Minutes Watched | Title | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched |
| | | | | | | | | |
18831.2 | < Total Minutes (330 films) | | | | | | | | |
1212.3 | Lomax the Songhunter | 1.67 | 69.83 | | | 223.33 | 442.01 | 118.67 | 356.83 |
482.0 | A Grin Without a Cat | | | | | 0.5 | 186.34 | 39.17 | 255.99 |
454.3 | False Confessions | | | | 3.5 | 0.83 | 159.17 | | 290.84 |
420.7 | The Invisible Witness | | | | 0.67 | 0.67 | 9.17 | 14 | 396.17 |
411.2 | Marie Curie: The Courage of Knowledge | | 1.17 | | | | 100.17 | | 309.83 |
299.0 | Conviction | | | | 21.83 | | 116 | 34.17 | 127 |
287.2 | Jeannette: The Childhood of Joan of Arc | | 0.67 | 20.5 | 62.83 | 23 | 22.66 | 2.33 | 155.19 |
280.0 | Secundaria | | 92.5 | | | | 95.66 | | 91.83 |
269.3 | Fundi: The Story of Ella Baker | | | | 63.33 | 31.67 | 63.5 | | 110.83 |
269.0 | Ava | | | | | | | 59 | 210 |
263.8 | Tell No One | | | 127.17 | 136.67 | | | | |
239.0 | Papicha | | | | 9.5 | | 105.17 | | 124.33 |
236.9 | In the Last Days of the City | 0.17 | | 25.67 | 7.84 | 0.84 | 0.17 | | 202.17 |
232.8 | Bamako | | | | 1 | 0.17 | | | 231.66 |
223.0 | Abendland | | | | | | 87.17 | 4.33 | 131.5 |
209.7 | An Encounter with Simone Weil | | | | 83.66 | | 44.66 | | 81.33 |
194.5 | Dawson City: Frozen Time | | | | | | | | 194.52 |
193.3 | The Forgotten Space | | | | | 1.33 | 82.34 | | 109.67 |
192.8 | Hotel Terminus - Part II | | | | 145 | | | 47.83 | |
187.0 | The Vow from Hiroshima | | | | | | | | 187 |
183.8 | The Student and Mr Henri | | | | | | 88.5 | | 95.33 |
177.5 | Egg and Stone | | | | | | 101.17 | | 76.33 |
173.3 | The Cordillera of Dreams | | | 31.67 | | | 138.84 | 2.83 | |
169.2 | Sherman's March | | | | | 169.17 | | | |
167.5 | Finally Got the News | | | | 0.33 | 56.83 | 54.33 | | 56 |
164.7 | El Sicario, Room 164 | | | | | | | | 164.66 |
157.5 | Trouble Every Day | | | 61.17 | | | | | 96.33 |
148.7 | The Passionate Pursuits of Angela Bowen | | | | 74.5 | | | | 74.17 |
144.3 | Yiddish | | | 46.17 | 4.67 | | 60.67 | 32.5 | 0.33 |
142.0 | Hotel Terminus - Part I | | | | 104.99 | | | 37 | |
141.7 | Adam Smith, The Birth of the Free Market | | | 30.34 | | 31.83 | | 52 | 27.5 |
135.3 | Girls Always Happy | | | | 0.17 | | | | 135.17 |
130.2 | A Man Vanishes | | | | | | | 130.17 | |
129.2 | Extra Terrestres | | | | | | 129.16 | | |
128.3 | Softie | 69 | | | | | 58.5 | 0.83 | |
127.2 | Who Made You | | | | | | 127.17 | | |
125.8 | Last Cab to Darwin | | | | 119.34 | | | | 6.5 |
123.5 | Special Treatment | | | | 96 | | | | 27.5 |
123.5 | Los Sures | | | | | | 94.5 | | 29 |
120.8 | The Last Bolshevik | | | | | 30.83 | 89.99 | | |
114.8 | Black Is the Color: A History of African American Art | | | | 11.5 | | 51.34 | | 52 |
113.3 | Lumumba | | | | | 113.33 | | | |
112.5 | Next Time I'll Aim for the Heart | 112.33 | | | | 0.17 | | | |
111.7 | An Elephant Sitting Still | | | | | | 9.17 | | 102.5 |
111.7 | Just a Sigh | | | | 0.17 | | 102.33 | | 9.17 |
