
143 | Bontoc Eulogy | | | | | | | | | 142.5 | | | | | | | | | | | | | | |
139 | Mesrine: Public Enemy #1 | | | | 0.2 | | | | | 139.0 | | | | | | | | | | | | | | |
138 | Lumumba | | | | | 0.3 | 19.3 | | | 118.2 | | | | | | | | | | | | | | |
137 | The Two Faces of a Bamileke Woman | 0.2 | | 76.5 | 0.5 | 9.7 | | | 49.8 | | | | | | | | | | | | | | | |
136 | South | | | | 41.0 | | 82.2 | | | 12.3 | | | | | | | | | | | | | | |
135 | Old Dog | | | | | 0.2 | 40.8 | 88.7 | 5.3 | 0.2 | | | | | | | | | | | | | | |
135 | Demons | 18.0 | | | 93.0 | 23.8 | | | | | | | | | | | | | | | | | | |
135 | La Trinchera Luminosa del Presidente Gonzalo | | | | 0.2 | | 65.5 | | | 69.2 | | | | | | | | | | | | | | |
134 | Reason (Part 1) | | | | | | | | | 133.8 | | | | | | | | | | | | | | |
131 | An Encounter with Simone Weil | | | | | | 74.2 | | 54.0 | 3.0 | | | | | | | | | | | | | | |
130 | The Tree | | | | 0.5 | | 9.0 | | 9.2 | 111.7 | | | | | | | | | | | | | | |
130 | Our Daily Bread | | | | | 0.2 | 6.8 | | 122.0 | 0.5 | | | | | | | | | | | | | | |
129 | Bestiaire | | | | | 35.5 | 93.3 | | | 0.2 | | | | | | | | | | | | | | |
129 | Too Late to Die Young | | | | | 8.7 | 111.2 | | | 8.8 | | | | | | | | | | | | | | |
128 | Ice | | | | | | 128.2 | | | | | | | | | | | | | | | | | |
127 | The Annotated Field Guide of Ulysses S. Grant | | | | | | 61.2 | | | 65.5 | | | | | | | | | | | | | | |
126 | Marx Reloaded | | 53.3 | | | 20.8 | | | | 52.3 | | | | | | | | | | | | | | |
126 | Before the Flood I | | | | | | | | | 126.3 | | | | | | | | | | | | | | |
126 | Polina | | | 20.5 | 0.5 | | | | | 105.0 | | | | | | | | | | | | | | |
126 | Propaganda: The Manufacture of Consent | | | | 18.8 | | 52.5 | | | 54.2 | | | | | | | | | | | | | | |
125 | Tomcat | | | | | | 8.5 | | 116.7 | | | | | | | | | | | | | | | |
125 | Time Indefinite | | | | | 125.0 | | | | | | | | | | | | | | | | | | |
125 | Chavela | | 84.0 | | | | 22.2 | | | 18.3 | | | | | | | | | | | | | | |
124 | Reason (Part 2) | | | | | | | | | 123.5 | | | | | | | | | | | | | | |
123 | System Error | 0.2 | | 96.7 | | | | | 26.3 | 0.2 | | | | | | | | | | | | | | |
123 | Dawson City: Frozen Time | | | 0.3 | | 1.0 | 122.0 | | | | | | | | | | | | | | | | | |
123 | Flower in Otomi | | | 77.7 | | 0.2 | 0.7 | 8.0 | 36.3 | | | | | | | | | | | | | | | |
122 | Le Joli Mai | 0.2 | | | 0.5 | | | | | 121.7 | | | | | | | | | | | | | | |
121 | About Executing Eichmann | | | | | | | | | 120.5 | | | | | | | | | | | | | | |
120 | El Poeta | | | | | | 67.0 | | | 53.2 | | | | | | | | | | | | | | |
120 | Tribal Justice | | | 55.0 | | | | | | 64.8 | | | | | | | | | | | | | | |
119 | Route One/USA (part 1) | | | | | | 32.7 | | | 86.5 | | | | | | | | | | | | | | |
119 | A Look at Madness / Captive Feast | 1.0 | | | | | | | | 118.0 | | | | | | | | | | | | | | |
119 | The Widowed Witch | | | | | | | | | 118.7 | | | | | | | | | | | | | | |
117 | Mademoiselle Paradis | 4.8 | | | 7.5 | | 0.3 | 7.3 | 97.3 | | | | | | | | | | | | | | | |
115 | Confounding Father - Episode 1 | | | | 24.7 | 9.0 | 8.8 | | | 72.3 | | | | | | | | | | | | | | |
113 | Foucault Against Himself | | | 1.0 | 0.2 | | 58.2 | | 53.5 | | | | | | | | | | | | | | | |
112 | The Offended | | | | | | | | | 112.3 | | | | | | | | | | | | | | |
112 | Next Time I'll Aim for the Heart | | | 109.5 | | | | | | 2.7 | | | | | | | | | | | | | | |
112 | Northern Light | | | 111.5 | | | | | | | | | | | | | | | | | | | | |
111 | Free Lunch Society | | | | | | | | 91.0 | 20.3 | | | | | | | | | | | | | | |
111 | The Society of the Spectacle (French w/ Eng. subtitles) | | | 20.0 | | | | | | 91.0 | | | | | | | | | | | | | | |
110 | Conviction | | | | | 0.8 | 109.5 | | | | | | | | | | | | | | | | | |
110 | Mesrine: Killer Instinct | | | | | | | | | 110.0 | | | | | | | | | | | | | | |
110 | Post Mortem | 0.3 | | | 0.7 | 99.0 | 5.0 | 2.3 | 0.2 | 2.0 | | | | | | | | | | | | | | |
109 | The Forgotten Space | 0.2 | | | | | 109.0 | | | | | | | | | | | | | | | | | |
109 | Dedalus | | | | 4.3 | | 99.0 | | | 5.7 | | | | | | | | | | | | | | |
107 | Marius Petipa: The French Master of Russian Ballet | | | 55.2 | | | | | 52.2 | | | | | | | | | | | | | | | |
107 | Extra Terrestres | | | | | | | | | 106.8 | | | | | | | | | | | | | | |
107 | An Eye for Beauty | | | | | | 103.0 | | | 3.5 | | | | | | | | | | | | | | |
106 | Lost Rivers | | | | | | 35.7 | | | 70.7 | | | | | | | | | | | | | | |
106 | Sociology is a Martial Art | | | | | | | | 105.7 | | | | | | | | | | | | | | | |
106 | Last Grave at Dimbaza | | | | | | | | | 105.7 | | | | | | | | | | | | | | |
105 | The Search | | | | | | | | | 105.0 | | | | | | | | | | | | | | |
104 | Number One Fan (Elle l'Adore) | | | | 1.3 | | | | | 102.5 | | | | | | | | | | | | | | |
103 | From The Other Side | | | | | | | | | 103.3 | | | | | | | | | | | | | | |
103 | Araby | | | | | | 12.0 | | | 91.3 | | | | | | | | | | | | | | |
103 | Circle of Poison | | 32.5 | | | | | | | 70.7 | | | | | | | | | | | | | | |
103 | Made Over in America | | | | | | 102.8 | | | | | | | | | | | | | | | | | |
102 | The Country Doctor | | | | 2.8 | | | | | 99.5 | | | | | | | | | | | | | | |
102 | Marie Curie: The Courage of Knowledge | | | | 4.2 | | 97.8 | | | | | | | | | | | | | | | | | |
101 | Potiche | | | | 0.3 | | | | | 101.0 | | | | | | | | | | | | | | |
101 | The Exquisite Short Films of Kihachiro Kawamoto | | | | 0.5 | | | | 1.5 | 99.0 | | | | | | | | | | | | | | |
101 | A Family Submerged | | | 2.7 | 0.3 | | | | | 97.8 | | | | | | | | | | | | | | |
101 | City of the Sun | | | | | | 100.7 | | | | | | | | | | | | | | | | | |
100 | Quiet City | | | | | | 77.8 | | 22.0 | 0.5 | | | | | | | | | | | | | | |
99 | Confounding Father - Episode 2 | | | | 9.7 | | 29.2 | | | 60.0 | | | | | | | | | | | | | | |
99 | Come Undone | | | | 0.2 | | 97.5 | | 0.2 | 0.8 | | | | | | | | | | | | | | |
99 | Rabbit a la Berlin | | | | 0.3 | 0.5 | 19.0 | | 40.2 | 38.5 | | | | | | | | | | | | | | |
98 | 5 Broken Cameras | 5.3 | | | | | 2.2 | | 90.5 | | | | | | | | | | | | | | | |
98 | Sol LeWitt | | | | | | 25.7 | | | 72.2 | | | | | | | | | | | | | | |
98 | Madam Phung's Last Journey | | 85.0 | | | | 0.2 | | | 12.3 | | | | | | | | | | | | | | |
97 | A Chef's Voyage | | | | | | | | 97.2 | | | | | | | | | | | | | | | |
97 | Dateline - Saigon | | | | 0.8 | | | | | 96.0 | | | | | | | | | | | | | | |
97 | I Don't Belong Anywhere: The Cinema of Chantal Akerman | | | | | | 67.2 | | | 29.5 | | | | | | | | | | | | | | |
97 | Stefan Zweig | | | | | | | | | 96.5 | | | | | | | | | | | | | | |
97 | Wendy and Lucy | | | | | 0.2 | 8.7 | | | 87.7 | | | | | | | | | | | | | | |
96 | The Nine Muses | | | | 96.2 | | | | | | | | | | | | | | | | | | | |
96 | Thursday Till Sunday | | | | | | 95.7 | | | | | | | | | | | | | | | | | |
96 | The Girl with a Bracelet | | | | | | | | | 95.5 | | | | | | | | | | | | | | |
95 | Female Directors | | | 6.0 | 0.2 | | 0.3 | | | 89.0 | | | | | | | | | | | | | | |
95 | David Holzman's Diary | | | 18.3 | 0.3 | | | | | 76.8 | | | | | | | | | | | | | | |
95 | Black is... Black Ain't | | | | 0.5 | | 6.5 | | | 88.3 | | | | | | | | | | | | | | |
94 | El Incendio | | | | | | 94.3 | | | | | | | | | | | | | | | | | |
