Minutes Watched | Title | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched |
| | | | | | | | | |
17112.4 | < Total Minutes Watched (333 titles) | | | | | | | | |
775.3 | Conviction | | 14.3 | | 217.5 | 0.3 | 325.8 | | 217.3 |
714.3 | The Girl with a Bracelet | | | | 65.8 | 92.7 | 194.0 | 92.5 | 269.3 |
355.3 | Happy Hour | | | | | | 24.5 | | 330.8 |
344.8 | Just a Sigh | | | | | 57.0 | 79.8 | 1.0 | 207.0 |
306.7 | A Grin Without a Cat | | | | 64.5 | 3.8 | 27.5 | 0.7 | 210.2 |
271.5 | 'Til Madness Do Us Part | | | | | | 159.5 | | 112.0 |
267.2 | Who Made You | | | | | | | | 267.2 |
228.8 | The Cordillera of Dreams | | | | | 3.8 | 1.2 | | 223.8 |
228.3 | Welcome to Leith | | | | | | | 86.8 | 141.5 |
226.5 | White Sun | | | | 52.5 | 86.0 | 84.3 | | 3.7 |
225.5 | Fool's Mate (Le Coup de Berger) | | | | | 30.0 | 58.3 | | 137.2 |
221.7 | Adam Smith, The Birth of the Free Market | | | | | | 161.0 | 53.0 | 7.7 |
215.0 | Level Five | | | | | | 2.7 | | 212.3 |
213.0 | The Tree | | | | | | 181.7 | | 31.3 |
205.5 | The Battle of Chile (Part 1) | | | | | 4.8 | | 200.7 | |
197.8 | Karl Polanyi, The Human Factor | | | | | | 197.8 | | |
192.3 | Trouble Every Day | | | | | 4.5 | | | 187.8 |
186.7 | Le Week-End | | | | | | 93.8 | | 92.8 |
186.5 | The Autobiography of Nicolae Ceausescu | | | | | | | | 186.5 |
183.7 | Afternoon of a Faun | | | | | | 91.7 | 91.7 | 0.3 |
183.2 | Dead Souls - Part I | | | | | 0.3 | | | 182.8 |
181.5 | She's Lost Control | | | | | | 94.3 | 87.2 | |
179.8 | The Student and Mr Henri | | | | | 7.5 | 99.2 | | 73.2 |
178.7 | Return of the Hero | | | | | 92.7 | | | 86.0 |
173.0 | I, Anna | | | | | | 87.5 | 1.2 | 84.3 |
172.3 | With André Gide | | | | | | 91.8 | | 80.5 |
159.3 | Dead Souls - Part II | | | | | | | | 159.3 |
152.3 | Tell No One | | | | | 0.2 | 1.5 | 117.7 | 33.0 |
152.3 | Louise By the Shore | | | | | | 75.8 | 75.5 | 1.0 |
129.7 | From The East | | | | 12.2 | | 3.2 | | 114.3 |
129.5 | Ice | | | | 129.5 | | | | |
127.5 | Wuthering Heights | | | | | | | | 127.5 |
127.0 | The Rock | 0.3 | 0.2 | 4.2 | | | 83.8 | 38.5 | |
123.5 | The Society of the Spectacle (Eng. Commentary) | | | | | | 89.7 | | 33.8 |
122.7 | Mesrine: Public Enemy #1 | | | | | | | 122.7 | |
119.3 | The Last Bolshevik | | | | | | | | 119.3 |
117.3 | Monsieur & Madame Adelman | | | | | | 117.3 | | |
114.8 | Tokyo Fiancee | | | | | | 93.2 | | 21.7 |
112.5 | The Great Man | | | | 6.0 | | | | 106.5 |
112.3 | The Nightmare | | | | 2.3 | | 89.7 | | 20.3 |
110.8 | Polina | | | | | 0.2 | | 110.7 | |
110.7 | Time Indefinite | | | | | | | | 110.7 |
109.0 | I am from Chile | | | | | | 109.0 | | |
107.5 | The Invisible Frame | | | | | | 59.0 | | 48.5 |
107.2 | Keynes vs Hayek: A Fake Debate? | | | | 53.5 | | 53.7 | | |
105.5 | Eastern Boys | | | | | | | | 105.5 |
105.2 | Camille Claudel | | | | | | 23.0 | | 82.2 |
104.8 | No Gods, No Masters - Pt. I | | | | | 0.3 | 51.3 | | 53.2 |
104.5 | The New Rijksmusuem | | | | | | 104.5 | | |
