| Minutes Watched | Title | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | Minutes Watched | 
	|  |  |  |  |  |  |  |  |  |  | 
	| 20861 | < Total Minutes Watched |  |  |  |  |  |  |  |  | 
	| 975.0 | Bamako |  | 0.7 |  |  |  | 239.5 |  | 734.9 | 
	| 593.3 | The Cordillera of Dreams |  | 84.8 |  |  |  | 84.3 | 170.3 | 253.8 | 
	| 492.8 | Six in Paris (Paris vu par) |  | 11.3 |  | 0.8 | 96.5 | 241.0 | 55.7 | 87.5 | 
	| 473.0 | Dawson City: Frozen Time |  |  |  |  |  | 195.2 |  | 277.8 | 
	| 378.3 | From What Is Before |  |  | 0.7 |  |  | 354.0 | 20.8 | 2.8 | 
	| 335.7 | Tokyo Fiancee |  |  |  | 73.8 | 46.5 | 25.5 |  | 189.8 | 
	| 327.2 | Travels in the Congo (Voyage au Congo) |  |  |  | 53.5 |  | 157.5 |  | 116.2 | 
	| 305.7 | Housemaids |  |  |  | 0.3 | 75.7 | 77.0 |  | 152.7 | 
	| 292.5 | With Andre Gide |  |  |  | 0.3 | 46.7 | 145.5 |  | 100.0 | 
	| 283.7 | Bamako |  |  |  |  |  |  |  | 283.7 | 
	| 282.8 | La Arrancada |  | 62.7 |  |  | 65.0 | 74.8 | 4.3 | 76.0 | 
	| 279.7 | Mimosas |  |  |  |  | 0.5 | 50.2 | 110.2 | 118.8 | 
	| 262.0 | Route One/USA (part 2) |  |  |  |  |  | 262.0 |  |  | 
	| 252.8 | Route One/USA (part 1) |  |  |  |  |  | 252.8 |  |  | 
	| 244.5 | In the Light of Reverence |  |  |  |  | 112.8 |  |  | 131.7 | 
	| 228.0 | Razzia |  | 113.7 |  |  |  |  |  | 114.3 | 
	| 219.8 | Dedalus |  |  |  |  | 38.3 | 17.2 |  | 164.3 | 
	| 209.2 | Edward Said: The Last Interview |  |  |  | 1.3 |  | 46.8 |  | 161.0 | 
	| 202.8 | The Marquis of Wavrin |  |  |  | 0.2 | 86.7 | 33.0 |  | 83.0 | 
	| 201.8 | El Incendio |  |  |  |  | 0.2 | 110.7 |  | 91.0 | 
	| 198.8 | The Marquise of O |  |  |  |  |  | 14.3 |  | 184.5 | 
	| 194.5 | Olivia |  |  |  |  |  | 92.0 |  | 102.5 | 
	| 193.2 | Camille Claudel |  |  | 181.7 |  | 0.2 | 11.3 |  |  | 
	| 184.2 | From The East |  |  |  |  |  |  |  | 184.2 | 
	| 172.8 | Los Sures |  |  |  |  |  | 115.5 |  | 57.3 | 
	| 170.8 | F11 and Be There |  |  |  |  |  |  |  | 170.8 | 
	| 162.5 | Double Life, a Short History of Sex in the USSR |  |  |  |  | 19.0 | 94.3 |  | 49.2 | 
	| 154.0 | The Pearl Button |  |  |  |  |  | 82.2 |  | 71.8 | 
	| 153.8 | Three Sisters |  |  |  |  |  |  |  | 153.8 | 
	| 152.2 | Frantz Fanon: Black Skin White Mask |  |  |  |  |  | 105.3 |  | 46.8 | 
	| 147.3 | Tell No One |  |  | 17.7 | 1.7 | 0.2 |  |  | 127.8 | 
	| 145.5 | Ta'ang |  |  |  |  |  |  |  | 145.5 | 
	| 145.5 | The Chef's Wife |  |  |  | 88.2 |  |  |  | 57.3 | 
	| 144.8 | Bidder 70 |  |  |  |  |  |  | 72.8 | 72.0 | 
	| 142.8 | A Man Vanishes |  |  |  |  |  |  |  | 142.8 | 
	| 138.5 | Donna Haraway: Story Telling for Earthly Survival |  |  |  |  |  | 81.3 |  | 57.2 | 
	| 133.5 | Lumumba |  |  |  | 11.7 | 0.2 | 121.7 |  |  | 