94 | A Kid (Le Fils de Jean) | | | | | | | | | 94.2 | | | | | | | | | | | | | | |
92 | Three Summers | | | | | | 89.3 | | | 2.5 | | | | | | | | | | | | | | |
92 | The Nightmare | | | | 91.5 | | | 0.2 | | | | | | | | | | | | | | | | |
92 | Company Town | | | | | | | | 90.8 | 0.7 | | | | | | | | | | | | | | |
92 | Milking the Rhino | | | | | 74.5 | | | | 17.0 | | | | | | | | | | | | | | |
91 | A Snowmobile For George | | | | | | | 91.2 | | | | | | | | | | | | | | | | |
91 | Adriana's Pact | | | | | | 91.2 | | | | | | | | | | | | | | | | | |
91 | A Film Unfinished | | | | 0.2 | | | | 90.8 | | | | | | | | | | | | | | | |
91 | Red Persimmons | | 90.3 | | 0.2 | | | | | | | | | | | | | | | | | | | |
91 | As a Young Girl of Thirteen... | | | | 0.3 | 0.3 | 89.8 | | | | | | | | | | | | | | | | | |
91 | The Seasons in Quincy: Four Portraits of John Berger | | | | | | 26.0 | | | 64.5 | | | | | | | | | | | | | | |
90 | Winter Brothers | | | | | | | | 90.3 | | | | | | | | | | | | | | | |
90 | The Red Soul | | 90.0 | | | | | | | 0.2 | | | | | | | | | | | | | | |
90 | Le Week-End | | | | 0.2 | | 0.3 | | | 89.2 | | | | | | | | | | | | | | |
90 | Van Gogh | | | 18.8 | | 0.2 | 43.2 | | 20.0 | 7.3 | | | | | | | | | | | | | | |
89 | Better This World | | | | | | | | | 89.0 | | | | | | | | | | | | | | |
89 | Seats At The Table | | | | 87.0 | | | | | 2.0 | | | | | | | | | | | | | | |
89 | The Written Face | | | 1.0 | 0.3 | 87.0 | | | | 0.2 | | | | | | | | | | | | | | |
88 | The Journey of Monalisa | | | | | | | | | 88.3 | | | | | | | | | | | | | | |
88 | Afternoon of a Faun | | | | | | 0.7 | | | 87.5 | | | | | | | | | | | | | | |
88 | I Never Climbed the Provincia | | | 87.7 | | | | | | | | | | | | | | | | | | | | |
88 | Color Adjustment | | | | | | 87.7 | | | | | | | | | | | | | | | | | |
88 | Open Bethlehem | 0.8 | | | | | | | | 86.8 | | | | | | | | | | | | | | |
87 | Summer Pasture | | | | | | | | 83.8 | 3.5 | | | | | | | | | | | | | | |
87 | From The East | | | | 13.3 | | 1.0 | | 0.5 | 72.3 | | | | | | | | | | | | | | |
87 | Catching Sight of Thelma and Louise | | 86.3 | | | | 0.5 | | | | | | | | | | | | | | | | | |
87 | 900 Days | | | 75.7 | | | 11.0 | | | | | | | | | | | | | | | | | |
86 | Planetary | | | | | | | 3.7 | | 82.7 | | | | | | | | | | | | | | |
85 | Black Is the Color: A History of African American Art | | | | | | 52.0 | | 33.3 | | | | | | | | | | | | | | | |
85 | Waiting for the Carnival | | | | | | 85.2 | | | | | | | | | | | | | | | | | |
85 | Almayer's Folly | | | | | | | | | 85.0 | | | | | | | | | | | | | | |
84 | After Stonewall | | | | | | | | | 84.3 | | | | | | | | | | | | | | |
84 | Hopefuls | | | | | | 84.2 | | | | | | | | | | | | | | | | | |
84 | Eames: The Architect & The Painter | | | | | | | | | 84.0 | | | | | | | | | | | | | | |
83 | McLibel | | | | | | | | | 83.2 | | | | | | | | | | | | | | |
83 | The Pearl Button | | | | | 82.8 | | | | | | | | | | | | | | | | | | |
83 | Xmas Without China | | | | | | 65.2 | | 17.7 | | | | | | | | | | | | | | | |
83 | TVTV: Video Revolutionaries | | | | | | 82.7 | | | | | | | | | | | | | | | | | |
83 | The Hole | | | | 3.0 | 0.5 | 6.7 | 0.3 | | 72.2 | | | | | | | | | | | | | | |
83 | The Iron Ministry | | | | 82.5 | | | | | | | | | | | | | | | | | | | |
82 | Big Joy | | | | | | | | 82.2 | | | | | | | | | | | | | | | |
82 | The Marquis of Wavrin | | | | 0.2 | | | | 81.5 | | | | | | | | | | | | | | | |
82 | A Boatload of Wild Irishmen | | | | | | | | | 81.5 | | | | | | | | | | | | | | |
81 | Afghanistan 1979: The War That Changed the World | 9.2 | | | | | 71.7 | | | | | | | | | | | | | | | | | |
80 | Hissein Habre, A Chadian Tragedy | | | | | | | | | 79.7 | | | | | | | | | | | | | | |
79 | The Tiniest Place | | | | | | | | 55.3 | 24.0 | | | | | | | | | | | | | | |
79 | Double Life, a Short History of Sex in the USSR | | | 3.5 | 63.7 | 0.2 | 0.3 | | 10.5 | 1.0 | | | | | | | | | | | | | | |
79 | City Dreamers | | | | | 1.0 | | | | 77.8 | | | | | | | | | | | | | | |
78 | Naples '44 | | | | | | | | 2.5 | 75.8 | | | | | | | | | | | | | | |
78 | Small Wonders | | | | | | | | 78.0 | | | | | | | | | | | | | | | |
78 | Chez Jolie Coiffure | | | | | | 7.7 | | 70.3 | | | | | | | | | | | | | | | |
78 | In the Last Days of the City | | | | | | | | | 77.8 | | | | | | | | | | | | | | |
77 | Egg Cream | | | | | | | | 61.7 | 15.2 | | | | | | | | | | | | | | |
77 | In the Name of God | | | | | | 76.7 | | | | | | | | | | | | | | | | | |
77 | Bugs | | | | | | 72.0 | | 3.7 | 0.8 | | | | | | | | | | | | | | |
76 | With André Gide | | | | | | 76.2 | | | | | | | | | | | | | | | | | |
76 | Karayuki-San, The Making of a Prostitute | | | | 0.3 | | 75.3 | | | | | | | | | | | | | | | | | |
76 | The Kill Team | | | | | | 75.5 | | | | | | | | | | | | | | | | | |
75 | Your Day is My Night | | | | | | | | 12.0 | 63.2 | | | | | | | | | | | | | | |
75 | Seven Songs for Malcolm X | | | | | | | | 21.2 | 53.5 | | | | | | | | | | | | | | |
74 | Green Fire | | | | | | 74.2 | | | 0.2 | | | | | | | | | | | | | | |
73 | To Chris Marker, An Unsent Letter | | | | | | | | 72.7 | | | | | | | | | | | | | | | |
72 | The Hermitage Dwellers | | | | | | | | 72.3 | | | | | | | | | | | | | | | |
72 | The Gold Spinners | | | | | | 71.7 | | | | | | | | | | | | | | | | | |
70 | Between Two Worlds | | | | | | | | | 70.3 | | | | | | | | | | | | | | |
69 | Do Communists Have Better Sex? | | | | 0.3 | | 2.3 | | 10.2 | 56.2 | | | | | | | | | | | | | | |
69 | Beatrix Farrand's American Landscapes | | | | | | | | | 68.8 | | | | | | | | | | | | | | |
69 | A Silent Transformation | | 68.5 | | | | | | | | | | | | | | | | | | | | | |
69 | Border South | | | | | | | | | 68.5 | | | | | | | | | | | | | | |
68 | Six in Paris (Paris vu par) | | 39.2 | | 14.3 | | 14.8 | | | | | | | | | | | | | | | | | |
68 | 90° South | 0.2 | | | | | | | | 68.0 | | | | | | | | | | | | | | |
68 | Russian Ballet: Swan Lake | | | 67.7 | | | | | | | | | | | | | | | | | | | | |
68 | Penguin Counters | | | | | | 67.5 | | | | | | | | | | | | | | | | | |
67 | Rocky Road to Dublin | | | | | | 67.2 | | | | | | | | | | | | | | | | | |
67 | The Owl's Legacy: Symposium, or Accepted Ideas | | | | | | 26.5 | | 13.7 | 27.0 | | | | | | | | | | | | | | |
67 | Disturbing the Peace | | | | | | | | | 66.7 | | | | | | | | | | | | | | |
67 | Away from Meaning (Lejos del sentido) | | | | | | | | | 66.7 | | | | | | | | | | | | | | |
67 | Mar | | | | 0.8 | | 61.3 | | | 4.5 | | | | | | | | | | | | | | |
66 | The Invisible Witness | | | | | 0.2 | 2.0 | | 64.2 | | | | | | | | | | | | | | | |
66 | Planeat | | | | | | | | | 66.0 | | | | | | | | | | | | | | |
65 | Directing Actors by Jean Renoir | | | | | | 43.7 | | 21.8 | | | | | | | | | | | | | | | |
65 | Tokyo Waka | | | | 0.2 | 0.3 | | | | 64.5 | | | | | | | | | | | | | | |
65 | 100 Years of Japanese Cinema | | | | | 45.0 | | | | 19.8 | | | | | | | | | | | | | | |
65 | Who Made You | | | | 0.2 | | | 1.3 | | 63.0 | | | | | | | | | | | | | | |
64 | The Midwife | | | 58.2 | 1.3 | | | | | 4.2 | | | | | | | | | | | | | | |
63 | Family Life | | | | 63.3 | | | | | | | | | | | | | | | | | | | |
63 | The Punishment | | | | | | | | | 62.8 | | | | | | | | | | | | | | |