104.3 | The Great Flood | | | 75.0 | | | | | 29.3 |
100.7 | The Clearstream Affair | | | | | | | | 100.7 |
98.5 | Homo Sapiens | | | | | | 98.5 | | |
97.7 | L'attesa | | | | | 0.3 | | | 97.3 |
97.7 | Dawson City: Frozen Time | | | | | | 45.2 | | 52.5 |
97.3 | Food Coop | | | | | | | | 97.3 |
94.3 | The Mad Adventures of Rabbi Jacob | | | | | | | | 94.3 |
93.0 | Let the Fire Burn | | | | | | | | 93.0 |
92.8 | The Watermelon Woman | | | 80.8 | | | 12.0 | | |
91.5 | Prairie Trilogy | | | | | | | | 91.5 |
90.2 | Sagrada: The Mystery of Creation | | | | | | 90.2 | | |
89.7 | The Poets | | | | | 0.2 | | | 89.5 |
88.8 | Housemaids | | | | | | 80.5 | | 8.3 |
88.7 | Dead Souls - Part III | | | | | | | | 88.7 |
88.7 | The Chinese Lives of Uli Sigg | | | | | | | | 88.7 |
88.0 | Travels in the Congo (Voyage au Congo) | | | | | | 88.0 | | |
86.2 | The Hitler Chronicles - Blueprint for Dictators - Part 2 | | | | 54.2 | | | | 32.0 |
84.8 | Chicago Boys | | | | | | 0.2 | | 84.7 |
84.7 | Photographic Memory | | | | | | | | 84.7 |
84.5 | Jinpa | | | | 5.2 | 79.3 | | | |
84.3 | The Assistant | | | | | | 84.3 | | |
84.3 | Gabo: The Creation of Gabriel Garcia Marquez | | | | | | | | 84.3 |
83.8 | My Friend from the Park | | | | | 0.3 | 83.5 | | |
83.2 | Human Capital | | | | | | 83.2 | | |
82.0 | Waiting for the Carnival | | | | | | 2.0 | | 80.0 |
81.2 | Alena | | | | | | 81.2 | | |
78.3 | Maidentrip | | | | | 0.3 | 78.0 | | |
78.3 | Donna Haraway: Story Telling for Earthly Survival | | | | | 0.5 | | | 77.8 |
76.5 | Guardian | | 76.5 | | | | | | |
76.2 | Come Undone | | | | | | | | 76.2 |
76.0 | The Observer | | | | | | | | 76.0 |
74.7 | Decasia | | | | | 1.8 | 65.8 | | 7.0 |
73.8 | H2Omx | | | | | | | | 73.8 |
73.2 | Capturing the Flag | | | | | | | | 73.2 |
72.8 | Nostalgia for the Light | | | | | 0.5 | 72.3 | | |
68.3 | The Marquis of Wavrin | | | | 53.7 | | 5.7 | | 9.0 |
68.0 | Spark of Being | | | | | 0.8 | | 67.2 | |
62.8 | Los Sures | | | | | | 7.0 | | 55.8 |
61.5 | What If Marx Was Right? | | | | 8.8 | | 52.7 | | |
60.0 | Last Summer Won't Happen | | | | | | | | 60.0 |
59.3 | Sad Song of Yellow Skin | | | | | | | | 59.3 |
59.0 | The Mad Masters | | | 29.2 | | | | | 29.8 |
58.2 | The Law | | | | | | 58.2 | | |
58.0 | Picasso and Sima, Antibes 1946 | | | | | | | | 58.0 |
57.7 | Codebreaker | | | | | | 2.3 | | 55.3 |
57.5 | Mondovino: Pax Panoramix | | | | 57.5 | | | | |
57.3 | Mondovino: Magic Potion | | | | 57.3 | | | | |
57.2 | Yo | | | | | | | | 57.2 |
57.0 | Ladies and Gentlemen... Mr Leonard Cohen | | | | | 0.2 | | | 56.8 |
56.8 | Mondovino: Rome Was Not Built in a Day | | | | 56.8 | | | | |
56.3 | Finally Got the News | | | | | | | | 56.3 |
55.5 | Congo: The Doctor Who Saves Women | | | | | | | | 55.5 |
55.5 | Mondovino: Et tu Brute… | | | | | | | | 55.5 |
55.5 | Seven Songs for Malcolm X | | | 52.5 | | | 3.0 | | |
55.3 | One Day in the Life of Andrei Arsenevich | | | | | | 55.3 | | |