	| 132.0 | The Law |  |  |  |  |  |  |  | 132.0 | 
	| 131.5 | The New Rijksmusuem |  |  |  |  |  | 131.5 |  |  | 
	| 131.3 | One Bright Shining Moment | 131.3 |  |  |  |  |  |  |  | 
	| 130.7 | Down by Love |  |  |  |  | 122.0 | 8.3 |  | 0.3 | 
	| 128.2 | Ice |  |  |  |  |  | 0.2 | 128.0 |  | 
	| 127.8 | Creepy |  |  |  | 127.8 |  |  |  |  | 
	| 126.3 | Hopefuls |  |  |  |  |  | 117.8 | 0.2 | 8.3 | 
	| 122.5 | Waiting for Fidel | 65.2 |  |  |  |  |  |  | 57.3 | 
	| 121.7 | Trouble Every Day |  |  |  |  | 1.2 | 119.2 |  | 1.3 | 
	| 117.3 | Spark |  |  |  |  |  | 115.2 |  | 2.2 | 
	| 117.0 | Girls Always Happy |  |  |  |  |  | 117.0 |  |  | 
	| 117.0 | The Last Bolshevik |  |  |  |  |  |  |  | 117.0 | 
	| 116.5 | Beyond Boobs |  |  |  | 0.3 | 14.0 | 15.3 |  | 86.8 | 
	| 116.0 | Far from Vietnam |  |  |  | 116.0 |  |  |  |  | 
	| 116.0 | Full Moon in Paris |  |  |  |  |  | 11.2 |  | 104.8 | 
	| 115.0 | Dream Deceivers |  |  |  |  |  |  | 115.0 |  | 
	| 113.2 | The Wealth of Nations: A New Gospel? |  |  |  | 53.5 |  |  |  | 59.7 | 
	| 111.7 | Just a Sigh |  |  | 1.7 |  | 109.5 | 0.5 |  |  | 
	| 110.2 | Propaganda: The Manufacture of Consent |  | 53.0 |  |  |  | 57.2 |  |  | 
	| 109.8 | Time Thieves |  |  |  |  | 25.5 | 84.3 |  |  | 
	| 108.3 | If A Tree Falls | 22.5 |  |  |  |  | 85.8 |  |  | 
	| 106.7 | Hotel Terminus - Part II |  |  |  |  | 106.7 |  |  |  | 
	| 106.5 | The Invisible Frame |  |  |  | 0.2 |  | 104.2 |  | 2.2 | 
	| 106.0 | Do Communists Have Better Sex? |  |  |  |  |  | 106.0 |  |  | 
	| 104.2 | Lonely Boy | 32.5 |  |  |  | 6.0 | 29.7 | 10.2 | 25.8 | 
	| 103.3 | American Socialist: Eugene Debs |  |  |  |  |  |  |  | 103.3 | 
	| 103.2 | Terribly Happy |  |  |  |  |  | 103.2 |  |  | 
	| 101.5 | The Student and Mr Henri |  |  |  |  | 4.3 | 97.2 |  |  | 
	| 99.3 | The Adventurers of Modern Art - Ep 3 |  |  |  |  |  |  |  | 99.3 | 
	| 99.0 | Hippocrates: Diary of a French Doctor |  |  |  |  |  |  |  | 99.0 | 
	| 98.3 | The Clearstream Affair |  |  |  |  |  |  |  | 98.3 | 
	| 95.7 | The Battle of Chile (Part 1) |  |  |  |  |  |  |  | 95.7 | 
	| 95.3 | The Adventurers of Modern Art - Ep 2 |  |  |  |  |  |  |  | 95.3 | 
	| 94.0 | The Watermelon Woman | 23.5 |  |  |  | 70.5 |  |  |  | 
	| 92.3 | Stations of the Elevated |  |  | 44.7 | 0.3 | 2.0 |  |  | 45.3 | 
	| 91.7 | Before Stonewall: Restored Edition |  |  | 91.7 |  |  |  |  |  | 
	| 91.5 | Abendland |  |  |  |  |  |  |  | 91.5 | 
	| 91.2 | The Society of the Spectacle |  |  |  |  |  | 91.2 |  |  | 
	| 90.8 | Araby |  |  |  |  |  |  |  | 90.8 | 
	| 90.5 | Did You Wonder Who Fired the Gun? |  |  |  |  |  | 0.2 | 90.3 |  | 
	| 90.2 | The Corporate Coup d'État |  | 90.2 |  |  |  |  |  |  | 