63 | Tiny: A Story About Living Small | | | | | | 62.3 | | | 0.3 | | | | | | | | | | | | | | |
62 | What Our Fathers Did: A Nazi Legacy | | | | | 34.0 | 14.8 | | | 13.3 | | | | | | | | | | | | | | |
62 | After the Spill | | | | | | | | | 61.8 | | | | | | | | | | | | | | |
62 | I Am Somebody | | | | | | | | | 61.8 | | | | | | | | | | | | | | |
61 | The Owl's Legacy: Democracy, or City of Dreams | | | | | | 61.3 | | | | | | | | | | | | | | | | | |
61 | In Exile: A Family Film | | | | | | 61.0 | | | | | | | | | | | | | | | | | |
61 | Painted Landscapes of the Times | | | 24.7 | | | 30.2 | | | 5.8 | | | | | | | | | | | | | | |
61 | Edith+Eddie | | | | 29.0 | | | | 30.0 | 1.7 | | | | | | | | | | | | | | |
61 | The Island | | | | | | 60.7 | | | | | | | | | | | | | | | | | |
60 | An Ecology of Mind | | | | | 0.2 | | | | 60.2 | | | | | | | | | | | | | | |
60 | The Activists | | | | | | | | | 60.2 | | | | | | | | | | | | | | |
60 | Ursula von Rydingsvard: Into Her Own | | | | | | 57.2 | | 3.0 | | | | | | | | | | | | | | | |
60 | Confounding Father - Episode 3 | | | | | | 30.3 | | | 29.5 | | | | | | | | | | | | | | |
60 | Creepy | | | | 51.7 | 7.2 | | | | 0.7 | | | | | | | | | | | | | | |
60 | East of Salinas | | | | | | | | | 59.5 | | | | | | | | | | | | | | |
60 | Sex in the Comix | | | | | 0.2 | 5.2 | | | 54.2 | | | | | | | | | | | | | | |
59 | Glenn Gould: Off the Record | | | | | | 59.3 | | | | | | | | | | | | | | | | | |
59 | And There Was Israel | | | | | | | | | 59.2 | | | | | | | | | | | | | | |
59 | Sound of Torture | | 58.5 | | 0.5 | | | | | | | | | | | | | | | | | | | |
58 | Trespassing Bergman | | | 2.0 | 0.2 | 0.5 | | | | 54.8 | | | | | | | | | | | | | | |
58 | Kelly Loves Tony | | | 57.3 | | 0.2 | | | | | | | | | | | | | | | | | | |
57 | Fold Crumple Crush: The Art of El Anatsui | | | | | | 0.8 | | 56.5 | | | | | | | | | | | | | | | |
57 | The Last Tycoons - Episode 1 | | | | | | | | | 57.2 | | | | | | | | | | | | | | |
57 | The Owl's Legacy: Misogyny, or the Snares of Desire | | | 26.0 | | | 26.9 | | | 4.0 | | | | | | | | | | | | | | |
57 | An Injury To One | | | | | | | | | 56.8 | | | | | | | | | | | | | | |
57 | Redefining Prosperity | | | | | | | | | 56.8 | | | | | | | | | | | | | | |
57 | Pilgrims and Tourists | | | 56.5 | | | | | | | | | | | | | | | | | | | | |
57 | Churchill's Island | | | | | 0.5 | 3.7 | | 24.2 | 28.2 | | | | | | | | | | | | | | |
56 | The Return of the Cuyahoga | | | | | | 56.3 | | | | | | | | | | | | | | | | | |
56 | To Tell the Truth: The Strategy of Truth | | | | | | 56.0 | | | | | | | | | | | | | | | | | |
56 | Islands of Sanctuary | | | | | | 55.8 | | | | | | | | | | | | | | | | | |
56 | Confounding Father - Episode 4 | | | | | | 28.5 | | | 27.0 | | | | | | | | | | | | | | |
55 | The Last Tycoons - Episode 4 | | | | | | | | | 55.2 | | | | | | | | | | | | | | |
55 | One Day in the Life of Andrei Arsenevich | | | | 0.2 | | | | | 54.7 | | | | | | | | | | | | | | |
55 | Finally Got the News | | | | | | | | | 54.8 | | | | | | | | | | | | | | |
55 | The Drunkard's Lament | | | | | | 47.3 | | | 7.3 | | | | | | | | | | | | | | |
54 | Minute Bodies: The Intimate World Of F. Percy Smith | | | | 53.3 | | | | | 1.0 | | | | | | | | | | | | | | |
54 | A Baptism of Fire | | | | | | | | | 54.2 | | | | | | | | | | | | | | |
54 | The Universal Clock | | | | | | 21.0 | | 33.0 | | | | | | | | | | | | | | | |
54 | The Last Tycoons - Episode 3 | | | | | | | | | 53.7 | | | | | | | | | | | | | | |
53 | The Last Tycoons - Episode 2 | | | | | | | | | 53.3 | | | | | | | | | | | | | | |
53 | The Owl's Legacy: Music, or Inner Space | | | 26.0 | | | 27.2 | | | | | | | | | | | | | | | | | |
53 | Suzanna Andler Trailer | | 2.7 | | 3.2 | 6.3 | 15.2 | | 8.7 | 17.2 | | | | | | | | | | | | | | |
53 | Abendland | | | | | | | | | 52.8 | | | | | | | | | | | | | | |
53 | All the World's Memory | | | | | | 31.2 | | | 21.5 | | | | | | | | | | | | | | |
53 | Great Expectations | | | | | | 52.7 | | | | | | | | | | | | | | | | | |
53 | The Academy of Muses | | | | | | 0.7 | | 52.0 | | | | | | | | | | | | | | | |
53 | How to Build an Igloo | | | | | | 21.0 | | 10.5 | 21.2 | | | | | | | | | | | | | | |
53 | The Owl's Legacy: Nostalgia, or The Impossible Return | | | | | | 52.5 | | | | | | | | | | | | | | | | | |
53 | The Owl's Legacy: Cosmogony, or the Ways of the World | | | 26.2 | | | 26.3 | | | | | | | | | | | | | | | | | |
52 | Invocation - Maya Deren | | | | | | | | | 52.2 | | | | | | | | | | | | | | |
52 | Agent Orange | | | 45.8 | | | | | | 6.3 | | | | | | | | | | | | | | |
52 | How Putin Came to Power | | | | | | | | | 52.0 | | | | | | | | | | | | | | |
52 | Mondovino: Crossing the Rubicon | | | | | | | | | 52.0 | | | | | | | | | | | | | | |
52 | The Owl's Legacy: Mathematics, or the Empire Counts Back | | | 12.3 | | 12.8 | 26.8 | | | | | | | | | | | | | | | | | |
52 | Presumed Guilty | | | | | 51.8 | | | | | | | | | | | | | | | | | | |
52 | No Time To Waste | | | | | | 51.8 | | | | | | | | | | | | | | | | | |
52 | Art and Oligarchs | | | | | | | | | 51.8 | | | | | | | | | | | | | | |
52 | Do You Remember Vietnam? | | 50.0 | | 0.2 | | | | | 1.5 | | | | | | | | | | | | | | |
51 | American Socialist: Eugene Debs | | | | | | 35.3 | | | 15.8 | | | | | | | | | | | | | | |
51 | Farmsteaders | | | | | | | | | 51.2 | | | | | | | | | | | | | | |
51 | The Owl's Legacy: Mythology, or Lies Like Truth | | | 8.5 | | 16.3 | 26.3 | | | | | | | | | | | | | | | | | |
51 | The Last Angel of History | | | | 1.2 | | 45.3 | | | 4.5 | | | | | | | | | | | | | | |
51 | Mondovino: Where's Astérix? | | | | | | | | | 50.7 | | | | | | | | | | | | | | |
51 | Blind | | | | | | 6.5 | | 10.3 | 33.8 | | | | | | | | | | | | | | |
51 | Thinking Existenz - Ep 02 - Laurie Anderson | 0.2 | | | | | | | 31.2 | 19.2 | | | | | | | | | | | | | | |
50 | Sleeping Souls | | | | | | | | | 50.3 | | | | | | | | | | | | | | |
50 | Futures Market | 39.2 | | | | | 10.8 | | | | | | | | | | | | | | | | | |
50 | 2 X 50 Years of French Cinema | | | | | 0.2 | | | | 49.7 | | | | | | | | | | | | | | |
48 | American Arab | | | | | | | | | 48.0 | | | | | | | | | | | | | | |
48 | Power to Heal | | | | | | | | | 47.7 | | | | | | | | | | | | | | |
48 | Thinking Existenz - Ep 09 - Lula da Silva | | | | | | | | | 47.7 | | | | | | | | | | | | | | |
47 | Guanape Sur | | | | | 0.2 | 23.8 | | | 23.0 | | | | | | | | | | | | | | |
47 | Facing Fear | | | | | | 23.5 | | 23.2 | | | | | | | | | | | | | | | |
46 | Let the Fire Burn | | | 45.3 | 0.2 | 0.8 | | | | | | | | | | | | | | | | | | |
46 | Space Dogs | | | | | | 24.0 | | | 22.2 | | | | | | | | | | | | | | |
45 | The Deer | | | | | 0.2 | 45.0 | | | | | | | | | | | | | | | | | |
45 | Diplomacy | | | | 3.2 | 0.7 | | | 41.2 | | | | | | | | | | | | | | | |
45 | The Owl's Legacy: Olympics, or Imaginary Greece | | | | | | 25.0 | | | 19.7 | | | | | | | | | | | | | | |
45 | Six in Paris: Montparnasse et Levallois | | | 15.0 | | | 1.3 | 11.5 | | 16.8 | | | | | | | | | | | | | | |
45 | 1914: A War of Images | 40.8 | | | | | | | | 3.7 | | | | | | | | | | | | | | |
45 | Investigation of a Flame | | | | 0.3 | | | | | 44.2 | | | | | | | | | | | | | | |