55.3 | Propaganda: The Manufacture of Consent | | | | | | | | 55.3 |
54.8 | The Scientist, the Imposter and Stalin | | | | | | 54.8 | | |
54.2 | Argentina: Hope in Hard Times | | | | 54.2 | | | | |
54.2 | The Wealth of Nations: A New Gospel? | | | | | | 54.0 | | 0.2 |
53.7 | Ricardo and Malthus: Did You Say Freedom? | | | | | | 53.7 | | |
53.2 | About Executing Eichmann | | | | | | | | 53.2 |
53.2 | Route One/USA (part 1) | | | | 22.8 | | 30.3 | | |
52.8 | Tongues Untied | | | 52.8 | | | | | |
52.8 | Animal Machine | | | | | | 52.8 | | |
52.8 | The Hitler Chronicles - Blueprint for Dictators - Part 4 | | | | | | | | 52.8 |
52.7 | The Hitler Chronicles - Blueprint for Dictators - Part 1 | | | | 52.7 | | | | |
52.7 | Mondovino: Quo Vademus | | | | | 52.7 | | | |
51.8 | The Hitler Chronicles - Blueprint for Dictators - Part 3 | | | | | | | | 51.8 |
51.7 | Mondovino: Where's Astérix? | | | | 51.5 | | | | 0.2 |
51.0 | Mondovino: The Appian Way | | | | 0.2 | 50.8 | | | |
50.8 | The Owl's Legacy: Olympics, or Imaginary Greece | | | | 26.0 | | | | 24.8 |
50.8 | Little By Little | | | | | | | | 50.8 |
50.5 | Last Grave at Dimbaza | | | | | | | | 50.5 |
50.0 | And There Was Israel | | | | | | | | 50.0 |
50.0 | Mondovino: All Roads Lead to Rome | | | | 30.0 | 20.0 | | | |
49.3 | The Book of the Dead | | | | 21.7 | 27.7 | | | |
48.3 | Edward II | | | | 13.0 | | | | 35.3 |
47.5 | The Owl's Legacy: Democracy, or City of Dreams | | | | 21.3 | | | | 26.2 |
47.0 | Golub: Late Works Are the Catastrophes | | | | | | | 47.0 | |
47.0 | The Miners' Hymns | | | | | | | | 47.0 |
45.5 | Bamako | | | | | | 15.2 | | 30.3 |
43.5 | The Adventurers of Modern Art - Ep 1 | | | | | | 27.7 | 0.2 | 15.7 |
43.3 | Circuit Earth | | | | | | | | 43.3 |
42.0 | In Search of Memory | | | | | 0.2 | 41.5 | | 0.3 |
39.8 | Turksib | | | | | | | | 39.8 |
39.3 | Six in Paris (Paris vu par) | | | | 0.3 | | | 0.5 | 38.5 |
39.2 | Drifters | | | | | | | | 39.2 |
38.5 | We the Workers | | | 38.5 | | | | | |
38.0 | Non, Je Ne Regrette Rien | | | | | | | | 38.0 |
37.2 | To Tell the Truth: The Strategy of Truth | | | | | | | | 37.2 |
36.0 | Born in Flames | | | | | | | | 36.0 |
36.0 | The Owl's Legacy: Music, or Inner Space | | | | | | | | 36.0 |
35.3 | Egg and Stone | | 21.3 | | | 1.8 | | | 12.2 |
35.0 | Mondovino: Veni, Vidi, Vendidi | | | | 35.0 | | | | |
34.7 | Eternity Has No Door of Escape | | | | 33.2 | | 1.5 | | |
34.0 | Heimat is a Space in Time | | | | | | | | 34.0 |
33.5 | Six in Paris: The Mute | | | | | 33.5 | | | |
32.2 | Planetary | 32.2 | | | | | | | |
31.5 | The Tiniest Place | | | | 31.5 | | | | |
30.8 | Six in Paris: Montparnasse et Levallois | | | | | 30.8 | | | |
30.2 | Border South | 0.2 | | | | 0.5 | 24.5 | | 5.0 |
29.5 | Glenn Gould: On the Record | 0.2 | | | | | | | 29.3 |
29.3 | The Internationale | | | | 29.3 | | | | |
29.3 | Glenn Gould: Off the Record | | | | | | | | 29.3 |
28.7 | The Owl's Legacy: Philosophy, or the Triumph of the Owl | | | | | | | | 28.7 |