	| 90.2 | Churchill's Island |  |  | 21.3 |  | 0.7 | 47.0 |  | 21.2 | 
	| 89.0 | Gabo: The Creation of Gabriel Garcia Marquez |  |  |  |  |  |  |  | 89.0 | 
	| 87.7 | Black is... Black Ain't |  |  |  |  |  |  |  | 87.7 | 
	| 87.2 | A Bold Peace |  |  |  | 87.2 |  |  |  |  | 
	| 86.5 | Dark Days |  |  | 44.0 |  | 37.7 | 4.8 |  |  | 
	| 86.2 | Border South | 84.3 |  |  |  | 0.5 | 1.3 |  |  | 
	| 85.0 | Chicago Boys |  | 85.0 |  |  |  |  |  |  | 
	| 84.5 | Camocim |  |  |  |  | 76.3 |  |  | 8.2 | 
	| 84.2 | Time Regained |  |  |  |  |  |  |  | 84.2 | 
	| 81.8 | The Iron Ministry |  |  |  |  |  |  |  | 81.8 | 
	| 81.8 | The Naked Screen |  |  |  | 0.7 |  |  |  | 81.2 | 
	| 80.9 | Yo | 0.2 |  |  |  | 0.8 | 0.2 |  | 79.7 | 
	| 77.5 | Guardian |  |  |  |  | 77.5 |  |  |  | 
	| 77.2 | Day One |  |  |  |  |  |  |  | 77.2 | 
	| 77.0 | Carmen and Geoffrey |  |  |  |  |  | 77.0 |  |  | 
	| 77.0 | The Autobiography of Nicolae Ceausescu |  |  |  |  |  | 77.0 |  |  | 
	| 76.5 | How to Lose Your Virginity |  |  |  |  | 3.0 | 8.7 | 64.8 |  | 
	| 73.0 | Around India with a Movie Camera |  |  |  |  |  | 73.0 |  |  | 
	| 72.0 | Bestiaire |  |  |  |  |  | 72.0 |  |  | 
	| 71.8 | Light Years |  |  |  |  |  | 71.8 |  |  | 
	| 71.0 | What If Marx Was Right? |  |  |  |  |  | 39.7 |  | 31.3 | 
	| 70.0 | The Punishment |  |  |  |  |  | 43.8 |  | 26.2 | 
	| 69.7 | Human Terrain |  |  |  |  | 69.7 |  |  |  | 
	| 68.8 | 90° South |  |  |  |  |  | 68.8 |  |  | 
	| 68.3 | Inside Her Sex |  |  |  |  |  |  |  | 68.3 | 
	| 67.8 | 40,000 Years of Dreaming |  |  |  |  |  | 67.8 |  |  | 
	| 67.0 | Live Nude Girls Unite |  |  |  |  | 0.2 |  |  | 66.8 | 
	| 66.7 | One Day Pina Asked... |  |  |  |  |  | 66.7 |  |  | 
	| 64.7 | Angels Wear White |  |  | 63.8 |  |  |  |  | 0.8 | 
	| 64.5 | On Beauty |  |  |  | 29.3 | 5.2 | 30.0 |  |  | 
	| 63.5 | Decasia |  |  |  |  |  | 63.5 |  |  | 
	| 62.7 | I, Anna |  |  |  |  |  | 62.7 |  |  | 
	| 62.5 | Tongues Untied |  |  |  |  |  |  |  | 62.5 | 
	| 62.3 | Private Dicks: Men Exposed |  |  |  |  |  | 6.7 |  | 55.7 | 
	| 62.3 | How to Build an Igloo |  |  |  |  | 20.7 | 31.5 |  | 10.2 | 
	| 62.0 | El Sicario, Room 164 |  |  |  |  |  |  | 62.0 |  | 
	| 60.8 | The Seasons in Quincy: Four Portraits of John Berger | 0.3 |  |  |  |  |  |  | 60.5 | 
	| 60.7 | Adam Smith, The Birth of the Free Market |  |  |  | 55.7 | 5.0 |  |  |  | 
	| 60.0 | 'Til Madness Do Us Part |  |  |  |  |  | 9.2 |  | 50.8 | 
	| 59.7 | Sherman's March |  |  |  |  |  | 59.7 |  |  | 
	| 59.3 | Hotel Terminus - Part I |  |  |  |  | 26.8 | 32.3 |  | 0.2 | 
	| 58.7 | Ursula von Rydingsvard: Into Her Own |  |  |  |  |  | 58.7 |  |  | 
	| 58.3 | Kate and Anna McGarrigle |  | 28.0 |  |  | 0.2 | 28.7 | 1.5 |  | 