44 | This is Cristina Trailer | | 3.3 | 2.3 | 0.2 | 1.5 | 10.5 | | 12.5 | 13.5 | | | | | | | | | | | | | | |
43 | Bikes vs Cars | 43.3 | | | | | | | | | | | | | | | | | | | | | | |
43 | Hotel Terminus - Part III | | | | | | | | 43.0 | | | | | | | | | | | | | | | |
43 | Harvard Beats Yale 29-29 | | 28.3 | | 0.2 | | | 0.3 | 14.2 | | | | | | | | | | | | | | | |
42 | Chaval | | | 15.3 | | | 17.3 | | | 9.5 | | | | | | | | | | | | | | |
42 | Three Sisters | | | | | | | | 42.0 | | | | | | | | | | | | | | | |
42 | Our Blood is Wine | | | 7.5 | 0.2 | | 1.0 | | | 33.3 | | | | | | | | | | | | | | |
42 | koré | | | 23.3 | | | 16.5 | | | 2.0 | | | | | | | | | | | | | | |
41 | 30 Second Democracy | | | | | | | | | 41.3 | | | | | | | | | | | | | | |
40 | Coming to Light | | | | | | | | | 40.3 | | | | | | | | | | | | | | |
40 | Backyard | | | | | | | | 40.2 | | | | | | | | | | | | | | | |
40 | Gray Matters: Architect & Designer Eileen Gray | | | | | | | | 40.2 | | | | | | | | | | | | | | | |
40 | Sagrada: The Mystery of Creation | | | | 39.7 | | | | | | | | | | | | | | | | | | | |
38 | Non, Je Ne Regrette Rien | | | 38.0 | 0.3 | | | | | | | | | | | | | | | | | | | |
38 | The Great Flood | 2.7 | | | 24.0 | | 2.2 | | 9.2 | | | | | | | | | | | | | | | |
38 | Beijing Besieged by Waste | | | | | | | | | 38.0 | | | | | | | | | | | | | | |
38 | The Idol | | | 35.0 | | | | 2.8 | | | | | | | | | | | | | | | | |
37 | Multiracial Identity | | | | | | | | | 37.0 | | | | | | | | | | | | | | |
37 | Ama | | | | | | 5.0 | 2.0 | | 30.0 | | | | | | | | | | | | | | |
37 | The Intolerable Burden | | | | 36.8 | | | | | | | | | | | | | | | | | | | |
36 | God | | | | | | | | 0.5 | 35.8 | | | | | | | | | | | | | | |
35 | Ta'ang | | | | | | | | | 35.2 | | | | | | | | | | | | | | |
35 | Silentium | | | | | | | | 35.0 | | | | | | | | | | | | | | | |
35 | Best of Fest 1 - 4 | | | | | | 23.0 | | 12.0 | | | | | | | | | | | | | | | |
35 | The Heretics | 0.2 | | | | | 34.5 | | | | | | | | | | | | | | | | | |
34 | The Pinochet Case | | | | 0.5 | | | | | 33.8 | | | | | | | | | | | | | | |
34 | 100 Children Waiting for a Train | | | | | | | | | 34.3 | | | | | | | | | | | | | | |
34 | Momma Don't Allow | | | | | | | | | 33.8 | | | | | | | | | | | | | | |
34 | Jamilia | | | | | | | | | 33.8 | | | | | | | | | | | | | | |
34 | Bidder 70 | | | | | 33.7 | | | | | | | | | | | | | | | | | | |
33 | The Watermelon Woman | | | | 27.2 | | | 2.7 | | 3.2 | | | | | | | | | | | | | | |
33 | Codigo Color, Memorias | | | | | | | | | 32.8 | | | | | | | | | | | | | | |
33 | A Tribute to Malcolm X | | | | | | | | | 32.7 | | | | | | | | | | | | | | |
32 | Which Way Is East: Notebooks from Vietnam | | | | | | | | | 32.3 | | | | | | | | | | | | | | |
32 | Man in the Well | | | | | 15.8 | 16.2 | | | | | | | | | | | | | | | | | |
32 | Mammy Water | | | | | | 19.2 | | | 12.8 | | | | | | | | | | | | | | |
31 | Jai Bhim Comrade | | | | 0.3 | | | | | 30.7 | | | | | | | | | | | | | | |
31 | The True Cost | | | | | | 31.0 | | | | | | | | | | | | | | | | | |
31 | We the Workers | | | | | | | | | 30.7 | | | | | | | | | | | | | | |
30 | Glenn Gould: On the Record | | | | | | 30.3 | | | | | | | | | | | | | | | | | |
30 | Live Nude Girls Unite | | | | 1.2 | | 21.7 | 5.5 | | 1.8 | | | | | | | | | | | | | | |
30 | Frida Kahlo & Tina Modotti | | | | | | 30.2 | | | | | | | | | | | | | | | | | |
30 | Tierralismo | | | | | | | | | 30.2 | | | | | | | | | | | | | | |
30 | The Clearstream Affair | | | | | | | | | 29.8 | | | | | | | | | | | | | | |
30 | Six O Clock News | | | | | 29.8 | | | | | | | | | | | | | | | | | | |
30 | The Law | 8.5 | 13.8 | | | | 7.2 | | | | | | | | | | | | | | | | | |
30 | Ballerina | | | 29.5 | | | | | | | | | | | | | | | | | | | | |
30 | The Owl's Legacy: Philosophy, or the Triumph of the Owl | | | 25.7 | | 3.8 | | | | | | | | | | | | | | | | | | |
29 | The Ritchie Boys | | | | | | | | | 28.7 | | | | | | | | | | | | | | |
28 | 10th Parallel | | | | | | | | | 28.3 | | | | | | | | | | | | | | |
28 | Encounters with Your Inner Trotsky Child | | | | 7.2 | | | | | 20.8 | | | | | | | | | | | | | | |
28 | Killing Time/Fannie's Film | | | 1.7 | | 0.2 | | | | 26.0 | | | | | | | | | | | | | | |
27 | The Absent House | | | | | 7.8 | | | | 19.5 | | | | | | | | | | | | | | |
27 | The Unreturned Soldiers In Thailand | | | | | | | | 27.2 | | | | | | | | | | | | | | | |
27 | The Owl's Legacy: Tragedy, or the Illusion of Death | | | 26.8 | | | | | | | | | | | | | | | | | | | | |
27 | Trees in Trouble | | | | | | 26.7 | | | | | | | | | | | | | | | | | |
27 | The Making of 'Rocky Road to Dublin' | | | | | | 26.7 | | | | | | | | | | | | | | | | | |
27 | This is the Way I Like It | | | | | | | | | 26.5 | | | | | | | | | | | | | | |
27 | The Whalers | | | | | | | | | 26.5 | | | | | | | | | | | | | | |
26 | The Bridesmaid | | | | 4.0 | 0.7 | 0.7 | | 0.2 | 20.7 | | | | | | | | | | | | | | |
26 | The Trouble with Bread | | | | | | | | | 26.2 | | | | | | | | | | | | | | |
26 | Tahrir: Liberation Square | | | | | | | | | 26.2 | | | | | | | | | | | | | | |
26 | Evolution of Organic | | | | | | 26.0 | | | | | | | | | | | | | | | | | |
26 | Mrs. B., A North Korean Woman | | | | 0.8 | | 25.2 | | | | | | | | | | | | | | | | | |
26 | Marina Abramovic in Brazil: The Space in Between | 14.0 | | | | | | | | 11.7 | | | | | | | | | | | | | | |
26 | Aferim! | | | | | | 0.5 | | 25.2 | | | | | | | | | | | | | | | |
26 | In the Intense Now | | | 7.3 | | | | | | 18.2 | | | | | | | | | | | | | | |
25 | The Owl's Legacy: Logomachy, or the Dialect of the Tribe | | | | | | 25.2 | | | | | | | | | | | | | | | | | |
25 | Libby, Montana | | | | | | | | | 25.0 | | | | | | | | | | | | | | |
25 | Integration Report 1 | | | | | | 3.8 | | | 21.2 | | | | | | | | | | | | | | |
24 | How He Fell in Love | | | 16.7 | 7.5 | | | | | | | | | | | | | | | | | | | |
24 | The Children of 209 Saint-Maur Street | 0.2 | | | 0.2 | 20.2 | | | | 3.5 | | | | | | | | | | | | | | |
24 | One Bright Shining Moment | | | | | | | | 23.8 | | | | | | | | | | | | | | | |
24 | The Enemy Within | | | | | | | | | 23.7 | | | | | | | | | | | | | | |
24 | As Good As You | | | | 18.2 | | | | | 5.5 | | | | | | | | | | | | | | |
24 | The Sequel | | | | | | | | | 23.5 | | | | | | | | | | | | | | |
23 | John Berger or The Art of Looking | | | | | | 23.0 | | 0.2 | 0.2 | | | | | | | | | | | | | | |
23 | Milestones | | | 22.8 | | | 0.5 | | | | | | | | | | | | | | | | | |
23 | Restless Creature: Wendy Whelan | | | | 22.8 | | | | | | | | | | | | | | | | | | | |
23 | Salvador Allende | | | | | | | | 12.5 | 10.3 | | | | | | | | | | | | | | |
23 | Marcel Ophuls and Jean-Luc Godard | | | 22.7 | | | | | | | | | | | | | | | | | | | | |
22 | To Tell the Truth: Working for Change | | | | | | | | 7.2 | 15.0 | | | | | | | | | | | | | | |
22 | Zinoviev's Tube | | | | | | | | | 22.0 | | | | | | | | | | | | | | |
22 | When a Tree Falls (Amama) | | | | 21.8 | | | | | | | | | | | | | | | | | | | |
22 | Germans & Jews | | | | | | | | 21.8 | | | | | | | | | | | | | | | |
22 | Outstanding Award Winner Henrique Pina: Body-Buildings | | | | | | | | 21.8 | | | | | | | | | | | | | | | |
22 | 56 UP | | | | | 21.7 | | | | | | | | | | | | | | | | | | |