28.3 | The Point of Least Resistance | | | | | | | | 28.3 |
28.2 | Goya: The Secret of the Shadows | | | | | | 28.2 | | |
27.7 | Time Regained | | | | | | 27.7 | | |
27.7 | Old or New? | | | | | | | | 27.7 |
27.2 | Food or Fuel? | | | | | | | | 27.2 |
26.8 | 2 X 50 Years of French Cinema | | | | | | 26.8 | | |
26.8 | The Marquise of O | | | | 23.8 | | 1.0 | | 2.0 |
26.7 | The Owl's Legacy: Cosmogony, or the Ways of the World | | | | 1.3 | | | | 25.3 |
26.5 | The Owl's Legacy: Misogyny, or the Snares of Desire | | | | | | | | 26.5 |
26.2 | Once Was Water | | | | | 5.8 | 20.3 | | |
26.0 | Elsewhere Part I | | | | | 26.0 | | | |
25.7 | The Owl's Legacy: Nostalgia, or The Impossible Return | | | | | | | | 25.7 |
24.8 | The Owl's Legacy: Tragedy, or the Illusion of Death | | | | | | | | 24.8 |
24.7 | The Owl's Legacy: Amnesty, or History on the March | | | | | | | | 24.7 |
24.2 | The Owl's Legacy: Mythology, or Lies Like Truth | | | | | | | | 24.2 |
23.0 | Planeat | 23.0 | | | | | | | |
21.8 | Girls Always Happy | | | | | 0.2 | 21.7 | | |
21.3 | The Search | | | | | 5.7 | | | 15.7 |
21.3 | From What Is Before | | | | | | 21.0 | | 0.3 |
21.0 | How to Build an Igloo | | | | | 0.2 | 10.5 | | 10.3 |
19.7 | Through the Looking Glass | | | | | | | | 19.7 |
19.5 | The Underground Orchestra | | | | | | | | 19.5 |
19.3 | Mondovino: Crossing the Rubicon | | | | 19.3 | | | | |
18.8 | The Owl's Legacy: Symposium, or Accepted Ideas | | | | 10.0 | | | | 8.8 |
17.8 | Six in Paris: Gare du Nord | | | | | 17.8 | | | |
17.3 | Nice Colored Girls | | | | | | | | 17.3 |
16.7 | Bright Leaves | | | | 16.7 | | | | |
16.0 | '63 Boycott | | | | | | | | 16.0 |
15.8 | Six in Paris: Place de l'Étoile | | | | | 15.8 | | | |
15.5 | Bedevil | | 2.2 | | 13.3 | | | | |
15.2 | Anthem | | | | | | 7.2 | | 8.0 |
14.2 | Balakrishna | | | | | | 14.2 | | |
13.3 | Light is Calling | | | | 0.7 | | 12.7 | | |
13.0 | La Arrancada | | | | | | | | 13.0 |
12.8 | Tony Manero | | | | | | 12.8 | | |
12.5 | Torture Made in USA | | | | | | | | 12.5 |
12.3 | Oscar | | | | | | 12.3 | | |
12.3 | Far from Vietnam | | | | | | | | 12.3 |
12.0 | Backyard | | | | | | 12.0 | | |
11.8 | Flamenco, Flamenco | 11.8 | | | | | | | |
11.2 | Divine Fate | | | | | | | | 11.2 |
10.5 | Subconscious Password | | | | | | | | 10.5 |
10.3 | Coda | | | | | | | | 10.3 |
10.2 | A Bold Peace | | | | 10.2 | | | | |
10.2 | Hedgehog's Home | | | | | | 10.2 | | |
10.2 | Affirmations | | | | | | | | 10.2 |
9.7 | Confounding Father - Episode 1 | | | 9.7 | | | | | |
9.3 | Shyness | | | | | | | | 9.3 |
8.8 | The End of Pinky | | | | | | 8.3 | | 0.5 |
8.7 | Impromptu | | | | | | 8.7 | | |
8.0 | Oxhide II | | | | | | | | 8.0 |
7.5 | Wendy and Lucy | | | | | | | 7.5 | |
7.5 | A Man Vanishes | | | | | | | | 7.5 |
7.5 | African Air | | | | | | | | 7.5 |
7.0 | In Her Name | | | | 0.2 | | | | 6.8 |
6.7 | Class of Struggle | | | | | | | | 6.7 |
6.5 | Creepy | | | | | | 6.3 | | 0.2 |