110.2 | Notes on Marie Menken | | | | | | 12.67 | 97.51 | |
109.7 | The Silence of Mark Rothko | | | | | | | 53.33 | 56.33 |
108.2 | By the Time It Gets Dark | | | | | | | 108.17 | |
108.2 | Ezra | | | | 3 | 0.5 | | | 104.67 |
107.0 | Marlina the Murderer in Four Acts | | | 15.17 | | | | | 91.84 |
103.5 | Egg Cream | | | 0.17 | 0.67 | | 52.5 | 7.17 | 43.01 |
103.5 | L'attesa | | | | | | | | 103.49 |
102.8 | The Search | | | | | | | | 102.84 |
100.3 | With André Gide | | | 100.33 | | | | | |
99.2 | Did You Wonder Who Fired the Gun? | | | 7.67 | | | | 91.5 | |
97.8 | Tokyo Fiancee | | | | | | | | 97.84 |
97.8 | Bronx Gothic | | | | | 0.84 | | | 97 |
96.7 | Flamenco, Flamenco | | | | | 96.67 | | | |
96.2 | Six in Paris (Paris vu par) | | | | | | 96.17 | | |
94.8 | Pilgrims and Tourists | | | | | | 33.5 | | 61.33 |
94.8 | Farmsteaders | | | | | | 52.33 | | 42.5 |
94.3 | After Love | | | | | | | | 94.33 |
94.2 | Mali Blues | | | | | | 94.17 | | |
94.0 | Return of the Hero | | | | 94 | | | | |
93.8 | Tahrir: Liberation Square | | | | | | 93.83 | | |
93.8 | Time Thieves | | | | | 0.33 | 56.5 | | 37 |
91.7 | As Good As You | | | | 1.84 | | | | 89.84 |
89.8 | Nostalgia for the Light | | | | 0.33 | | | | 89.5 |
89.7 | Santiago, Italia | | | | | | 6 | | 83.67 |
88.8 | A Dangerous Idea: Eugenics, Genetics and the American Dream | | | | | | 88.83 | | |
87.8 | The German Neighbor | | | | | | | | 87.83 |
87.0 | 10th Parallel | | | | | | 83.83 | | 3.17 |
86.3 | The Watermelon Woman | | | | | | | | 86.33 |
85.7 | Sol LeWitt | | | | | | | | 85.66 |
85.5 | Black is... Black Ain't | | | | 0.5 | | | | 85 |
84.8 | Fool's Mate (Le Coup du Berger) | | | | 26.5 | | | | 58.33 |
84.2 | Brave New West | | | | | | | | 84.17 |
83.8 | About Executing Eichmann | | | | | | | | 83.83 |
83.0 | Border South | | | | | | 83 | | |
82.7 | Eames: The Architect & The Painter | | | | | | | | 82.67 |
82.5 | Diplomacy | | | | 0.17 | | | | 82.33 |
81.3 | Let the Fire Burn | | | | | | | 81.33 | |
80.7 | Ida | | | 77.67 | | 0.67 | 2.33 | | |
79.5 | The Great Flood | | | | 0.83 | | 78.67 | | |
78.8 | The Marquis of Wavrin | | | | | | | | 78.83 |
78.7 | Alois Nebel | | | | | | | | 78.67 |
78.0 | Metal and Melancholy | | | | | | | 78 | |
78.0 | Ambulance | | | | | | | | 78 |
76.2 | Ta'ang | | | 76.17 | | | | | |
76.2 | Wendy and Lucy | | | | | | 76 | | 0.17 |
76.0 | Cheshire, Ohio | | | | | | | | 76 |
75.3 | Ainsi Meurent Les Anges (And So Angels Die) | | | | 2 | 0.17 | 8.83 | 59.17 | 5.17 |
75.2 | Goya: The Secret of the Shadows | | | | | | | | 75.17 |
75.2 | Capturing the Flag | | | | | | | | 75.16 |
73.2 | The Hermitage Dwellers | | | | | 1.83 | | | 71.33 |
73.0 | Route One/USA (part 2) | | | | | | | 55.16 | 17.83 |
70.0 | Damages | | | | | | | | 70 |
69.0 | Frantz Fanon: Black Skin White Mask | | | | | | | | 69 |
68.5 | A Tribute to Malcolm X | | | | 16.33 | 0.33 | 16.5 | | 35.33 |
67.3 | Housemaids | | | | | | | | 67.34 |
63.7 | Karl Polanyi, The Human Factor | | | 58.17 | | 5.5 | | | |