22 | City of Gold | | | | | | 21.7 | | | | | | | | | | | | | | | | | |
22 | Pray the Devil Back to Hell | | | | | | | | | 21.7 | | | | | | | | | | | | | | |
21 | Los Sures | | | 21.0 | | | | | | | | | | | | | | | | | | | | |
21 | The Mountain | | | | | | 20.8 | | | | | | | | | | | | | | | | | |
20 | Chums from Across the Void | | | | | | 3.7 | | | 16.7 | | | | | | | | | | | | | | |
20 | Beyond Boobs | | | 7.3 | 4.3 | 4.2 | 1.3 | 2.5 | | 0.2 | | | | | | | | | | | | | | |
20 | Louise By the Shore | | | | | 19.2 | 0.5 | | | | | | | | | | | | | | | | | |
20 | Chris Marker's Bestiary: Cat Listening to Music | | | 2.5 | | | 3.0 | | 3.2 | 11.0 | | | | | | | | | | | | | | |
19 | Kati With an I | | | | 10.8 | | 2.2 | 6.3 | | | | | | | | | | | | | | | | |
19 | You Will Be My Ally | | | | 19.2 | | | | | | | | | | | | | | | | | | | |
19 | Doors of the Past | | | | 0.2 | | 4.2 | | | 14.8 | | | | | | | | | | | | | | |
19 | The Poets | | | | 19.0 | | | | | | | | | | | | | | | | | | | |
19 | Elsewhere Part I | | | | | 5.8 | | | | 13.2 | | | | | | | | | | | | | | |
19 | Xu Bing: Phoenix | | | | | | 17.5 | | | 1.3 | | | | | | | | | | | | | | |
19 | Secundaria | | | 18.7 | | | | | | | | | | | | | | | | | | | | |
19 | Starfish Aorta Colossus | | | | | | 9.5 | | | 9.0 | | | | | | | | | | | | | | |
18 | The Spectre of Hope | | | | | | | | 18.3 | | | | | | | | | | | | | | | |
18 | Inside Her Sex | | | 13.3 | | | | | | 5.0 | | | | | | | | | | | | | | |
18 | Riddles of the Sphinx | | | 11.3 | | | | | | 7.0 | | | | | | | | | | | | | | |
18 | Six in Paris: Gare du Nord | | | | | | | | | 17.8 | | | | | | | | | | | | | | |
18 | Re-Awakenings | | | | | | 17.7 | | | | | | | | | | | | | | | | | |
18 | Our Time | | | | 10.3 | 0.2 | 1.5 | | | 5.5 | | | | | | | | | | | | | | |
17 | Night Cries: A Rural Tragedy | | | | | | 17.3 | | | | | | | | | | | | | | | | | |
17 | Nice Colored Girls | | | | | | 17.3 | | | | | | | | | | | | | | | | | |
17 | Brave New West | | | | | | | | | 17.3 | | | | | | | | | | | | | | |
17 | In the Mirror of Maya Deren | | | | | | | | | 17.3 | | | | | | | | | | | | | | |
17 | The Revisionaries | | | 15.5 | 0.2 | 0.7 | 0.7 | | | 0.2 | | | | | | | | | | | | | | |
17 | Thinking Existenz - Ep 01 - Eduardo Galeano | | | | | | 0.2 | | | 17.0 | | | | | | | | | | | | | | |
17 | Below | | | | | | 16.8 | | | | | | | | | | | | | | | | | |
17 | The Case of the Grinning Cat | | | | | | 13.5 | | | 3.3 | | | | | | | | | | | | | | |
17 | Release | | | | | | 16.3 | | | 0.2 | | | | | | | | | | | | | | |
16 | Carmen and Geoffrey | | | | | | | | | 16.3 | | | | | | | | | | | | | | |
16 | Jeannette: The Childhood of Joan of Arc | | | | | | | | | 16.3 | | | | | | | | | | | | | | |
16 | Maison Close Trailer | 0.7 | | 0.7 | 1.3 | | 5.0 | | 7.3 | 1.3 | | | | | | | | | | | | | | |
16 | Tribute to Alfred Lepetit | | | | | 16.0 | | | | | | | | | | | | | | | | | | |
16 | La Petite Lili | | | 4.7 | | 0.8 | 7.3 | | | 3.0 | | | | | | | | | | | | | | |
16 | The New Americans - Episode 7 | | | | | | 15.8 | | | | | | | | | | | | | | | | | |
16 | Tell No One | | | | 13.3 | 0.7 | | 1.7 | | | | | | | | | | | | | | | | |
16 | Six in Paris: Rue Saint Denis | | | | 15.7 | | | | | | | | | | | | | | | | | | | |
16 | Mitote / Mexican Ritual | | | | | 15.5 | | | | | | | | | | | | | | | | | | |
15 | A Quiet Passion | | | | 15.3 | | | | | | | | | | | | | | | | | | | |
15 | Marlina the Murderer in Four Acts: Interview with Mouly Surya | | | | | | | | | 15.3 | | | | | | | | | | | | | | |
15 | Documentary - All It Gives | | | | | | | | 15.0 | | | | | | | | | | | | | | | |
15 | I am from Chile | | | | 14.8 | | | | | 0.2 | | | | | | | | | | | | | | |
14 | Time of the Locust | | | | 2.2 | | | | 12.3 | | | | | | | | | | | | | | | |
14 | Paul Gauguin | | | | | | | | | 14.3 | | | | | | | | | | | | | | |
14 | Decision 80 | | | | | | 4.0 | | | 10.3 | | | | | | | | | | | | | | |
14 | Santiago, Italia | | | | | | | | 14.2 | | | | | | | | | | | | | | | |
14 | Dance Party USA | | | | 0.2 | | 0.7 | 0.2 | 1.8 | 11.2 | | | | | | | | | | | | | | |
14 | So Pretty | | | | 0.7 | | 1.7 | 3.0 | 0.8 | 7.7 | | | | | | | | | | | | | | |
14 | How to Lose Your Virginity | | | 5.0 | | | 0.5 | 4.3 | | 3.8 | | | | | | | | | | | | | | |
14 | Goya: The Secret of the Shadows | | | | | | 13.5 | | | | | | | | | | | | | | | | | |
13 | Chris Marker's Bestiary: An Owl is an Owl is an Owl | | | | | | 3.3 | | 3.5 | 6.7 | | | | | | | | | | | | | | |
13 | super-max | | | | | | | | | 13.2 | | | | | | | | | | | | | | |
13 | The Film of Her | | | | | | 13.0 | | | | | | | | | | | | | | | | | |
13 | Muybridge's Strings | | | | | | 12.8 | | | | | | | | | | | | | | | | | |
13 | Late Summer | | | | | | | | | 12.8 | | | | | | | | | | | | | | |
13 | Andrés Reads and Writes | | | | 0.8 | | | | | 12.0 | | | | | | | | | | | | | | |
13 | Cheat Neutral | | | | | 12.7 | | | | | | | | | | | | | | | | | | |
13 | No Fish Where to Go | | | | | | 12.7 | | | | | | | | | | | | | | | | | |
13 | Marx for Beginners | | | | | | 12.7 | | | | | | | | | | | | | | | | | |
12 | Affirmations | | | | | | | | | 12.3 | | | | | | | | | | | | | | |
12 | Documentary - Chen | | | | | | | | 12.0 | | | | | | | | | | | | | | | |
12 | Edward Said: The Last Interview | | | | | 0.3 | | | | 11.5 | | | | | | | | | | | | | | |
12 | Miss Hill: Making Dance Matter | | | 11.5 | | | | | | | | | | | | | | | | | | | | |
11 | Zone of Silence | | | | | | | | | 11.3 | | | | | | | | | | | | | | |
11 | Great Man and Cinema | 3.7 | | | | | | | | 7.3 | | | | | | | | | | | | | | |
11 | Coda | | | | | | 11.0 | | | | | | | | | | | | | | | | | |
11 | New Inspiration - Pas De Quoi | | | | | | | | 10.8 | | | | | | | | | | | | | | | |
11 | Through the Looking Glass | | | | | | | | | 10.8 | | | | | | | | | | | | | | |
11 | This is the Way I Like It 2 | | | | | | 0.5 | | | 10.3 | | | | | | | | | | | | | | |
11 | Party Girl | | | 3.8 | | | 5.5 | | | 1.5 | | | | | | | | | | | | | | |
11 | The Great Malaise | | | 5.3 | | | 5.5 | | | | | | | | | | | | | | | | | |
11 | She's Lost Control | | | | | | | | | 10.7 | | | | | | | | | | | | | | |
11 | States of Unbelonging | | | | | | | | | 10.7 | | | | | | | | | | | | | | |
11 | Wuthering Heights | | | | 10.3 | | | | 0.3 | | | | | | | | | | | | | | | |
11 | L'AMOUR! - Swivel | | | | | | 6.7 | | 4.0 | | | | | | | | | | | | | | | |
11 | Monsieur & Madame Adelman | | | | 1.8 | | 0.2 | | 0.2 | 8.3 | | | | | | | | | | | | | | |
11 | FALN | | | | | | | | | 10.5 | | | | | | | | | | | | | | |
10 | Fate of a Salesman | | | | 10.3 | | | | | | | | | | | | | | | | | | | |
10 | The Making of Dark Star | | | | | | 10.3 | | | | | | | | | | | | | | | | | |
10 | Ilya and Emilia Kabakov: Enter Here | | | | | | | | | 10.3 | | | | | | | | | | | | | | |
10 | Kochuu | | | | | | | | | 10.3 | | | | | | | | | | | | | | |
10 | The Goumbé of the Young Revelers | | | | 0.3 | | | | 10.0 | | | | | | | | | | | | | | | |
10 | Impromptu | | | | | | | | 10.2 | | | | | | | | | | | | | | | |
10 | Best of Fest 1 - Beast | | | | | | | | 10.2 | | | | | | | | | | | | | | | |
10 | Reflection | | | | | | 10.0 | | | | | | | | | | | | | | | | | |