	| 58.2 | The Nine Muses |  |  |  |  |  |  |  | 58.2 | 
	| 58.0 | Keynes vs Hayek: A Fake Debate? |  |  |  |  |  | 58.0 |  |  | 
	| 57.7 | Congo: The Doctor Who Saves Women |  |  |  |  | 57.7 |  |  |  | 
	| 57.7 | Ladies and Gentlemen... Mr Leonard Cohen |  | 44.2 |  |  | 4.3 | 5.5 |  | 3.7 | 
	| 56.7 | The Human Pyramid |  |  |  |  | 48.8 |  |  | 7.8 | 
	| 56.0 | Forgotten World |  | 2.8 |  |  |  |  |  | 53.2 | 
	| 55.5 | Karl Polanyi, The Human Factor |  |  |  |  |  | 55.5 |  |  | 
	| 55.5 | SPK Complex |  |  |  |  |  |  |  | 55.5 | 
	| 54.7 | The Lost Village |  |  | 10.3 |  | 44.3 |  |  |  | 
	| 54.5 | One Day in the Life of Andrei Arsenevich |  |  |  |  |  | 54.5 |  |  | 
	| 54.5 | In Search of Memory |  |  |  |  | 2.7 | 51.8 |  |  | 
	| 54.3 | Sacred Water |  | 54.3 |  |  |  |  |  |  | 
	| 54.0 | Lost Rivers |  |  |  |  |  | 54.0 |  |  | 
	| 53.7 | Last Grave at Dimbaza |  |  |  |  | 53.7 |  |  |  | 
	| 53.3 | Trinkets and Beads |  | 53.3 |  |  |  |  |  |  | 
	| 52.2 | The Hitler Chronicles - Blueprint for Dictators - Part 3 |  |  |  |  |  | 52.2 |  |  | 
	| 52.2 | Abstract Cinema |  |  |  |  |  | 51.8 |  | 0.3 | 
	| 51.5 | The Adventurers of Modern Art - Ep 6 |  |  |  |  |  |  |  | 51.5 | 
	| 51.3 | Food Design |  |  |  |  |  | 51.3 |  |  | 
	| 50.8 | The Adventurers of Modern Art - Ep 4 |  |  |  |  |  |  |  | 50.8 | 
	| 50.7 | The Adventurers of Modern Art - Ep 5 |  |  |  |  |  |  |  | 50.7 | 
	| 50.7 | The Owl's Legacy: Music, or Inner Space |  |  |  |  |  | 25.8 |  | 24.8 | 
	| 50.7 | The Owl's Legacy: Logomachy, or the Dialect of the Tribe |  |  |  |  |  | 25.5 |  | 25.2 | 
	| 50.3 | The Sixth Side of the Pentagon |  |  |  |  |  | 25.5 |  | 24.8 | 
	| 48.7 | The Miners' Hymns |  |  |  |  |  |  |  | 48.7 | 
	| 48.3 | The Apology |  |  |  |  |  |  |  | 48.3 | 
	| 47.8 | 30 Second Democracy |  |  |  |  |  | 47.8 |  |  | 
	| 47.8 | The Hitler Chronicles - Blueprint for Dictators - Part 2 |  |  |  |  |  | 47.8 |  |  | 
	| 46.7 | Anais Goes to War |  |  |  |  | 46.7 |  |  |  | 
	| 45.7 | Keepers of the Future |  | 23.5 |  |  |  | 22.2 |  |  | 
	| 44.8 | Long Story Short |  |  |  |  |  |  |  | 44.8 | 
	| 44.7 | Female Directors |  |  |  | 1.7 |  | 43.0 |  |  | 
	| 44.3 | Rabbit a la Berlin |  |  |  |  |  | 40.0 |  | 4.3 | 
	| 44.2 | The Cost of Living |  |  |  |  | 0.2 |  |  | 44.0 | 
	| 43.8 | Man for a Day |  |  |  | 43.8 |  |  |  |  | 
	| 42.7 | Hotel Terminus - Part III |  |  |  |  | 42.7 |  |  |  | 
	| 42.0 | Sociology is a Martial Art |  |  |  |  |  | 42.0 |  |  | 
	| 39.7 | After the Spill | 39.7 |  |  |  |  |  |  |  | 
	| 37.2 | Art and Oligarchs |  |  |  |  |  |  |  | 37.2 | 