63.0 | The Autobiography of Nicolae Ceausescu | | | | | | 63 | | |
63.0 | Space Dogs | | | | | | 24.5 | 2 | 36.5 |
62.5 | Nokia Mobile | | | | | 62.5 | | | |
62.3 | Ricardo and Malthus: Did You Say Freedom? | | | | | 62.34 | | | |
62.2 | Come Hell or High Water | | | | | | 3.83 | | 58.33 |
60.7 | Profit and Loss | | | | | | | | 60.67 |
60.7 | No Gods, No Masters - Pt. II | | | | 52.33 | | | 8.33 | |
60.5 | The Activists | | | | | | | | 60.5 |
60.0 | Islands of Sanctuary | | | | | | | | 60 |
58.5 | Picasso and Sima, Antibes 1946 | | | | | | | | 58.5 |
57.7 | Fire and Ice | | | | | | | | 57.67 |
57.2 | Second Time Around | | | 57.17 | | | | | |
56.8 | Mondovino: Rome Was Not Built in a Day | | | | | 56.83 | | | |
56.7 | Remembrance of Things to Come | | | | | | | | 56.67 |
56.0 | Cul de Sac: A Suburban War Story | | | | | | | | 56 |
55.5 | Lonely Boy | | | | | | 28.84 | 26.67 | |
55.5 | Celling Your Soul | | | | | | 55.5 | | |
55.3 | Double Life, a Short History of Sex in the USSR | | | | | | 1.33 | | 54 |
54.3 | Keynes vs Hayek: A Fake Debate? | | | 2 | | 52.33 | | | |
54.0 | Minute Bodies: The Intimate World Of F. Percy Smith | | | | | 54 | | | |
53.8 | In the Intense Now | | | | | 24.66 | | 28.84 | 0.33 |
53.7 | Mama Colonel | | | | | 53.67 | | | |
53.3 | The Adventurers of Modern Art - Ep 2 | | | | | 0.34 | | | 53 |
53.2 | The Toxic Reigns of Resentment | | | | | | 53.17 | | |
52.7 | What If Marx Was Right? | | | | | 52.67 | | | |
52.5 | The Wealth of Nations: A New Gospel? | | | 52.5 | | | | | |
52.0 | No Gods, No Masters - Pt. I | | | | 52 | | | | |
51.8 | No Gods, No Masters - Pt. III | | | | 51.83 | | | | |
50.8 | Do Communists Have Better Sex? | | | | | | | | 50.83 |
49.7 | Public Enemy | 49.67 | | | | | | | |
49.0 | If A Tree Falls | | | 49 | | | | | |
48.5 | Born in Flames | | | | 48.5 | | | | |
48.2 | Parting Glances | | | | 47.67 | | | | 0.5 |
48.2 | Hotel Terminus - Part III | | | | 2.17 | | | 46 | |
47.8 | Stations of the Elevated | | | | | | | 47.83 | |
44.0 | Ladies and Gentlemen... Mr Leonard Cohen | | | | | 0.17 | | 43.83 | |
42.0 | Mimosas | | | | | | 5.33 | | 36.67 |
41.3 | Footnotes | | | | 41.33 | | | | |
41.0 | The Battle of Chile (Part 1) | | | 32 | | | | | 9 |
40.5 | 56 UP | | | | | | 40.5 | | |
40.2 | The Last Happy Day | | | | | 40.17 | | | |
38.7 | A Quiet Passion | | | | | | | | 38.67 |
37.2 | Revolution: New Art for a New World | | | | | | | | 37.17 |
36.8 | An Apollo Legend | | | | | | 18.33 | | 18.5 |
36.3 | Which Way Is East: Notebooks from Vietnam | | | | | 33.67 | 2.67 | | |
34.0 | The Owl's Legacy: Symposium, or Accepted Ideas | | | | | | | | 34 |
33.7 | In Motion: Amiri Baraka | | | | | | | | 33.66 |
32.8 | Route One/USA (part 1) | | | | | | 6.67 | | 26.17 |
32.5 | The Road Movie | | | | | | | 32.5 | |
30.8 | Ama | | | | | | | | 30.84 |
30.8 | The Owl's Legacy: Olympics, or Imaginary Greece | | | | | | | | 30.83 |
30.7 | The Way Things Go | | | | | | 30.67 | | |