6.3 | Argentina: Turning Around | | | | 6.3 | | | | |
6.0 | Alois Nebel | | | | | | | 6.0 | |
5.8 | The Sixth Side of the Pentagon | | | | | | | | 5.8 |
5.5 | Farmsteaders | | | | | | | | 5.5 |
5.5 | A Bread Factory - Part 1 | | | | | | | | 5.5 |
5.5 | The Great Malaise | | | | | 5.0 | 0.5 | | |
5.3 | Seeing is Believing | | | | | | | 5.3 | |
5.3 | Boris Without Beatrice | | | | | | | | 5.3 |
5.2 | Sol LeWitt | | | | | | 5.2 | | |
4.8 | Starfish Aorta Colossus | | | | | | | 4.8 | |
4.8 | Stations of the Elevated | | | | | | 4.5 | | 0.3 |
4.7 | Drux Flux | | | | | | | | 4.7 |
4.5 | Nadine | | | | | | | | 4.5 |
4.2 | The Widowed Witch | | | | | | 4.2 | | |
4.0 | The Destruction of Memory | | | | | | 4.0 | | |
4.0 | La Cuidad | | | | | | | 4.0 | |
4.0 | The Clockmakers | | | | | | | | 4.0 |
4.0 | The Human Pyramid | | | | | | | | 4.0 |
3.8 | The Academy of Muses | | | | | | 3.7 | | 0.2 |
3.7 | Beyond Zero: 1914-1918 | | | | 1.8 | 1.8 | | | |
3.3 | Blood Manifesto | | | | 3.3 | | | | |
3.3 | The Country Doctor | | | | | | 3.3 | | |
3.2 | Olivia | | | | | | 3.2 | | |
3.2 | A Quiet Passion | | | | | | 3.2 | | |
3.0 | Pripyat | | | | | | 3.0 | | |
2.8 | Demons | | | | | | 2.8 | | |
2.8 | Mental (Observational Film #2) | | | | | | 2.8 | | |
2.8 | Chris Marker's Bestiary: Cat Listening to Music | | | | | | | | 2.8 |
2.8 | The Names of Love | | | | | 0.3 | 2.5 | | |
2.7 | One Day Pina Asked... | | | 2.7 | | | | | |
2.7 | Tharlo | | | | | | | | 2.7 |
2.7 | The Embassy | | | | | | | | 2.7 |
2.7 | Girl Model | | | | | 2.7 | | | |
2.5 | Ada For Mayor | | | 2.5 | | | | | |
2.2 | Viva Riva | 2.2 | | | | | | | |
2.0 | Time Thieves | 2.0 | | | | | | | |
2.0 | Be Seeing You | | | | | | | | 2.0 |
2.0 | Cinema Novo | | | | | | | | 2.0 |
2.0 | Tattoo Uprising | | | | | | | | 2.0 |
1.8 | The Adventurers of Modern Art Clip | | | | | | 1.2 | | 0.7 |
1.8 | The Cordillera of Dreams Trailer | | | | | | | | 1.8 |
1.5 | The City of the Future | | | | | | 1.5 | | |
1.3 | Marx Reloaded | | | | 1.3 | | | | |
1.3 | An Encounter with Simone Weil | | | | | | 1.3 | | |
1.3 | The Battle of Chile (Part 2) | | | | | | | 1.3 | |
1.3 | Campaign 2 (Observational Film #5) | | | | | | | | 1.3 |
1.3 | The Owl's Legacy Trailer | | | | | | | | 1.3 |
1.2 | Frantz Fanon: Black Skin White Mask | | | | 1.2 | | | | |
1.2 | Jacqueline Audry Interview | | | | 1.2 | | | | |
1.2 | The Film of Her | | | | | | 1.2 | | |
1.2 | Mysteries of Lisbon | | | | | | | | 1.2 |
1.2 | Chris Marker's Bestiary: Zoo Piece | | | | | | | | 1.2 |
1.2 | A Bread Factory Trailer | | | | | | | | 1.2 |
1.2 | Ursula von Rydingsvard: Into Her Own Trailer | | | | | 0.2 | | | 1.0 |
1.0 | Re-Awakenings | | | | | | | | 1.0 |
1.0 | Chris Marker's Bestiary: Slon Tango | | | | | | | | 1.0 |
1.0 | Prismatic Ground Intro | | | | | | | | 1.0 |
0.8 | Secundaria | | | | 0.7 | 0.2 | | | |
0.8 | Ava | | | | | 0.8 | | | |
0.8 | Black Sun | | | | 0.8 | | | | |
0.8 | Just Ancient Loops | | | | | 0.8 | | | |