	| 37.0 | No Gods, No Masters - Pt. II |  |  |  |  | 37.0 |  |  |  | 
	| 37.0 | Argentina: Turning Around |  |  |  |  |  |  |  | 37.0 | 
	| 36.0 | Happy People: A Year in the Taiga |  |  |  | 8.0 |  | 22.0 |  | 6.0 | 
	| 36.0 | Who's Next? |  |  |  | 36.0 |  |  |  |  | 
	| 35.0 | Blind |  |  | 1.3 |  | 1.3 | 32.3 |  |  | 
	| 34.3 | Salvador Allende |  |  |  |  | 0.3 |  |  | 34.0 | 
	| 34.0 | Jay Myself |  |  |  |  |  | 34.0 |  |  | 
	| 33.0 | Feed: A Comedy About Running for President |  |  | 2.7 |  |  | 30.3 |  |  | 
	| 32.7 | South |  |  |  |  |  |  |  | 32.7 | 
	| 30.7 | Confounding Father - Episode 2 |  |  |  |  |  |  | 30.7 |  | 
	| 30.7 | Codigo Color, Memorias |  |  |  |  |  |  |  | 30.7 | 
	| 29.8 | Wuthering Heights |  |  |  |  |  | 26.0 |  | 3.8 | 
	| 29.7 | Glenn Gould: On the Record |  |  |  |  |  | 29.7 |  |  | 
	| 29.7 | The Mad Masters |  |  | 4.5 |  | 0.3 |  | 0.7 | 24.2 | 
	| 29.3 | Rodents of Unusual Size |  |  |  |  |  |  | 29.3 |  | 
	| 28.8 | Confounding Father - Episode 3 |  |  |  |  |  |  | 28.8 |  | 
	| 28.7 | When Justice Isn't Just |  |  |  | 28.7 |  |  |  |  | 
	| 28.7 | The Good War and Those Who Refused to Fight It |  |  |  |  | 0.2 | 28.3 | 0.2 |  | 
	| 28.3 | About Executing Eichmann |  |  |  |  |  |  |  | 28.3 | 
	| 28.2 | The Weatherman and the Shadowboxer | 9.2 |  |  |  |  | 19.0 |  |  | 
	| 27.7 | The Adventurers of Modern Art - Ep 1 |  |  |  |  |  |  |  | 27.7 | 
	| 26.5 | Confounding Father - Episode 4 |  |  |  |  |  |  | 26.5 |  | 
	| 26.3 | The Owl's Legacy: Misogyny, or the Snares of Desire |  |  |  |  | 0.2 | 26.2 |  |  | 
	| 25.7 | I Am Somebody |  |  |  |  |  |  |  | 25.7 | 
	| 25.3 | Come Undone |  |  |  |  |  |  |  | 25.3 | 
	| 25.3 | Seven Songs for Malcolm X |  |  |  |  |  |  |  | 25.3 | 
	| 25.2 | Tomcat |  |  |  |  |  |  |  | 25.2 | 
	| 24.8 | Minute Bodies: The Intimate World Of F. Percy Smith |  |  |  |  |  | 24.5 |  | 0.3 | 
	| 24.7 | 100 Years of Japanese Cinema |  |  |  |  |  | 24.7 |  |  | 
	| 24.3 | Dancing Dreams |  |  |  |  |  | 24.3 |  |  | 
	| 23.8 | Tribal Justice |  |  |  | 23.8 |  |  |  |  | 
	| 22.5 | Eastern Boys |  |  |  |  |  |  |  | 22.5 | 
	| 21.8 | City of Gold |  |  |  |  |  | 21.8 |  |  | 
	| 21.5 | Nostalgia for the Light |  |  |  |  |  |  |  | 21.5 | 
	| 20.0 | Dries |  |  |  |  |  | 20.0 |  |  | 
	| 20.0 | 2 X 50 Years of French Cinema |  |  |  |  |  | 20.0 |  |  | 
	| 19.8 | Parting Glances |  |  |  |  |  |  |  | 19.8 | 
	| 19.2 | Marx Reloaded |  | 16.0 |  |  |  |  |  | 3.2 | 
	| 18.3 | Six in Paris: The Mute |  |  |  |  |  |  |  | 18.3 | 
	| 17.5 | Le silence de la foret |  |  |  |  |  |  |  | 17.5 | 
	| 17.3 | Bedevil |  | 10.0 |  |  |  | 7.3 |  |  | 
	| 16.8 | La Yuma |  |  |  |  |  | 16.8 |  |  | 