30.0 | Kings Point | | | 29.33 | 0.17 | 0.5 | | | |
29.7 | 40,000 Years of Dreaming | | | | | | | | 29.67 |
29.5 | Escapes | | | | | | | | 29.5 |
29.2 | Frida Kahlo & Tina Modotti | | | | | | 29.17 | | |
29.2 | Americas in Transition | | | | | | | | 29.17 |
28.8 | The Punishment | | | | | | 28.83 | | |
28.0 | Mondovino: Magic Potion | | | | | 28 | | | |
27.8 | Conversations with Roy DeCarava | | | | | | | | 27.83 |
26.7 | Fate of a Salesman | | | | | | | | 26.67 |
26.7 | Camocim | | | 0.17 | | | | | 26.5 |
26.0 | Ricordi? | | | 20.17 | | | | | 5.84 |
25.8 | The Owl's Legacy: Music, or Inner Space | | | | | | | | 25.83 |
25.5 | Around India with a Movie Camera | | | | | | | 25.5 | |
25.2 | All the World's Memory | | | | | 2 | 1.67 | 21.34 | 0.17 |
25.0 | Van Gogh | | | | | | 2.17 | 19 | 3.83 |
24.7 | The Owl's Legacy: Democracy, or City of Dreams | | | | | | | | 24.67 |
23.2 | Multiracial Identity | | 23.17 | | | | | | |
22.8 | They Are We | | | | 0.17 | | | | 22.67 |
21.5 | Facing Fear | | | | | | 21.5 | | |
20.8 | Integration Report 1 | | | | | | | | 20.83 |
19.5 | White Sun | | | | | | 18.33 | 1.17 | |
19.2 | Kochuu | | | | | | | | 19.17 |
18.8 | The Invisible Frame | | | | | | | | 18.83 |
18.8 | Ethnic Notions | | | | | | | | 18.83 |
18.7 | Tharlo | | | | | | | | 18.67 |
17.8 | Gabo: The Creation of Gabriel Garcia Marquez | | | | | | 17.83 | | |
17.5 | The Owl's Legacy: Logomachy, or the Dialect of the Tribe | | | | | | | | 17.5 |
17.3 | Man in the Well | | | | | | 17.34 | | |
17.3 | Hopefuls | | | | | | 10.67 | | 6.67 |
17.3 | The Apology | | | | | | | | 17.33 |
17.2 | The Society of the Spectacle (French w/ Eng. subtitles) | | | | | | | 17.17 | |
17.2 | The Tree | | | | | | | | 17.16 |
17.2 | Ursula von Rydingsvard: Into Her Own | | | | | 1.83 | | | 15.33 |
16.5 | Walking On Water Wasn't Built in a Day | | | | | | | | 16.5 |
16.3 | Beyond Boobs | | | 4.83 | | | | | 11.5 |
15.8 | Power to Heal | | | | 15.83 | | | | |
15.0 | Towards Mathilde | | | | | | 8.83 | 6.17 | |
14.0 | Free Lunch Society | | | | | 14 | | | |
14.0 | Camille Claudel | | | | | 14 | | | |
13.5 | Althea | | | | 13.5 | | | | |
12.8 | Little By Little | | | | | 12.84 | | | |
12.5 | The Case of the Grinning Cat | | | | | | | | 12.5 |
12.3 | Happy People: A Year in the Taiga | | | | | | 12.33 | | |
12.0 | Alice | | | | | | | | 12 |
12.0 | Karmen Gei | | | | 0.33 | 9.83 | 1.67 | | 0.17 |
12.0 | The Nine Muses | | | | | | | 6.83 | 5.17 |
11.0 | Le Week-End | | | | 10.33 | | 0.67 | | |
10.8 | To Chris Marker, An Unsent Letter | | | | | | | | 10.83 |
10.7 | Early Works of Cheryl Dunye | | | | | | | | 10.66 |
10.0 | Affirmations | | | | | | | | 10 |
9.2 | Lamb | | | | 0.17 | 0.33 | 8.67 | | |
8.7 | The Names of Love | | | | | | 8.67 | | |
8.5 | Private Dicks: Men Exposed | | | | | | 8.5 | | |
8.3 | La Arrancada | | 5.5 | | 0.17 | | 2.67 | | |
8.2 | Threads | | | | | | 8.17 | | |
8.0 | Through A Lens Darkly | 8 | | | | | | | |
7.8 | Anthem | | | | | 7.83 | | | |