10 | Beyond My Grandfather Allende | | | | | | | | 10.0 | | | | | | | | | | | | | | | |
10 | Lost Course | 0.3 | | | 0.2 | | 6.8 | | | 2.7 | | | | | | | | | | | | | | |
10 | Chris Marker's Bestiary: Bullfight in Okinawa | | | | | | | | 4.3 | 5.7 | | | | | | | | | | | | | | |
10 | By the Time It Gets Dark | 0.2 | | | 3.2 | 2.7 | | | | 3.8 | | | | | | | | | | | | | | |
10 | Metamorphoses | | | | | | 9.0 | | | 0.8 | | | | | | | | | | | | | | |
10 | Tú y Yo | | | | | | | | | 9.8 | | | | | | | | | | | | | | |
10 | Vito | | | | | | | | 9.7 | | | | | | | | | | | | | | | |
10 | Dreams from the Outback | | | | | | | | 9.5 | | | | | | | | | | | | | | | |
10 | Sex, Lies and Tabloids! | | | 4.3 | | | 5.2 | | | | | | | | | | | | | | | | | |
9 | Chris Marker's Bestiary: Zoo Piece | | | | | | | | 3.8 | 5.3 | | | | | | | | | | | | | | |
9 | The Owl's Legacy Trailer | | 1.3 | | | | 3.3 | | | 4.5 | | | | | | | | | | | | | | |
9 | I Like Girls | | | | | | 9.0 | | | | | | | | | | | | | | | | | |
9 | Best of Fest 1 - Traces | | | | | | | | 9.0 | | | | | | | | | | | | | | | |
9 | The Silence of Mark Rothko | | | | 0.5 | | | | 0.3 | 8.2 | | | | | | | | | | | | | | |
9 | Six in Paris: The Mute | | | 0.2 | 0.5 | | | | | 8.2 | | | | | | | | | | | | | | |
9 | I Don't Feel Anything Anymore | | | | | | | | | 8.8 | | | | | | | | | | | | | | |
9 | Dreams That Money Can Buy | | | | | | 2.8 | | 6.0 | | | | | | | | | | | | | | | |
9 | Chris Marker's Bestiary: Slon Tango | | | | | | | | 4.5 | 4.3 | | | | | | | | | | | | | | |
9 | Malick Sidibé | | | | | | 8.7 | | | | | | | | | | | | | | | | | |
9 | Blue | | | | | | 1.2 | | | 7.5 | | | | | | | | | | | | | | |
9 | Frantz | | | | | 0.7 | 7.8 | | | | | | | | | | | | | | | | | |
8 | Imaginary Feasts | 8.2 | | | | | | | | 0.2 | | | | | | | | | | | | | | |
8 | The End of Pinky | | | | | | 8.3 | | | | | | | | | | | | | | | | | |
8 | Picasso and Sima, Antibes 1946 | | | | | | 8.3 | | | | | | | | | | | | | | | | | |
8 | The Lost Village | | | | | | | | 8.3 | | | | | | | | | | | | | | | |
8 | The Human Pyramid | | | 8.0 | 0.2 | | | | | | | | | | | | | | | | | | | |
8 | Bettie Page Reveals All | | | | 7.8 | | 0.2 | | | 0.2 | | | | | | | | | | | | | | |
8 | wüstenspringmaus | | | | | | 5.5 | | | 2.5 | | | | | | | | | | | | | | |
8 | The Assistant | | | 7.7 | 0.2 | | | | | | | | | | | | | | | | | | | |
8 | Patch Town | | | 7.7 | 0.2 | | | | | | | | | | | | | | | | | | | |
8 | Dick Cheney in a Cold, Dark Cell | | | | | | 5.3 | | | 2.5 | | | | | | | | | | | | | | |
8 | Behind-the-Scenes of JINPA | | | | | | 3.8 | | | 3.7 | | | | | | | | | | | | | | |
7 | Beyond Zero: 1914-1918 | | | 7.3 | | | | | | | | | | | | | | | | | | | | |
7 | Damages | | | | | 0.5 | | | | 6.8 | | | | | | | | | | | | | | |
7 | Jutra | | | | | 7.2 | | | | | | | | | | | | | | | | | | |
7 | The Toxic Reigns of Resentment | | | | | | 7.0 | | | | | | | | | | | | | | | | | |
7 | The Apology | | | | | | 0.2 | | | 6.7 | | | | | | | | | | | | | | |
7 | What If Babel Was Just a Myth? | | | | 0.7 | | 6.2 | | | | | | | | | | | | | | | | | |
7 | My Little Underground | | | | | | 6.8 | | | | | | | | | | | | | | | | | |
7 | Cuban Food Stories | | | | | | | | 6.7 | | | | | | | | | | | | | | | |
7 | The Invisible Frame | | | | 6.5 | 0.2 | | | | | | | | | | | | | | | | | | |
7 | Guernica | | | | | | | | | 6.7 | | | | | | | | | | | | | | |
7 | Balakrishna | | | | | 6.5 | | | | | | | | | | | | | | | | | | |
7 | The Last Happy Day | | | | | | | | | 6.5 | | | | | | | | | | | | | | |
7 | Karmen Gei | | | | | | | | | 6.5 | | | | | | | | | | | | | | |
7 | La Arrancada | | | | 5.7 | | | | | 0.8 | | | | | | | | | | | | | | |
6 | Dries | | | | | | | | | 6.3 | | | | | | | | | | | | | | |
6 | O Amor Natural | | | | 0.3 | 0.2 | 0.2 | | | 5.7 | | | | | | | | | | | | | | |
6 | Video Game | | | | | | 6.2 | | | | | | | | | | | | | | | | | |
6 | A German Youth | | | 2.5 | 0.8 | | 2.7 | | | | | | | | | | | | | | | | | |
6 | Buddy | | | | | 6.0 | | | | | | | | | | | | | | | | | | |
6 | Best of Fest 2 - ID | | | | | | | | 6.0 | | | | | | | | | | | | | | | |
6 | Mama Colonel | | | | | | | | | 6.0 | | | | | | | | | | | | | | |
6 | A Time to Rise | | | | | | 0.7 | | | 5.3 | | | | | | | | | | | | | | |
6 | The Waldheim Waltz | | | | | | 5.8 | | | | | | | | | | | | | | | | | |
6 | The Rest I Make Up | | | 1.3 | | | 0.3 | | | 4.2 | | | | | | | | | | | | | | |
6 | Generation War Trailer | | | | | | 3.5 | | 2.3 | | | | | | | | | | | | | | | |
6 | Marlina the Murderer in Four Acts: Behind the Scenes | | | | | | | | | 5.7 | | | | | | | | | | | | | | |
6 | The Mountain of SGaana | | | | | 5.2 | 0.5 | | | | | | | | | | | | | | | | | |
6 | Dreams of Ice | | | | | | | | | 5.5 | | | | | | | | | | | | | | |
6 | The Basketball Game | | | | | | 5.3 | | | 0.2 | | | | | | | | | | | | | | |
6 | The Retrieval Trailer | | | | | 3.0 | 2.5 | | | | | | | | | | | | | | | | | |
5 | Tatsumi | | | | | | | | 5.3 | | | | | | | | | | | | | | | |
5 | Eastern Boys | | | | | | 2.2 | | | 2.8 | | | | | | | | | | | | | | |
5 | Christmas with Chávez | 1.2 | | | | | 2.0 | | | 1.8 | | | | | | | | | | | | | | |
5 | The Raw and the Cooked: A Culinary Journey Through Taiwan | | | | 5.0 | | | | | | | | | | | | | | | | | | | |
5 | 'Til Madness Do Us Part | | | | | | | | 4.8 | 0.2 | | | | | | | | | | | | | | |
5 | France (Les Habitants) | | | | | | | | | 4.8 | | | | | | | | | | | | | | |
5 | Bones of Contention | | | | 4.8 | | | | | | | | | | | | | | | | | | | |
5 | Romantico | | | | | 4.8 | | | | | | | | | | | | | | | | | | |
5 | Drux Flux | | | | | | 4.8 | | | | | | | | | | | | | | | | | |
5 | Nadine | | | | | | 4.7 | | | | | | | | | | | | | | | | | |
5 | Best of Fest 2 - Being | | | | | | | | 4.7 | | | | | | | | | | | | | | | |
5 | Putin's Witnesses | | | | | | | | 4.7 | | | | | | | | | | | | | | | |
5 | Forever | | | | | | | | | 4.7 | | | | | | | | | | | | | | |
5 | Best of Fest 2 - Dusk | | | | | | 0.5 | | 4.2 | | | | | | | | | | | | | | | |
5 | An Elephant Sitting Still Trailer | | | | | | | | 2.3 | 2.3 | | | | | | | | | | | | | | |
5 | The Returned Trailer - Season 1 | | | | | | 1.0 | | 2.0 | 1.7 | | | | | | | | | | | | | | |
5 | Seeing is Believing | | | | | | | | | 4.5 | | | | | | | | | | | | | | |
4 | Facing The Storm | | | | | | 4.3 | | | | | | | | | | | | | | | | | |
4 | Early Works of Cheryl Dunye | | | | | | | | | 4.3 | | | | | | | | | | | | | | |
4 | Yo | | | | | 4.2 | | | | | | | | | | | | | | | | | | |
4 | To Be of Service | | | | | | 4.2 | | | | | | | | | | | | | | | | | |
4 | Affluenza | | | | | | | | | 4.2 | | | | | | | | | | | | | | |
4 | Ghost Town | 0.2 | | | | | | | | 3.8 | | | | | | | | | | | | | | |
4 | Althea | | | 4.0 | | | | | | | | | | | | | | | | | | | | |
4 | Mercedes Sosa: The Voice of Latin America | | | | | | | | 4.0 | | | | | | | | | | | | | | | |
4 | The Embassy | | | | | | | | | 4.0 | | | | | | | | | | | | | | |
4 | La Yuma | | | | 2.8 | | 1.2 | | | | | | | | | | | | | | | | | |
4 | The World of Gilbert and George | | | | | | 3.8 | | | | | | | | | | | | | | | | | |
4 | Travels in the Congo (Voyage au Congo) | | | | | | 3.7 | | | | | | | | | | | | | | | | | |
4 | Chantal Akerman by Chantal Akerman | | | | | | | | | 3.7 | | | | | | | | | | | | | | |