0.7 | Abendland | | | | | | 0.7 | | |
0.7 | Moi, Un Noir | | | | | | | | 0.7 |
0.7 | A Good Man | | | | | 0.3 | | | 0.3 |
0.5 | The Paranoids | | | | 0.5 | | | | |
0.5 | Forever | | | | 0.5 | | | | |
0.5 | Le Joli Mai | | | | 0.5 | | | | |
0.5 | Kate and Anna McGarrigle | | | | 0.5 | | | | |
0.5 | Tatsumi | | | | | 0.5 | | | |
0.5 | Ida | | | | | 0.5 | | | |
0.5 | King of the Hill | | | | | 0.5 | | | |
0.5 | Great Expectations | | | | | | 0.5 | | |
0.5 | Lumumba | | | | | | | 0.5 | |
0.5 | From The Other Side | | | | | | | | 0.5 |
0.5 | Frida Kahlo & Tina Modotti | | | | | | | | 0.5 |
0.5 | Chris Marker's Bestiary: An Owl is an Owl is an Owl | | | | | | | | 0.5 |
0.5 | The Toxic Reigns of Resentment | | | | | | | | 0.5 |
0.5 | Dedalus | | | | | | | | 0.5 |
0.5 | Around India with a Movie Camera | | | | | 0.2 | | | 0.3 |
0.3 | Blind | | | | | 0.3 | | | |
0.3 | The Last Angel of History | 0.3 | | | | | | | |
0.3 | A Film Unfinished | | | | 0.3 | | | | |
0.3 | Dam/Age | | | | 0.3 | | | | |
0.3 | Escapes | | | | | 0.3 | | | |
0.3 | City of Gold | | | | | 0.3 | | | |
0.3 | El Incendio | | | | | 0.3 | | | |
0.3 | Investigation of a Flame | | | | | | | | 0.3 |
0.3 | Mystery of the Secret Room | | | | | | | | 0.3 |
0.3 | 90° South | | | | | | | | 0.3 |
0.2 | Next Time I'll Aim for the Heart | 0.2 | | | | | | | |
0.2 | Disturbing the Peace | 0.2 | | | | | | | |
0.2 | Integration Report 1 | 0.2 | | | | | | | |
0.2 | Waiting for Fidel | 0.2 | | | | | | | |
0.2 | Stefan Zweig | | | | 0.2 | | | | |
0.2 | No Home Movie | | | | 0.2 | | | | |
0.2 | Madam Phung's Last Journey | | | | 0.2 | | | | |
0.2 | How to Eat Your Watermelon in White Company (And Enjoy It!) | | | | 0.2 | | | | |
0.2 | Light Years | | | | 0.2 | | | | |
0.2 | Miss Hill: Making Dance Matter | | | | | 0.2 | | | |
0.2 | Man in the Well | | | | | 0.2 | | | |
0.2 | Codigo Color, Memorias | | | | | 0.2 | | | |
0.2 | No Gods, No Masters - Pt. III | | | | | 0.2 | | | |
0.2 | The Exquisite Short Films of Kihachiro Kawamoto | | | | | 0.2 | | | |
0.2 | Peace (Observational Film Extra) | | | | | 0.2 | | | |
0.2 | One Bright Shining Moment | | | | | 0.2 | | | |
0.2 | Edward Said: The Last Interview | | | | | 0.2 | | | |
0.2 | Lonely Boy | | | | | 0.2 | | | |
0.2 | Six in Paris: Saint Germain des Prés | | | | | 0.2 | | | |
0.2 | Day One | | | | | 0.2 | | | |
0.2 | Full Moon in Paris | | | | | | | 0.2 | |
0.2 | Alice | | | | | | | 0.2 | |
0.2 | Happy People: A Year in the Taiga | | | | | | | 0.2 | |
0.2 | The Stopover | | | | | | | | 0.2 |
0.2 | The Apology | | | | | | | | 0.2 |
0.2 | Miners Shot Down | | | | | | | | 0.2 |
0.2 | Red Persimmons | | | | | | | | 0.2 |
0.2 | System Error | | | | | | | | 0.2 |
0.2 | Late Summer | | | | | | | | 0.2 |
0.2 | Circle of Poison | | | | | | | | 0.2 |
0.2 | Black is... Black Ain't | | | | | | | | 0.2 |
0.2 | Ama | | | | | | | | 0.2 |
0.2 | The Society of the Spectacle (French w/ Eng. subtitles) | | | | | | | | 0.2 |