7.8 | Louise By the Shore | | | | | | | | 7.83 |
7.7 | Decasia | | | | | | | 7.67 | |
7.5 | Inside Out | | | | | | | | 7.5 |
7.3 | The Academy of Muses | | | | | | | | 7.33 |
7.3 | An Elephant Sitting Still Trailer | | | | | | 5 | | 2.33 |
7.2 | The Offended | | | | | | | | 7.17 |
7.2 | Outcry and Whisper | | | | | | 6.67 | | 0.5 |
6.8 | Dreams from the Outback | | | | | 0.17 | | | 6.67 |
6.8 | In the Steps of Trisha Brown | | | | | | 6.83 | | |
6.8 | African Air | | | | | | | | 6.83 |
6.8 | The Ister | | | | | | | | 6.83 |
6.7 | Milestones | | | | | 6.66 | | | |
6.7 | From The East | | | | | 0.33 | 6.33 | | |
6.5 | Beijing Besieged by Waste | | | | | | 6.5 | | |
6.5 | La Cuidad | | | | | | 6.5 | | |
6.3 | System Error | | | | | | | | 6.34 |
6.3 | Elsewhere Part I | | | | | | | | 6.33 |
6.0 | Thinking Existenz - Ep 01 - Eduardo Galeano | | | 6 | | | | | |
6.0 | The Poets | | | | | | | | 6 |
6.0 | Marina Abramovic in Brazil: The Space in Between | | | | | | 5.5 | | 0.5 |
6.0 | Tatsumi | | | | | | | 1.5 | 4.5 |
5.8 | Keepers of the Future | | | | | 5.83 | | | |
5.7 | A Bread Factory - Part 1 | | | | | | | | 5.67 |
5.5 | Chisholm '72: Unbought & Unbossed | | | | | | 5.5 | | |
5.3 | Non, Je Ne Regrette Rien | | | | | | | 5.33 | |
5.2 | Electric Signs | | | | | | | | 5.17 |
4.8 | The Two Faces of a Bamileke Woman | | | | | 0.33 | 4.33 | | 0.17 |
4.7 | I Am Here | | | | | | | | 4.67 |
4.5 | Carface (Autos Portraits) | | | | | | | 4.5 | |
4.5 | A New Color: The Art of Being Edythe Boone | | | | | | | | 4.5 |
4.3 | Guardian | | | | | | | | 4.33 |
4.3 | The Strange Little Cat | | | | | | | | 4.33 |
4.2 | Bitter Money | | | | | 0.67 | 3.17 | 0.33 | |
3.8 | Love and Solidarity | 3.83 | | | | | | | |
3.8 | Light is Calling | | | | | 3.83 | | | |
3.8 | The Mad Masters | | | | | | 3.83 | | |
3.5 | Buddy | | | | 3.5 | | | | |
3.5 | The Rock | | | | | | 3.5 | | |
3.5 | The Cordillera of Dreams Trailer | | | | | | | | 3.5 |
3.3 | Your Day is My Night | | | | | | | | 3.33 |
3.3 | Prismatic Ground Intro | | | | | 0.83 | 1 | 1 | 0.5 |
3.2 | In Search of Memory | | | | | 3.17 | | | |
3.2 | Cinema Novo | | | | | | 3.17 | | |
3.2 | The Point of Least Resistance | | | | | | 3.17 | | |
3.2 | Chris Marker's Bestiary: Cat Listening to Music | | | | | | 3.17 | | |
3.2 | How to Build an Igloo | | | | | | | | 3.16 |
3.0 | Moi, Un Noir | | | | | | 3 | | |
3.0 | Edith+Eddie | | | | | 0.17 | | | 2.83 |
2.7 | The Right Way | | | | | | 2.67 | | |
2.5 | The Clockmakers | | | | | | | | 2.5 |
2.5 | Blood Manifesto | | | | | | 2.33 | | 0.17 |
2.5 | 12 O'Clock Boys | | | | 2 | 0.33 | 0.17 | | |
2.3 | The Great Man | 2.33 | | | | | | | |
2.3 | Level Five | | | | | | | | 2.33 |
2.3 | Ice | | | | | 2 | | | 0.33 |
2.2 | Mondovino: Where's Astérix? | | | | | 2.17 | | | |
2.2 | Tony Manero | | | | | | 2.17 | | |
2.2 | The Campaign | | | | | | | | 2.17 |
2.0 | Fight Hate With Love | | | | 2 | | | | |
2.0 | Mademoiselle Paradis | | | | | | 2 | | |