	| 16.7 | Early Works of Cheryl Dunye |  |  |  |  |  |  |  | 16.7 | 
	| 16.5 | Six in Paris: Gare du Nord |  |  |  |  |  |  |  | 16.5 | 
	| 15.5 | The Point of Least Resistance |  |  |  |  |  | 15.5 |  |  | 
	| 15.5 | Gray Matters: Architect & Designer Eileen Gray |  |  |  |  |  |  | 15.5 |  | 
	| 15.2 | Balakrishna |  |  |  |  |  | 15.2 |  |  | 
	| 15.0 | An Injury To One |  |  |  |  |  |  |  | 15.0 | 
	| 15.0 | A Bread Factory - Part 1 |  |  |  |  |  | 10.2 |  | 4.8 | 
	| 14.3 | The Search |  |  |  |  | 14.3 |  |  |  | 
	| 14.2 | From The Other Side |  |  |  |  |  | 14.2 |  |  | 
	| 14.0 | My Friend from the Park |  |  |  |  |  |  |  | 14.0 | 
	| 13.8 | Lunch Love Community |  |  |  |  |  | 13.8 |  |  | 
	| 13.3 | Special Treatment |  |  |  |  | 0.2 | 10.7 |  | 2.5 | 
	| 13.3 | Late Summer |  |  |  |  |  | 13.3 |  |  | 
	| 12.8 | Power to Heal |  |  |  |  |  |  |  | 12.8 | 
	| 12.7 | Cuban Food Stories |  |  |  |  |  |  |  | 12.7 | 
	| 12.5 | The Hitler Chronicles - Blueprint for Dictators - Part 1 |  |  |  |  |  | 2.0 | 5.3 | 5.2 | 
	| 12.2 | States of Unbelonging |  |  |  |  |  |  |  | 12.2 | 
	| 11.8 | Metal and Melancholy |  |  | 11.8 |  |  |  |  |  | 
	| 11.3 | Disorder |  |  |  |  |  | 11.3 |  |  | 
	| 11.2 | Prairie Trilogy |  |  |  |  |  |  |  | 11.2 | 
	| 10.8 | The Great Malaise | 5.2 |  |  |  |  | 5.7 |  |  | 
	| 10.8 | Kings Point |  |  |  |  |  | 4.5 |  | 6.3 | 
	| 10.7 | Hedgehog's Home |  |  |  | 1.0 |  |  |  | 9.7 | 
	| 10.7 | Madam Phung's Last Journey |  |  |  |  | 10.7 |  |  |  | 
	| 10.2 | The Settlers |  |  |  | 10.2 |  |  |  |  | 
	| 9.5 | As Good As You |  |  |  |  |  | 9.5 |  |  | 
	| 9.5 | Six in Paris: Montparnasse et Levallois |  |  |  |  | 5.5 | 4.0 |  |  | 
	| 8.8 | A Silent Transformation |  |  |  | 8.8 |  |  |  |  | 
	| 8.2 | A Sea Turtle Story |  |  |  |  |  | 7.5 | 0.7 |  | 
	| 7.8 | I Like Girls |  |  |  |  |  |  |  | 7.8 | 
	| 7.7 | Love & Diane |  |  | 7.7 |  |  |  |  |  | 
	| 7.3 | Six in Paris: Saint Germain des Prés |  |  | 7.3 |  |  |  |  |  | 
	| 6.8 | Future of Mud |  |  |  |  | 6.8 |  |  |  | 
	| 6.8 | El Velador |  |  |  |  |  | 6.8 |  |  | 
	| 6.7 | Coda |  |  |  |  |  |  |  | 6.7 | 
	| 6.7 | Sex, Lies and Tabloids! |  |  |  |  |  | 6.7 |  |  | 
	| 6.7 | The City of the Future |  |  |  |  |  | 6.7 |  |  | 
	| 6.3 | Dead Souls - Part I |  |  |  |  |  |  |  | 6.3 | 
	| 6.2 | The Machine Which Makes Everything Disappear |  |  | 6.2 |  |  |  |  |  | 
	| 6.2 | Louise By the Shore |  |  |  |  |  |  |  | 6.2 | 
	| 6.0 | Waiting for the Carnival |  |  |  |  |  | 6.0 |  |  | 
	| 6.0 | Dreams Rewired |  |  |  |  |  |  |  | 6.0 | 
	| 5.8 | The Mountain of SGaana |  |  |  |  |  |  |  | 5.8 | 