4 | Ainsi Meurent Les Anges (And So Angels Die) | | | | | | | | | 3.7 | | | | | | | | | | | | | | |
4 | A New Color: The Art of Being Edythe Boone | | | | 0.2 | 1.0 | 2.5 | | | | | | | | | | | | | | | | | |
4 | Marlina the Murderer in Four Acts Trailer | | | | | | 1.8 | | 1.8 | | | | | | | | | | | | | | | |
4 | Don't Give Up Your Voice! | | 3.5 | | | | | | | | | | | | | | | | | | | | | |
3 | Decasia | | | 3.3 | | | | | | | | | | | | | | | | | | | | |
3 | Now He's Out in Public and Everyone Can See | | | | | | | | 3.3 | | | | | | | | | | | | | | | |
3 | Towards Mathilde | | | 0.5 | | | | | | 2.8 | | | | | | | | | | | | | | |
3 | In Our Nature | | | | | | 3.2 | | | | | | | | | | | | | | | | | |
3 | Food for Thought - Risotto Meets Saké - Ep. 1 | | | | | | | | 3.2 | | | | | | | | | | | | | | | |
3 | New Inspiration - Floor Falls | | | | | | | | 3.2 | | | | | | | | | | | | | | | |
3 | The Other Side of Everything | | | | 2.5 | 0.5 | 0.2 | | | | | | | | | | | | | | | | | |
3 | Faith Love Desire - Ep 1 - First Love | | | | | 1.2 | 1.2 | | 0.2 | 0.5 | | | | | | | | | | | | | | |
3 | Anais Goes to War | | | | | | | | | 3.0 | | | | | | | | | | | | | | |
3 | The Campaign | | | | | | | | | 3.0 | | | | | | | | | | | | | | |
3 | 12 Days | | | | 0.2 | | | | | 2.8 | | | | | | | | | | | | | | |
3 | 339 Amín Abel Hasbun. Memory of a Crime | | | | 0.3 | | 0.5 | 1.7 | 0.2 | 0.2 | | | | | | | | | | | | | | |
3 | Vic + Flo Saw a Bear | | | | | 2.7 | 0.2 | | | | | | | | | | | | | | | | | |
3 | Kate and Anna McGarrigle | | | | | | 2.8 | | | | | | | | | | | | | | | | | |
3 | Success | | | | | | | | | 2.8 | | | | | | | | | | | | | | |
3 | comunista! | | | | | | | | | 2.8 | | | | | | | | | | | | | | |
3 | The Retrieval | | | 2.7 | | | | | | | | | | | | | | | | | | | | |
3 | Fishing: In the Sea of Greed | | | | | | 2.7 | | | | | | | | | | | | | | | | | |
3 | Berliner Ballade | | | | | | 2.7 | | | | | | | | | | | | | | | | | |
3 | L'AMOUR! - Lazarus | | | | | | | | 2.7 | | | | | | | | | | | | | | | |
3 | Suzy Lake: Playing with Time | | | | | | | | | 2.7 | | | | | | | | | | | | | | |
3 | Tina In Mexico | | | | 0.2 | | 0.8 | 1.7 | | | | | | | | | | | | | | | | |
3 | King of the Hill | | | | 2.5 | | | | | | | | | | | | | | | | | | | |
3 | Marina Abramovic: The Artist is Present | | | | | | 2.5 | | | | | | | | | | | | | | | | | |
3 | L'AMOUR! - Dignity | | | | | | | | 2.5 | | | | | | | | | | | | | | | |
3 | The Candidate | | | | | | | | | 2.5 | | | | | | | | | | | | | | |
3 | Prisoners of Conscience | | | | | | | | | 2.5 | | | | | | | | | | | | | | |
2 | Electric Signs | | | 1.3 | | | 1.0 | | | | | | | | | | | | | | | | | |
2 | Silent Shakespeare | | | | | | | 2.3 | | | | | | | | | | | | | | | | |
2 | Every Three Seconds | | | | | | | | | 2.3 | | | | | | | | | | | | | | |
2 | Patsy Mink: Ahead of the Majority | | | | | | | | | 2.3 | | | | | | | | | | | | | | |
2 | el güero | | | | | | | | | 2.3 | | | | | | | | | | | | | | |
2 | Heimat is a Space in Time | | | 2.0 | | 0.3 | | | | | | | | | | | | | | | | | | |
2 | The Land of Owls | 2.0 | | | 0.2 | | | | | | | | | | | | | | | | | | | |
2 | L'AMOUR! - Hors | | | | | | | | 2.2 | | | | | | | | | | | | | | | |
2 | The Strange Little Cat | | | | | 0.7 | | | | 1.5 | | | | | | | | | | | | | | |
2 | This is Nollywood | | | | 2.0 | | | | | | | | | | | | | | | | | | | |
2 | Anne Clark – I’ll Walk Out Into Tomorrow | | | | | | | | | 2.0 | | | | | | | | | | | | | | |
2 | Some Divine Wind | | | | | | | | 1.8 | | | | | | | | | | | | | | | |
2 | The Metal Stork | | | | | | 1.7 | | | | | | | | | | | | | | | | | |
2 | Three Cheers for the Whale | | | | | | | | 1.7 | | | | | | | | | | | | | | | |
2 | Phoenix Dance | | | 1.2 | | | | | | 0.5 | | | | | | | | | | | | | | |
2 | The Queen of Fear | | | | 1.5 | | | | | | | | | | | | | | | | | | | |
2 | The Paranoids | | | | | | 1.5 | | | | | | | | | | | | | | | | | |
2 | Happy People: A Year in the Taiga | | | | | | 1.5 | | | | | | | | | | | | | | | | | |
2 | Housemaids | | | | | | 1.5 | | | | | | | | | | | | | | | | | |
2 | Haida Modern | | | | | 0.2 | 1.3 | | | | | | | | | | | | | | | | | |
2 | Gringo Trails | | | | 0.3 | | 1.2 | | | | | | | | | | | | | | | | | |
2 | Did You Wonder Who Fired the Gun? | | | | 0.5 | 0.7 | | | | 0.3 | | | | | | | | | | | | | | |
1.3 | The Adventurers of Modern Art Clip | | | | | | | | 1.3 | | | | | | | | | | | | | | | |
1.3 | Give the Gift of OVID! | | | 1.0 | 0.2 | | 0.2 | | | | | | | | | | | | | | | | | |
1.3 | Porch | | | | | | 1.3 | | | | | | | | | | | | | | | | | |
1.3 | Brian Hu's Intro | | | | | | 1.3 | | | | | | | | | | | | | | | | | |
1.3 | Family Business | | | | | | | | | 1.3 | | | | | | | | | | | | | | |
1.3 | Violeta Went to Heaven | | | | 0.3 | 1.0 | | | | | | | | | | | | | | | | | | |
1.3 | We Are the Lambeth Boys | | | | | 0.3 | | | | 1.0 | | | | | | | | | | | | | | |
1.2 | Long Story Short | | | | 1.2 | | | | | | | | | | | | | | | | | | | |
1.2 | Tony Manero | | | | 1.2 | | | | | | | | | | | | | | | | | | | |
1.2 | Come Hell or High Water | | | | | 1.2 | | | | | | | | | | | | | | | | | | |
1.2 | In the Shadow of Women | | | | | | 1.2 | | | | | | | | | | | | | | | | | |
1.2 | L'AMOUR! - Avoidance | | | | | | | | 1.2 | | | | | | | | | | | | | | | |
1.2 | Oyster | | | | | | | | | 1.2 | | | | | | | | | | | | | | |
1.2 | Outcry and Whisper | | | | | | | | | 1.2 | | | | | | | | | | | | | | |
1.0 | The City Dark (83 minute version) | 1.0 | | | | | | | | | | | | | | | | | | | | | | |
1.0 | A Maid for Each | 0.2 | | | | | 0.8 | | | | | | | | | | | | | | | | | |
1.0 | Papicha | | | | 1.0 | | | | | | | | | | | | | | | | | | | |
1.0 | A Quest for Meaning | | | | | | | 1.0 | | | | | | | | | | | | | | | | |
1.0 | Maysles Documentary Center | | | | | | | | | 1.0 | | | | | | | | | | | | | | |
1.0 | Prism | | | | | | | | | 1.0 | | | | | | | | | | | | | | |
1.0 | Alena | | | | | 0.8 | 0.2 | | | | | | | | | | | | | | | | | |
1.0 | False Confessions | | | | | | 0.8 | | | 0.2 | | | | | | | | | | | | | | |
1.0 | History of Fear | | | | | 0.7 | 0.3 | | | | | | | | | | | | | | | | | |
0.8 | Elena | | | | 0.2 | | 0.5 | | 0.2 | | | | | | | | | | | | | | | |
0.8 | The Owl's Legacy: Amnesty, or History on the March | | | | | | 0.8 | | | | | | | | | | | | | | | | | |
0.8 | Mario Ruspoli, Prince of the Whales | 0.3 | | | | | 0.5 | | | | | | | | | | | | | | | | | |
0.8 | A Good Man | | | | 0.3 | 0.5 | | | | | | | | | | | | | | | | | | |
0.8 | 40,000 Years of Dreaming | | | | | 0.3 | 0.5 | | | | | | | | | | | | | | | | | |
0.8 | CMYK | 0.8 | | | | | | | | | | | | | | | | | | | | | | |
0.8 | Rebels on Pointe | | | 0.8 | | | | | | | | | | | | | | | | | | | | |
0.8 | You Go to My Head | | | | 0.8 | | | | | | | | | | | | | | | | | | | |
0.8 | Boris Without Beatrice | | | | | 0.8 | | | | | | | | | | | | | | | | | | |
0.8 | Charlie's Country | | | | | | 0.8 | | | | | | | | | | | | | | | | | |
0.8 | Quiet Heroes | | | | | | 0.8 | | | | | | | | | | | | | | | | | |
0.8 | The Names of Love | | | | | | 0.8 | | | | | | | | | | | | | | | | | |
0.8 | Thinking Existenz - Ep 03 - Lucrecia Martel | | | | | | | | 0.8 | | | | | | | | | | | | | | | |
0.8 | The Best of Both Worlds | | | | | | | | 0.8 | | | | | | | | | | | | | | | |