1.8 | The Naked Screen | | | | | | | | 1.83 |
1.7 | The New Rijksmusuem | | | | | 1.67 | | | |
1.5 | A Spell to Ward Off the Darkness | | | | | | | | 1.5 |
1.5 | The Chinese Lives of Uli Sigg | | | | | | | | 1.5 |
1.3 | The Adventurers of Modern Art Clip | | | | | 0.17 | | 1.17 | |
1.2 | Profit and Nothing But! | | | | | | | | 1.17 |
1.0 | Do You Remember Vietnam? | | | | | | | | 1 |
1.0 | Carmen and Geoffrey | | | | 0.17 | | | | 0.83 |
0.8 | Forgotten World | | | | 0.33 | 0.17 | | | 0.33 |
0.8 | She's Lost Control | | | | | 0.83 | | | |
0.7 | Stray Dog | | | | | | 0.67 | | |
0.7 | Kate and Anna McGarrigle | | | | | | 0.67 | | |
0.7 | What's the Economy for, Anyway? | | | | | | | | 0.67 |
0.7 | '63 Boycott | | | | | | | | 0.67 |
0.7 | Xu Bing: Phoenix | | | | | | | | 0.67 |
0.5 | Number One Fan (Elle l'Adore) | | | | | 0.5 | | | |
0.5 | Chez Jolie Coiffure | | | | | 0.5 | | | |
0.5 | A Perfect Candidate | | | | | 0.5 | | | |
0.5 | Yo | | | | | 0.5 | | | |
0.5 | Flow: For Love of Water | | | | | | | | 0.5 |
0.3 | The Clearstream Affair | 0.33 | | | | | | | |
0.3 | National Diploma | | | | | 0.33 | | | |
0.3 | Party Girl | | | | | | | 0.33 | |
0.3 | La Soledad | | | | | | | | 0.33 |
0.3 | How to Lose Your Virginity | | | | | | | | 0.33 |
0.3 | Dead Souls - Part I | | | | | | | | 0.33 |
0.3 | Forever | | | | | | | | 0.33 |
0.3 | Sex, Lies and Tabloids! | | | | | | | | 0.33 |
0.3 | Butterflies and Bulldozers | | | | | | | | 0.33 |
0.3 | Le Joli Mai | | | | | | | | 0.33 |
0.3 | Bedevil | | | | | | | | 0.33 |
0.3 | The Internationale | | | | | | | | 0.33 |
0.2 | Quest | 0.17 | | | | | | | |
0.2 | The Great Game | | | | 0.17 | | | | |
0.2 | I, Anna | | | | 0.17 | | | | |
0.2 | Hissein Habre, A Chadian Tragedy | | | | 0.17 | | | | |
0.2 | Everything Must Fall | | | | | 0.17 | | | |
0.2 | I Am Somebody | | | | | 0.17 | | | |
0.2 | Rabbit a la Berlin | | | | | 0.17 | | | |
0.2 | Under the Sun | | | | | 0.17 | | | |
0.2 | Small Wonders | | | | | 0.17 | | | |
0.2 | Last Grave at Dimbaza | | | | | 0.17 | | | |
0.2 | Hamou-Beya, Sand Fishers | | | | | 0.17 | | | |
0.2 | For the Best and for the Onion! | | | | | 0.17 | | | |
0.2 | Thank You for the Rain | | | | | 0.17 | | | |
0.2 | The Mad Adventures of Rabbi Jacob | | | | | 0.17 | | | |
0.2 | Dream Girls | | | | | | | | 0.17 |
0.2 | Fengming, a Chinese Memoir | | | | | | | | 0.17 |
0.2 | We the Workers | | | | | | | | 0.17 |
0.2 | Winter Vacation | | | | | | | | 0.17 |
0.2 | How Putin Came to Power | | | | | | | | 0.17 |
0.2 | Chantal Akerman by Chantal Akerman | | | | | | | | 0.17 |
0.2 | Kuxa Kanema | | | | | | | | 0.17 |
0.2 | Mammy Water | | | | | | | | 0.17 |
0.2 | Campaign (Observational Film #1) | | | | | | | | 0.17 |
0.2 | Peace (Observational Film Extra) | | | | | | | | 0.17 |
0.2 | Inside Her Sex | | | | | | | | 0.17 |
0.2 | The Book of the Dead | | | | | | | | 0.17 |
0.2 | A Silent Transformation | | | | | | | | 0.17 |
0.2 | Spark | | | | | | | | 0.17 |
0.2 | Dedalus | | | | | | | | 0.17 |