	| 5.5 | Profit and Loss |  |  |  | 5.5 |  |  |  |  | 
	| 5.5 | Bam |  |  |  |  |  |  |  | 5.5 | 
	| 5.5 | The Society of the Spectacle (English) |  |  |  |  |  |  |  | 5.5 | 
	| 5.3 | Outerborough |  |  |  |  |  | 4.7 |  | 0.7 | 
	| 5.3 | Anthropocene |  |  |  |  |  |  |  | 5.3 | 
	| 5.3 | Mary & Myself |  |  |  |  |  |  |  | 5.3 | 
	| 5.2 | Bitter Money |  |  |  |  |  | 4.8 |  | 0.3 | 
	| 4.8 | I Am Here |  |  |  |  |  |  |  | 4.8 | 
	| 4.8 | Monsieur & Madame Adelman |  |  |  |  |  | 4.5 |  | 0.3 | 
	| 4.5 | Chris Marker's Bestiary: Slon Tango |  |  |  |  |  | 4.5 |  |  | 
	| 4.3 | Chris Marker's Bestiary: Bullfight in Okinawa |  |  |  |  |  | 4.3 |  |  | 
	| 4.0 | Girl Model |  |  |  |  |  | 4.0 |  |  | 
	| 3.8 | Ethnic Notions |  |  |  | 3.8 |  |  |  |  | 
	| 3.8 | Ovid Trailer |  |  |  | 1.0 | 0.2 |  |  | 2.7 | 
	| 3.8 | Elder Voices |  |  |  | 3.8 |  |  |  |  | 
	| 3.8 | The Tree |  |  |  |  | 3.8 |  |  |  | 
	| 3.5 | Chris Marker's Bestiary: Cat Listening to Music |  |  |  |  |  | 3.5 |  |  | 
	| 3.5 | Chris Marker's Bestiary: An Owl is an Owl is an Owl |  |  |  |  |  | 3.5 |  |  | 
	| 3.3 | Level Five |  |  |  |  |  |  |  | 3.3 | 
	| 3.3 | Spark of Being |  |  |  |  |  | 3.3 |  |  | 
	| 3.3 | Ainsi meurent les anges |  |  |  |  |  |  |  | 3.3 | 
	| 3.2 | Ava |  |  |  | 3.2 |  |  |  |  | 
	| 3.2 | Seventeen |  |  |  |  |  | 3.2 |  |  | 
	| 3.2 | The Adventurers of Modern Art Clip |  |  |  | 1.0 |  |  | 1.2 | 1.0 | 
	| 3.0 | The Assistant |  |  |  | 3.0 |  |  |  |  | 
	| 3.0 | O Amor Natural |  |  |  |  |  | 3.0 |  |  | 
	| 3.0 | Non, Je Ne Regrette Rien |  |  |  |  |  |  |  | 3.0 | 
	| 2.8 | Chris Marker's Bestiary: Zoo Piece |  |  |  |  |  | 2.8 |  |  | 
	| 2.8 | Buddy |  |  |  |  |  |  |  | 2.8 | 
	| 2.7 | The Poets |  |  |  |  | 2.7 |  |  |  | 
	| 2.5 | Carface (Autos Portraits) |  |  |  |  |  |  |  | 2.5 | 
	| 2.3 | 108 (Cuchillo de Palo) |  |  |  |  |  |  |  | 2.3 | 
	| 2.3 | The World of Gilbert and George |  |  |  |  |  |  |  | 2.3 | 
	| 2.2 | Maysles Documentary Center |  |  |  |  |  |  |  | 2.2 | 
	| 2.0 | Six in Paris: Place de l'Étoile |  |  |  |  |  |  |  | 2.0 | 
	| 1.8 | Escapes |  |  |  |  |  | 1.8 |  |  | 
	| 1.7 | Sound and Chaos: The Story of BC Studio |  |  |  |  | 1.7 |  |  |  | 
	| 1.7 | In the Shadow of Women |  |  |  |  |  | 1.7 |  |  | 
	| 1.7 | Vic + Flo Saw a Bear |  |  |  |  |  | 1.7 |  |  | 
	| 1.7 | Nice Colored Girls |  |  |  |  |  | 1.7 |  |  | 
	| 1.7 | Which Way Is East: Notebooks from Vietnam |  |  |  |  |  |  |  | 1.7 | 
	| 1.7 | Cassandro, the Exotico |  |  |  |  |  |  |  | 1.7 | 
	| 1.2 | Xu Bing: Phoenix |  |  |  |  | 1.2 |  |  |  | 
	| 1.2 | The Academy of Muses |  |  |  |  |  | 1.2 |  |  | 