0.8 | Born in Flames | | | | | | | | | 0.8 | | | | | | | | | | | | | | |
0.8 | Anthem | | | | | | | | | 0.8 | | | | | | | | | | | | | | |
0.8 | L'AMOUR! - Duet Alanda | | | | | | | | | 0.8 | | | | | | | | | | | | | | |
0.7 | The Prize of the Pole | | | | 0.7 | | | | | | | | | | | | | | | | | | | |
0.7 | El Velador | | | | | 0.7 | | | | | | | | | | | | | | | | | | |
0.7 | Backfired | | | | | 0.7 | | | | | | | | | | | | | | | | | | |
0.7 | Cooked | | | | | 0.7 | | | | | | | | | | | | | | | | | | |
0.7 | Faith Love Desire - Ep 2 - Fulfilled Love | | | | | | 0.7 | | | | | | | | | | | | | | | | | |
0.7 | Your Name in Cellulite | | | | | | 0.7 | | | | | | | | | | | | | | | | | |
0.7 | Celling Your Soul | | | | | | 0.7 | | | | | | | | | | | | | | | | | |
0.7 | A Bread Factory Trailer | | | | | | 0.7 | | | | | | | | | | | | | | | | | |
0.7 | Images You Didn't See | | | | | | 0.7 | | | | | | | | | | | | | | | | | |
0.7 | Return to Cuba | | | | | | | | | 0.7 | | | | | | | | | | | | | | |
0.7 | The German Neighbor | | | | | | | | | 0.7 | | | | | | | | | | | | | | |
0.7 | Guns and Mothers | | | | | | | | | 0.7 | | | | | | | | | | | | | | |
0.7 | Spark | | | | | | | | | 0.7 | | | | | | | | | | | | | | |
0.7 | OVID Summer 2020 Promo | | | | | | | | | 0.7 | | | | | | | | | | | | | | |
0.5 | They Are We | 0.2 | | | 0.3 | | | | | | | | | | | | | | | | | | | |
0.5 | Partner with the Enemy - Making it in the Middle East | 0.5 | | | | | | | | | | | | | | | | | | | | | | |
0.5 | Elder Voices | 0.5 | | | | | | | | | | | | | | | | | | | | | | |
0.5 | Prairie Trilogy | | | | 0.5 | | | | | | | | | | | | | | | | | | | |
0.5 | My Friend from the Park | | | | 0.5 | | | | | | | | | | | | | | | | | | | |
0.5 | Alive! | | | | 0.5 | | | | | | | | | | | | | | | | | | | |
0.5 | Quest | | | | 0.5 | | | | | | | | | | | | | | | | | | | |
0.5 | Downstream to Kinshasa | | | | 0.5 | | | | | | | | | | | | | | | | | | | |
0.5 | STOP | | | | 0.5 | | | | | | | | | | | | | | | | | | | |
0.5 | Eternity Has No Door of Escape | | | | | | 0.5 | | | | | | | | | | | | | | | | | |
0.5 | The Song of Ceylon | | | | | | 0.5 | | | | | | | | | | | | | | | | | |
0.5 | L'AMOUR! - Winter Grew Cold | | | | | | 0.5 | | | | | | | | | | | | | | | | | |
0.5 | No Light and No Land Anywhere | | | | | | | | 0.5 | | | | | | | | | | | | | | | |
0.5 | Best of Fest 1 - Earth Odyssey: Asaf Avidan | | | | | | | | 0.5 | | | | | | | | | | | | | | | |
0.5 | El Eternauta´s Wife | | | | | | | | | 0.5 | | | | | | | | | | | | | | |
0.5 | Chisholm '72: Unbought & Unbossed | | | | | | | | | 0.5 | | | | | | | | | | | | | | |
0.5 | The Road Movie | | | | | | | | | 0.5 | | | | | | | | | | | | | | |
0.5 | A Man Vanishes | | | | | | | | | 0.5 | | | | | | | | | | | | | | |
0.5 | Modern Life | | | | | | | | | 0.5 | | | | | | | | | | | | | | |
0.5 | Best of Fest 1 - Sedimented Here | | | | | | 0.3 | | 0.2 | | | | | | | | | | | | | | | |
0.3 | Disorder | 0.2 | | | 0.2 | | | | | | | | | | | | | | | | | | | |
0.3 | Last Summer Won't Happen | | | | 0.3 | | | | | | | | | | | | | | | | | | | |
0.3 | How to Steal a Country | | | | 0.3 | | | | | | | | | | | | | | | | | | | |
0.3 | Alice | | | | | | 0.3 | | | | | | | | | | | | | | | | | |
0.3 | Guardian | | | | | | 0.3 | | | | | | | | | | | | | | | | | |
0.3 | Markie in Milwaukee | | | | | | 0.3 | | | | | | | | | | | | | | | | | |
0.3 | The Storm Makers | | | | | | | | | 0.3 | | | | | | | | | | | | | | |
0.3 | Patrimonio | | | | 0.2 | 0.2 | | | | | | | | | | | | | | | | | | |
0.3 | Like Any Other Kid | | | | 0.2 | | | | | 0.2 | | | | | | | | | | | | | | |
0.3 | Down There | 0.3 | | | | | | | | | | | | | | | | | | | | | | |
0.3 | Maidentrip | | | | 0.3 | | | | | | | | | | | | | | | | | | | |
0.3 | Flamenco, Flamenco | | | | 0.3 | | | | | | | | | | | | | | | | | | | |
0.3 | Sad Song of Yellow Skin | | | | 0.3 | | | | | | | | | | | | | | | | | | | |
0.3 | Regina | | | | 0.3 | | | | | | | | | | | | | | | | | | | |
0.3 | Bluespace | | | | | 0.3 | | | | | | | | | | | | | | | | | | |
0.3 | Ricordi? | | | | | | 0.3 | | | | | | | | | | | | | | | | | |
0.3 | Capturing the Flag | | | | | | | | | 0.3 | | | | | | | | | | | | | | |
0.3 | We Are The Radical Monarchs | | | | | | | | | 0.3 | | | | | | | | | | | | | | |
0.2 | Mary & Myself | 0.2 | | | | | | | | | | | | | | | | | | | | | | |
0.2 | The East Wind State Farm | 0.2 | | | | | | | | | | | | | | | | | | | | | | |
0.2 | Love & Diane | | | | 0.2 | | | | | | | | | | | | | | | | | | | |
0.2 | Complicit | | | | 0.2 | | | | | | | | | | | | | | | | | | | |
0.2 | Stray Dog | | | | 0.2 | | | | | | | | | | | | | | | | | | | |
0.2 | Dreaming of a Tree House | | | | 0.2 | | | | | | | | | | | | | | | | | | | |
0.2 | The Chinese Lives of Uli Sigg | | | | 0.2 | | | | | | | | | | | | | | | | | | | |
0.2 | Mia Madre | | | | 0.2 | | | | | | | | | | | | | | | | | | | |
0.2 | Mozart's Sister | | | | 0.2 | | | | | | | | | | | | | | | | | | | |
0.2 | Seadrift | | | | 0.2 | | | | | | | | | | | | | | | | | | | |
0.2 | Denial | | | | | 0.2 | | | | | | | | | | | | | | | | | | |
0.2 | H2Omx | | | | | 0.2 | | | | | | | | | | | | | | | | | | |
0.2 | Weather The Storm | | | | | 0.2 | | | | | | | | | | | | | | | | | | |
0.2 | Torture Made in USA | | | | | 0.2 | | | | | | | | | | | | | | | | | | |
0.2 | Rough Aunties | | | | | 0.2 | | | | | | | | | | | | | | | | | | |
0.2 | Girl Model | | | | | 0.2 | | | | | | | | | | | | | | | | | | |
0.2 | Rodents of Unusual Size | | | | | 0.2 | | | | | | | | | | | | | | | | | | |
0.2 | Laberinto de Luz / Lightbyrinth | | | | | 0.2 | | | | | | | | | | | | | | | | | | |
0.2 | Trópico de Cancer / Tropic of Cancer | | | | | 0.2 | | | | | | | | | | | | | | | | | | |
0.2 | Until the Birds Return | | | | | | 0.2 | | | | | | | | | | | | | | | | | |
0.2 | Overload | | | | | | 0.2 | | | | | | | | | | | | | | | | | |
0.2 | No Home Movie | | | | | | 0.2 | | | | | | | | | | | | | | | | | |
0.2 | The Sixth Side of the Pentagon | | | | | | 0.2 | | | | | | | | | | | | | | | | | |
0.2 | What's the Economy for, Anyway? | | | | | | 0.2 | | | | | | | | | | | | | | | | | |
0.2 | Golub: Late Works Are the Catastrophes | | | | | | 0.2 | | | | | | | | | | | | | | | | | |
0.2 | In Motion: Amiri Baraka | | | | | | 0.2 | | | | | | | | | | | | | | | | | |
0.2 | Ballet Boys | | | | | | | | 0.2 | | | | | | | | | | | | | | | |
0.2 | Suspension | | | | | | | | 0.2 | | | | | | | | | | | | | | | |
0.2 | The Passionate Pursuits of Angela Bowen | | | | | | | | | 0.2 | | | | | | | | | | | | | | |
0.2 | Guy | | | | | | | | | 0.2 | | | | | | | | | | | | | | |
0.2 | This Is Our Land | | | | | | | | | 0.2 | | | | | | | | | | | | | | |
0.2 | Jaguar | | | | | | | | | 0.2 | | | | | | | | | | | | | | |
0.2 | Tattoo Uprising | | | | | | | | | 0.2 | | | | | | | | | | | | | | |
0.2 | War and Peace | | | | | | | | | 0.2 | | | | | | | | | | | | | | |
0.2 | If The Dancer Dances | | | | | | | | | 0.2 | | | | | | | | | | | | | | |
0.2 | Russian Ballet: The Nutcracker | | | | | | | | | 0.2 | | | | | | | | | | | | | | |
0.2 | Let Them Eat Dirt | | | | | | | | | 0.2 | | | | | | | | | | | | | | |
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