	| 1.2 | Reflection |  |  |  |  |  |  |  | 1.2 | 
	| 1.0 | The Two Faces of a Bamileke Woman |  |  |  |  |  |  |  | 1.0 | 
	| 0.8 | Ilya and Emilia Kabakov: Enter Here |  |  |  |  |  |  |  | 0.8 | 
	| 0.8 | Return of the Hero |  |  |  |  |  |  |  | 0.8 | 
	| 0.7 | Cooked |  | 0.7 |  |  |  |  |  |  | 
	| 0.7 | Facing Fear |  |  |  |  | 0.7 |  |  |  | 
	| 0.7 | Maguy Marin |  |  |  |  | 0.7 |  |  |  | 
	| 0.7 | Dreaming of a Tree House |  |  |  |  |  |  |  | 0.7 | 
	| 0.7 | How Putin Came to Power |  |  |  |  |  |  |  | 0.7 | 
	| 0.7 | Food for Thought - Persian Balance - Ep. 7 |  |  |  |  |  |  |  | 0.7 | 
	| 0.5 | Silentium |  |  |  | 0.5 |  |  |  |  | 
	| 0.5 | From Seed to Seed |  |  |  |  | 0.5 |  |  |  | 
	| 0.5 | 12 O'Clock Boys |  |  |  |  |  | 0.5 |  |  | 
	| 0.5 | Great Expectations |  |  |  |  |  |  | 0.5 |  | 
	| 0.5 | The Song of the Shirt |  |  |  |  |  |  |  | 0.5 | 
	| 0.5 | Ida |  |  |  |  |  |  |  | 0.5 | 
	| 0.5 | Elena |  |  |  |  | 0.3 |  |  | 0.2 | 
	| 0.3 | Marina Abramovic in Brazil: The Space in Between |  |  |  |  |  |  | 0.3 |  | 
	| 0.3 | A Kid (Le Fils de Jean) |  |  |  | 0.3 |  |  |  |  | 
	| 0.3 | The Red Soul |  |  |  | 0.3 |  |  |  |  | 
	| 0.3 | Afternoon of a Faun |  |  |  |  | 0.3 |  |  |  | 
	| 0.3 | Born in Flames |  |  |  |  |  |  |  | 0.3 | 
	| 0.3 | Bridgend |  |  |  |  |  |  |  | 0.3 | 
	| 0.3 | The Absent House |  |  |  |  |  |  |  | 0.3 | 
	| 0.3 | London |  |  |  |  |  |  |  | 0.3 | 
	| 0.2 | Sad Song of Yellow Skin | 0.2 |  |  |  |  |  |  |  | 
	| 0.2 | Sun Kissed |  | 0.2 |  |  |  |  |  |  | 
	| 0.2 | Ricardo and Malthus: Did You Say Freedom? |  |  |  | 0.2 |  |  |  |  | 
	| 0.2 | As a Young Girl of Thirteen... |  |  |  |  | 0.2 |  |  |  | 
	| 0.2 | Gett: The Trial of Viviane Amsalem |  |  |  |  | 0.2 |  |  |  | 
	| 0.2 | The Owl's Legacy: Democracy, or City of Dreams |  |  |  |  |  | 0.2 |  |  | 
	| 0.2 | Karl Marx City |  |  |  |  |  | 0.2 |  |  | 
	| 0.2 | Backyard |  |  |  |  |  |  | 0.2 |  | 
	| 0.2 | Towards Mathilde |  |  |  |  |  |  |  | 0.2 | 
	| 0.2 | The Sweet Escape |  |  |  |  |  |  |  | 0.2 | 
	| 0.2 | Don't Give Up Your Voice! |  |  |  |  |  |  |  | 0.2 | 
	| 0.2 | Planetary |  |  |  |  |  |  |  | 0.2 | 
	| 0.2 | Our Daily Bread |  |  |  |  |  |  |  | 0.2 | 
	| 0.2 | Turksib |  |  |  |  |  |  |  | 0.2 | 
	| 0.2 | Natural Life |  |  |  |  |  |  |  | 0.2 | 
	| 0.2 | Street Fighting Men |  |  |  |  |  |  |  | 0.2 | 
	| 0.2 | A New Color: The Art of Being Edythe Boone |  |  |  |  |  |  |  | 0.2 | 
	| 0.2 | Color Adjustment |  |  |  |  |  |  |  | 0.2 | 
	| 0.2 | The Cordillera of Dreams Extra - Patricio Guzmán Interview |  |  |  |  |  |  |  | 0.2 | 
	| 0.2 | Six in Paris: Rue Saint Denis |  |  |  |  |  |  |  | 0.2 |